Best of DC: Week of June 26th, 2019

Best of this Week: Batman: Damned #3 – Brian Azzarello, Lee Bermejo and Jared K. Fletcher

It ended as it began; with a fall.

Barman: Damned has finally reached its epic conclusion and it was absolutely worth it. Brian Azzarello wrote this to be his most haunting and dark story to date since Joker and Lee Bermejo gave everything he had to make the art in this book better than almost everything in the previous issues.

Constantine starts the issue with a monologue about control and how no human truly has it. We’re surrounded in a constant maelstrom of chaos and those that seek true control know this fact better than everyone. Obviously as this speech is being made, Batman is the one being referred to as a heart forms from the body of a bat inside of a decayed skeleton.

This imagery, gruesome and disturbing, let’s on more than it appears, making a lot more sense by the end of the book. Batman awakens in a coffin and struggles to get out before being saved by a gigantic Swmap Thing as his roots break into the coffin and lift the grave from the ground, mostly destroying the cemetery. Swamp Thing is a very ominous force in this story, staying large and speaking slowly, with some questionable statements about what’s truly at stake in the search to solve how the Joker died.

Constantine shows up and immediately starts bickering with Swamp Thing with the Avatar of the Green telling Batman not to trust the con-man as a mysterious figure works their way through the darkness, bringing angel statues to life. Striking as much fear as the Weeping Angels from Doctor Who, the statues spring to life and attack Constantine only for Swamp Thing and Batman to fight them off. The scream for Batman to be theirs, the lettering indicating that the being that had been speaking to Batman in the past was talking through them. One of them creates a nasty gash on Batman’s face, leading towards his mouth and he smashes it and chases after the woman in the shadows. She whispers of fates written, promises made and secrets kept, which sends Batman spiraling out and causes the angel statues to fall.

Constantine jokes about beating the Angels and Batman says that he wishes that he could find answers to what’s plaguing him and Gotham City to which Constantine relies of the veil between life and death being thin as he takes him to someone that may be able to help. The pair arrive at a club hidden from humanity, but not those that have magical knowledge or seek it. Zatanna appears and, at Constantine’s request, acts as a medium with Deadman joining them all as just a guest.

Things start to take an even darker tone as Zatanna’s spirit calling appears to be very painful, washing the pages in a harsh red. Batman believes that she’s calling the spirit of the Joker or the woman that’s been following him and instead the spirit of a young Bruce Wayne appears, pulling Bruce, Constantine and Deadman in the body of a rat into Bruce’s memories. There, they see the young Bruce being caressed by a horrifying Enchantress who reveals that Bruce made a deal with her. I think all the way back in the first issue, she would make him fearless and the only payment that she would need was his tears. I think the implication was that she had some sort of hand in the death of the Waynes and symbolically Bruce Wayne died as well.

I have never been more afraid of Enchantress that I have of Bermejo’s interpretation of her. Her hair is scraggly, her mody is meatless, all skin and bones. Her fingers are gnarled and her face… mannequin-like with her mouth connecting to her eyes, all of it hollow with terror and malice with her teeth falling out and the skin cracking, almost like porcelain. Deadman bites her foot to distract her while Constantine picks up Joe Chill’s gun and shoots her three time. To me, this seems to be a clear mirror of the deaths of the Waynes as she is shot in the head, chest and in one last unseen place. Thomas was shot in the head, Martha in the chest and we never see how the Child Bruce dies, but with Enchantress’ death, Bruce’s spirit is released from her deal.

Batman sees his dead body and thinks that he’s dead and Constantine says that it’s likely the past that he needs to let go of that’s dead. Batman rebuffs him and decides to head to the one place that he hasn’t since going on this adventure with Constantine, the Gotham City Morgue. Constantine departs and tells Batman to be careful what he says to some “Almighty force.” Once inside, Batman meets the man in the green hood that ran away from him in the first issue who tells him that he “fought hell for his soul and stands before him in judgement,” and his identity is made clear; He is The Spectre, the embodiment of the Rage of God in the form of a man.

