Runner Up: Batman: Last Knight on Earth #1 – Scott Snyder, Greg Capullo, Jonathan Glapion, FCO Plascencia and Tom Napolitano
“One last adventure together…”
Joker’s words to describe his and Batman’s last run together in the hell that is the world after some unexplained event killed numerous heroes, villains and just about anything else. It also describes what MAY be the last time we see Scott Snyder and Greg Capullo do a big Batman story together and I already feel like we’re in for a BIG one.
After a curious case of large scale chalk drawings, showing a dead Batman, leads the Dark Knight to the Crime Alley he inadvertently sets off a trap laid by an unknown assailant using the decomposing body of a ten year old child. He later wakes up in Arkham Asylum, apparently having been there since KILLING HIS FAMILY in Crime Alley all those years ago. Capullo does a great job of setting atmosphere and making things unsettling as even a small fly buzzing around and “Dr. Redd Hudd” looming over a straight jacketed Bruce Wayne looks creepy. Arkham appears to be just a regular Asylum with Alfred showing up and trying to convince Bruce that Batman was all in his head, showing him a mock costume they made to keep him calm with a cowl stitched to a straight jacket. Bruce sees through it all and fights his way through Arkham until Alfred reveals the truth. He only wanted to keep his boy safe because half of Gotham was just gone. Years had passed and Batman has no idea what happened.
He later wakes up in a desert and coincidentally finds the head of The Joker. He wakes and immediately begins cracking jokes as Batman takes him and they begin to walk to Coast City. I don’t know how much of this is real and that adds to the mystique of the story. We’re never given an explanation as to how he got there from Arkham or how Joker is surviving.
They arrive at Coast City and the decayed corpse of Mogo looms over a giant crater and ruins. Joker says that all of the Lanterns fell and rings are just there for the taking. Suddenly the duo are attacked by projections of babies before being saved by Vixen and Poison Ivy. Ivy then knocks Bruce out just in case and he wakes up surrounded by the new Amazons; Vixen, Donna Troy, Poison Ivy, Supergirl and Wonder Woman.
Wonder Woman explains that one day, Luthor just… convinced most that they should just take what they deserve. He told them that goodness was a lie and they just ate it up. It echoed the future that Luthor saw back in Justice League/Legion of Doom #5, but given that this is a Black Label book, one wouldn’t be wrong if they didn’t want to think of this as the explanation of that timeline because they’re not in the same canon.
Wonder Woman also tells Batman that the one wielding the Anti-Life Equation may be one of the Boys and pleads with him to join the Amazons in Hades.
But Batman is Batman and he decides that he’s going to put a stop to this.
Last Knight on Earth reads like an alternative ending for Scott Snyder’s Justice League epic. Even though that story is far from over, not even close, there’s this unsettling feeling that, if Scott didn’t have to have the heroes win in the end, this should be the absolute endgame. A world, no UNIVERSE possibly, under siege by someone wielding the Anti-Life Equation, hope dead and dying and the ever creeping feeling of dread knowing that somehow life and death have lost enough meaning that Joker as a decapitated head still lives… this story is terrifying.
Honestly, this might be some of Capullos best art to date. With Glapion and Plascencia’s help, this book feels so atmospheric and dark. Glapion accentuates Capullos lines and shading well with dark-dark inks, making Batman appear to be shrouded in it even in the sun. It’s haunting, especially in the Arkham scenes where things are absolutely not as they seem and dark secrets hide behind and within the walls. Plascencia, on the other hand, can make even light and vibrant colors threatening. The red sand on Jokers jar is intense and the Green Lantern babies are deadly. Hell, Coast City, Hall Jordan’s crown jewel, looks unbelievably desolate, colored like a wasteland. Capullo pulls all of this together with as much detail as he possibly can and his work shows.
Faces are expressive, from Batmans fear, to Alfreds regret to Jokers madness. Body language is utilized greatly as Batman fights like a caged animal. He’s taken aback by Jokers head, but still finds his resolve. Wonder Woman is still fierce, but even her edge has dulled with the sheer lack of hope that running away and going underground has given her.
This story is terrifying and I absolutely love it. From the creepy visuals of Capullos art, to the expression of thought because of the mature liberties Black Label books can take, it’s all beautiful. This one is absolutely going to match my love for Batman: Damned and every one should go and read this. High recommend!
Ty Talks Comics 