*Spoilers Ahead if you wish to read on your own and don’t want to know how things turn out*

It is here that we understand the grand picture of what happened and how Joker dies. In what turns out to be their last fight, The Joker simply stabs him. One stab to the left side of his body, likely puncturing the lung, and he knew that the injury was fatal. He fights the Joker, sending him over the ledge of The Gotham Bridge where he holds on for dear life. Batman holds out his hand, thinking of saving him because that’s what he does… but in fear of what Joker will do if there’s no Batman around, he closes his hand and the Joker plummets to his death, leaving Batman to die of his wounds.

This was Batman’s figurative fall. His moment of embracing fear, breaking his deal with Enchantress and allowing her to try and take his soul, was what caused all of this. He chose weakness and all of Gotham suffered for it, but Heaven was watching too. A drawer with an unknown body is opened and Batman is told that he will be judged as he has judged others and after peeking under the white sheet over the body, he laments that he wishes the Joker were still alive before his soul is sucked into the drawer and presumably the body.

The next scene we see if the fall from the start of the series and a Joker with much shorter hair rising from the water and laughing. I believe that this is a reincarnated Joker with Bruce’s now tortured soul at the helm of it as we see a final shot of Joker running his hands through his hir much like in The Killing Joke as in the final page, the heart from the opening is paid off as the final bits of panel bordering resembles a heartbeat monitor as they form the laugh “Ha” over and over.

This book was a stellar package of amazing. Bermejo’s art and his photorealistic style continues to amaze in his representations of our favorite characters. Constantine looks like a lithe snarky prick as he always should. Swamp Thing looks imposing and terrifying as more of a formless creature of The Green with a face that occasionally forms fists and his wooded, mossy appearance almost makes you feel like you touch him. As previously stated, Enchantress was horrifying and made to feel like more of a threat than she ever has. Zatanna was more beautiful than her first appearance, if only because she was in her classic costume.

Everything had an unsettling tinge of horror to it. The bat in the beginning as he opens to form the heart was very creepy. Swamp Thing, while being a good guy, still came off as terrifying with his glowing red eyes and lack of mouth. Zatanna’s spirit summoning aroused more thoughts of possession than anything else has either her face or the faces of the spirits were superimposed over hers. Bruce, as he was entering his memories slumped over, looks like he’s died, especially with the page being colored red.

Brian Azzarello crafted a great horror mystery that tied in so much of the magical community that Batman does his best to avoid and what circumstances would cause him to fall from grace. Batman comes off as heroic still, but he’s unfocused, something is in his head. He’s uncertain, especially because he doesn’t want to acknowledge what he did, so much so that it’s blocked from his memories. It’s a head trip to read because by the end you feel an unfortunate feeling of disappointment in the Dark Knight.

He’s supposed to be a hero, standing for justice and never giving in to his fears, but watching him close his fist and seeing the Joker’s fingers disappear from the ledge just sends a shock to the senses. Watching him take this journey, as Constantine keeps him from the Morgue as he was originally supposed to go to first, seems like he’s suffering through trials or stages of grief after what he’s done.

This story is truly the quality of what I expect from DC Black Label. With this stellar debut and it’s amazing ending, I only hope that future releases are this good. Batman: Last Knight and Superman: Year One have had amazing first issues and as long as they remain consistently good like Batman: Damned then this imprint will go down in history as one of the greats in prestige books. High recommend.

Best of Marvel: Week of June 26th, 2019

Runner Up: Avengers: Earth’s Mightiest Heroes #20 (Legacy #720) – Jason Aaron, Ed McGuinness, Mark Morales, Jason Keith and Cory Petit

I love She-Hulk.

She’s always been a fun, sexy character that’s easy for me to project my McMahon-esque muscle fetish on and this issue deconstructs that in the most brutal way that needed to be acknowledged.

Starting off with a trial of the She-Hulks, Attorney She-Hulk accuses current She-Hulk of flushing Jen’s reputation as the jolly yet sassy, beautiful She-Hulk down the drain after her powers were enhanced by the Celestials in the first arc of this Avengers series.

Effectively, Killing the Fun. Current She-Hulk objects and the two get into a fist fight as we cut back to reality and see that it’s just Jen giving herself some therapy to control her powers.

But the theme of “No Fun” runs throughout the issue almost to a maddening degree. It’s the name of this chapter, Jen makes nods to it and even wears a shirt with the saying on it. I don’t take this to mean that Aaron dislikes the old She-Hulk, but that the objectification that came with her was not fun or good at all and that is a strong stance to take.

Sensational She-Hulk was an amazing series, not only for the writing and art, but also because of those spectacular pin-up covers. She-Hulk has been one of Marvel’s top tier sex symbols for decades almost to the point where it overshadowed a complex character with a fantastic personality and maybe more heroic deeds than her cousin, especially as he’s a Horrifying Gamma Monster now and she’s an Avenger saving the world.

Through the book, Jen tells us how villains would make crude jokes at her old form, grope her during fights and just in general not take her seriously. As she fights Ulik, King of the Trolls (a title that doubles as a use against some fans that didn’t accept Jane Foster Thor as he makes a comment about Thor being a name and not a legacy to pass on) he asks her to marry him as she beats his ass to a pulp. This, though contrary I think to the point that only her slim form got this kind of harassment, is the objectification and invalidation of her character.

Deadpool, for whatever reason, suddenly appears. He asks her why she stopped being funny. She replies so that she’s free to be ugly, to which Deadpool replies as she jumps away, “Can’t you do both?” This gets expanded on as Jen monologues of a conversation that she and Bruce had, where he said that he was envious of her Hulk looking the way that she did and that people didn’t run away in fear of her.

Of course, we then learn that she’s been hit on during team ups, groped, had topless pictures taken of her while she was in the Fantastic Four and just had horrible stuff happen to her that would never happen to Bruce. She thinks that being an “ugly monster” sounds good sometimes.

This book was powerful in exploring why Jen doesn’t necessarily miss being The Sensational She-Hulk. Even after that’s what it seemed like she was going back to after Mariko Tamaki’s Hulk series, I can see how Aaron feels about her character and the respect he has for her. She’s still not as strong as Bruce, but goddamn if she isn’t still one of the strongest Avengers.

And now to ruin any good will and intent I had with this review by gushing and arguing against the “Ugly Monster” statement with my own personal opinion.

Ed McGuinness has a very cartoony and exaggerated style of drawing and I absolutely love it, especially when it comes to heavily muscled characters. Back when he was doing pencils for every Hulk series, McGuinness always drew the She-Hulks exquisitely and now that Jen Walters She-Hulk has taken on a more JACKED look, she’s only gotten better.

Jen knows her Hulk form to be ugly and that gives her all of the validation and strength that she needs. I, HOWEVER, see “ugly” and all I can ask is WHERE?

In ny OH SO HUMBLE OPINION, this Hulk design is one of her best and most appealing. I loved the design of the “Broken” She-Hulk from Mariko Tamaki’s run with the character and McGuinness’ design builds on that with AN EVEN BIGGER FRAME and the MUSCULATURE to carry it.

Jen’s biceps and triceps are so large that both Scott Steiner and Hulk Hogan would blush and cower in fear. Her hands are boulder hard and could easily crush ANYONE with no effort. Her shoulders are wide and imposing in a way that should strike fear into even Mephistos heart.

Her legs and abs ripple with the strength to RIP KICK CELESTIALS APART and DO CRUNCHES WITH THEIR MASSIVE REMAINS as weight. Her chiseled jaw and face of anger make her a FORCE to be reckoned with. Any coward that runs away in terror of the sight may be justified, but anyone who sees this is as “Ugly” does not deserve the gift of being crushed under the weight of any of these muscles.

This She-Hulk is TOP THREE in most beautiful HULK designs and it takes up all three spots. Maybe this issue was directed at me, in regards to undue comments about Jen Walters appearance, but to mirror Ulik’s statement – Marry Me tho.

Best of Marvel: Week of June 26th, 2019

Best of this Week: Conan the Barbarian #7 (Legacy #282) – Jason Aaron, Mahmud Asrar, Matthew Wilson and Travis Lanham

Conan’s heart is as cold as ice.

As such, he has great trouble letting people in and, in all honesty, why would he? He’s a thief and a killer in a world of thieves, killers and maniacs around every corner. The very idea of trust and love is something that Conan keeps far away from his heart as either a distraction or something that can be a grave detriment to any traveler. As such, when this book begins and Conan requests a few ladies of the night to join him on a journey, he is very cold to them initially.

He rides ahead of them on his horse to avoid unnecessary talk while they gossip amongst themselves over his intentions; whether or not he’s going to sacrifice them to a savage god, or planning a robbery and they laugh at the barbarian. It’s not uncommon for anyone to underestimate Conan, but his lack of willingness to touch them or even share a tent with them, given the nature of almost everyone in the Hyborian Age, is a little bit suspicious. We then get our first hints of what the underlying plot of this issue might be as Conan is unable to sleep because of memories of a certain Pirate Queen.

The next morning, one of the girls holds a blade to Conan’s throat and the barbarian doesn’t flinch. The Khitan woman asks where he is leading them and he surprises her by acknowledging what kind of hardships that they’ve shared in life, without any prior knowledge and she, the coldest of the girls sort of falls for Conan, earning him the respect of all of them. That’s what makes Conan great and so admirable, he has lived a life that most Hyperborians could only dream of and has suffered almost every pain imaginable. His eyes are filled with conviction and a darkness that commands respect.

Not only are Conan’s words hard, but his body is as well. I haven’t commented on it in a while, but Asrar’s work still shines amazingly as he draws Conan as a rock hard, man of power as he protects the girls from wolves. Though only one panel, Conan looks as ferocious as the beasts, driving his sword through the wolves, blood splashing from their wounds. His biceps and triceps tighten as he overcomes the animals in his frothing rage. Conan is intimidating and as the girls look on, their various faces from stunned bewilderment to gazes of lustful want only makes this entire book that much more beautiful to look at.

Not only is the action good, but the scenes of downtime are even better. With Wilson’s spectacular coloring, their evening feast feels all the more intimate. Conan, unable to fetch more than a rabbit, is surprised when the girls show up with a nice dinner and the way that they look at him, lit with the warm orange of their fire, is fantastic. Conan sat by and ate their food, thinking it was the finest meal he’d had in months and that was the moment they’d entered his heart. He listened to them tell tales of their various homes and stunning sights and when he did speak after being asked why he left Cimmeria, he looked at all of them and said that he knew that there was a world with sights that would leave him stunned.

He didn’t sleep with memories on his mind that night. The next morning, he reveals his plan to the girls, that they would sneak upon a pleasure ship so that Conan may kill a man that he had his eyes set upon for quite some time, telling the girls of a great reward for his head. Making fun of him for looking like a shipwrecked hobo, they clean him up nicely and board the ship. Unfortunately, Conan’s drink was poisoned and he finds himself dangling over croc infested waters at the mercy of the ships owner, Pheidus, an Argossean money lender. Love had made him sloppy. Pheidus, thinking he has the upperhand because he knew Conan was coming, drops him into the crocs, while taunting him about having the girls captured.

But, amazingly, the girls kill the guards holding them, toss Conan a sword to free himself and tear through Pheidus’ men. Violence is sexy and this scene might as well have been porn because not only did Conan rip and tear as normal, but each of the five girls did as well. They slashed and sliced with daggers and fists, grit their teeth in rage and screamed the same mad scream that Conan is famous for. As Conan tosses Pheidus from the ship, his inner monologue explains why he targeted him with such fervor.

Conan’s thoughts drift to his one true love, Bêlit, and how Pheidus ensured that her father would flounder on a sand dune until he died. This was all personal to him and the sheer amount of depth this adds to his character is astounding. Conan and Bêlit had one of the most beautiful and storied romances in Conan’s history before her death due to greed MANY, MANY years ago. Conan taking revenge on a man that wronged her family whose vice also happens to be greed is mighty poetic.

This book, as with the others in this series was absolutely beautiful. Jason Aaron really understands this character, his moods, his wants and desires and Mahmud Asrar is able to capture it with perfect line art and intensity. The action is amazing and using these one-shot stories to connect the overarching narrative is masterful and I cannot wait to see where this all ends up, high recommend!

Best of DC: Week of June 19th, 2019

Runner Up: Superman: Year One #1 – Frank Miller, John Romita Jr., Danny Miki, Alex Sinclair and John Workman

Trigger Warning: Attempted Rape/Sexual Assault

Slow and steady wins the race.

That’s the approach visionary writer and sometimes crazy person, Frank Miller, took when writing the great, but flawed, Superman: Year One. The book is a masterwork on the slow burn that builds excitement and tension for a character that has all the potential to be exciting, especially as a young child.

Beginning with the destruction of Krypton from the toddler Kal-El’s point of view, the boy is rocketed from his dying home. He watches as his parents get further and further away, engulfed by the fire and explosions of the dying Krypton, scared and alone until he reaches his new home; Earth.

This presentation feels a lot more personal through his eyes. Though his inner monologue is a bit jarring for a toddler, it speaks volumes that he doesn’t know what’s happening. He’s terrified that his parents are leaving him alone, that he may never see home again. His hands press against the glass in fear.

Pa Kent just happens to pass by, noticing the rocketship land with this strange child in it. The baby Kal exhibits a strange telepathic suggestion ability and makes Pa Kent think that taking him home is all his idea. Ma Kent is introduced as the ideal small town mother and the majority of this book expands on Kal-El’s life in Smallville.

This comic acts as the absolute ideal in what Superman’s life as a kid could have been. It’s hokey in a way that the Kents are just simple farmers and the perfect parents with Clark learning the values of how to be a good person. He defends his nerd/outcast friends from bullies and gains the love from the always awesome Lana Lang.

The books flaws, however, are as awful as the entire thing is good. Things get a bit jarring as the bullies go from simple name calling and egging to physical violence and attempted rape after Lana takes pictures of their actions. If anything should have been cut, it should have been this gross depiction of near violence against a teenager.

This and the fact that there’s no real comeuppance after the fact, aside from Clark just beating their asses, and leaves a bad taste in my mouth and the plot is dropped from there. It shifts to his relationship with Lana Lang after he reveals his powers to her and gradually makes up his mind about his future. In his late teens, instead of going to college or to Metropolis for his common origin of becoming a reporter, he decides to join the US Navy.

I am a little biased because his experience was much like my own from people questioning the decision, to telling my girlfriend at the time that I’d come back and what not and the teary goodbyes. Of course everyone who joins may have the same story. It just felt very personal to me and stood out as the most glaring change to how Clark Kent becomes Superman. I felt kinship and traumatic flashbacks when seeing John Romita Jrs. representation of RTC Great Lakes.

Speaking of the amazing artist, his art for the book is absolutely stellar. Capturing the vibe of the dry heat of the American Midwest, Romita Jr pulls you into every scene. The sense of scope is grand in space, it feels home-y in Smallville and the road to Illinois feels desolate and empty and yet full of hope and joy.

The line between adult and children’s faces, however is very thin. Clark’s faces run the gamut of emotions from joy, to surprise to near rage, but between each time jump, it’s hard to tell just how old he actually is. Ma and Pa Kent age with the subtle graying of hair and maybe a few wrinkles, but Clark is forever having the face of his three year old self.

Despite covering ground that’s been trodden millions of times, Frank Miller’s found a way to inject a bit of interest into a familiar origin story. I love the new angle of Clark Kent becoming a Sailor and fighting for America, not exactly knowing what kind of person that it will change him into. Though I hope we get a more focused and less Crazy Frank Miller in the next issue. Attempted rape is disgusting as a simple storytelling device and depending on what kind of accounts he’s gotten from Sailors on boot camp, things could go either way.

I am excited for the future of this series, however, and can’t wait for the next one. High recommend!

Best of DC: Week of June 19th, 2019

Best of this Week: Teen Titans #31 – Adam Glass, Bernard Chang, Marcelo Maiolo and Rob Leigh

Lobo came to bring the pain.

Starting off with a bang, Lobo completes a contract on a Dhorian at the behest of Kanjar Ro, blowing up the disguised alien’s bodega before shooting him right in the face for his cash. After completing the contract, he receives a job from The Other to take down the Teen Titans. After an initial rebuff of the job, his interest is piqued after he’s shown an image of Crush, the only other living Czarnian. (not counting Twink Lobo that should still be trapped by Larfleeze)

Cutting back to the ending from the last issue, Lobo confirms that Crush indeed her daughter and proceeds to absolutely DESTROY the Titans. All of my love comes for this book comes from just how amazingly dominant Bernard Chang makes Lobo look and how terrifying Glass scripts him.

All of the Titans rush the Main Man with Roundhouse being the first to face his wrath. Lobo takes Roundhouse, who has taken the form of a ball, and uses him to BEAT THE OTHERS. He slaps Kid Flash with his best friend, he smacks Red Arrow upside her head, Robin dodges, but his cape is used against him as he’s crushed between Roundhouse and Lobo’s hands. Kid Flash tries to come back with a flurry of punches, but Lobo has none of it and decks the Kid in his face.

Djinn teleports him into Crush’s room and he sees her wall of pictures and articles about her dad. Djinn tries to bind him with magic, but he uses a mirror to turn it against her and just as he’s about to kill her, Crush saves her in the nick of time, suplexing him out of the Titan’s hideout. Lobo, unaffected, uses her as a basketball, throwing her into the backboard before using his hoop as a bat and hitting a home run with her as the ball. Throughout the carnage he has nothing but a smug grin, like he’s playing with these kids; because he is.

Lobo has killed a lot of things, including his own children, so killing the Titans would be nothing to him. At the very least, he’s jovial and having a fun time beating their asses. Chang draws him as being kinda relaxed and casual about his violence. He’s still rippling with muscle and almost appears to be showing off a little, it’s really charming in a sick way.

Catching up to Crush, he shows no restraint against her. He breaks her ankle to test if she has his healing factor, grabs her by the hair and smashes her into a train. The impact is hard and brutal with the train crumpling as Crush’s face kisses it. Back at the hideout, Djinn has the idea to loose Crush’s chain, Obelus, as it might be the only thing that can save her. Crush, however, is not a fan of the idea because the chain came from Lobo and may not obey her. In her anger, she crushes her communicator and LOBO CRUSHES HER WITH A TRAIN.

This splash page made me lose it. Lobo just leans on the train car as Crush is pinned underneath, reaching out in pain and the bottom is EXPLODING in a hail of debris and fire with a deep red and some blood spatter effect acting as the background to the insanity. Lobo taunts her, saying she was lucky that he wasn’t around to mess her up for all of her years, but that there was still time for him to let her down. The absolute CHAD hasn’t been in her life at all, comes back and IMMEDIATELY threatens to ruin it, absolutely. I can’t believe how callous and brutal it is.

Crush spits blood in his face and just as Lobo is about to deliver his coup de gras by smashing her head into a fine red past on the ground, Kid Flash swoops in and saves her, setting up Round 2 for the next issue.

This issue was absolutely insane thanks to The Main Man. Lobo just brings out the crazy in everything that he’s in and introduced the Titans to a WORLD OF PAIN. Crush was absolutely an overpowered member of the team because almost nothing could hurt her and to see her absolutely dominated like this was astounding. One thing that truly stood out was her anger when seeing Djinn in danger because of her, pun intended, crush on the young Genie. She had a burst of rage and actually slightly overpowered Lobo, but of course he continued the beating.

Lobo’s ferocity stood out in a way that we haven’t seen in any of his fights with Superman or his time in the Justice League of America. He wasn’t angry at all, but was having fun. While he could have swatted any of the kids into dust, he played with them, dragging out their pain. His fight with Crush was hard to read/watch at times with his banter. It was almost scary how ready he was to straight up murder her to keep his rep as the last Czarnian, (again, not counting the pretty boy) but at the same time he was weirdly fatherly in his own murderous way.

Honestly, this issue was just a ton of fun. I love Lobo and any chance that I get to see him act like a madman, I enjoy. Adam Glass wrote him so very well that it kind of feels like a callback to Giffen and DeMatteis’ series and Change makes him look like an imposing freak of nature that eats nothing but protein and drinks rage. Seeing Crush express even a little bit of fear was fun because all we’ve gotten out of her is anger and snark. I can’t wait for the next issue and her eventual win just to see what she’ll be capable of. High recommend.

Best of Marvel: Week of June 19th, 2019

Runner Up: Iron Man #13 (Legacy #613) War of the Realms tie-in – Gail Simone, Paolo Villanelli, Edgar Delgado and Joe Caramagna

There’s a lot to be said for how greed changes a man.

Tony Stark, eccentric, billionaire tech mogul, loved by millions across the world definitely had his flaws. He used to be a terrible alcoholic who sold weapons of war to the highest bidder until his failings led him down the path of heroism. His is a very heartwarming story and it’s intriguing to see what he used to be reflected back to him in the form of a greedy, magic leaking dragon as the War of the Realms reaches his front door.

With Tony’s armor being transformed due to being infected after his first encounter with Sadurang, he has to contend with one of the few things he tends to avoid like a plague: Magic. As a man of science and technology, it makes sense that Tony is averse to such things, taking a more structured approach to fighting people like Doctor Doom. He figures that it has to function similarly to coding and does his best to figure things out as lives are in danger.

His thoughts immediately drift to Sadurang and how similar they are. Sadurang, the All-Consuming is a gold hungry dragon, sometimes in the form of a man, whose appetite causes him to destroy everything that will be a profit to him. Tony used to be much the same and claims that while he was changed, his time in the eScape let him hit the bottle again and he hasn’t managed to tell his new girlfriend, Janet van Dyne aka. The Wasp. To me, this seems like the next step to a destructive end after Rhodey manages to stop him from walking into a bar in the last issue. He’s not dealing with his problem by telling her and only seems to be pulled further in as Sadurang mocks him for his weakness.

With Janet and Rhodey’s help, they manage to take down Sadurang by distraction and utilizing an improved Mk. I armor. Villanelli’s art shined throughout this issue. I have a weakness for stipple shading and this issue is full of it, almost giving it sort of Pop Art feel that really helps with the gleans and reflections of Tony’s armor. Delgado’s coloring accentuates this by making everything much brighter. Tony’s red and gold stand out amongst the beautiful purple magic effects and Sadurang is beautiful in a similar shade of red. Wasps yellow makes her look downright angelic as she zips around before the bright silver of the Mk. I armor steals the show.

With the upcoming Ultron Agenda being teased by Mike Deodato Jr. and Marvel a few days ago and the secrets that Tony is keeping from Janet, this book is a high recommend from me because of the story possibilities that are likely to follow from this. Tony has an awful habit of pushing the women he loves away and as Ultron returns, will his secrets spill out then? Who knows, but buy this book!

Best of Marvel: Week of June 19th, 2019

Best of this Week: Guardians of the Galaxy #6 (Legacy #156) – Donny Cates, Geoff Shaw, David Curiel and Cory Petit

Talk about an explosive end to the first arc, huh?

Battered and bruised from their fight with Hela and the Black Order, Quill and the rest of the Guardians are pissed off and ready for round two. With Lockjaw’s help, they teleport to Knowhere, taking the fight directly to villains.

Geoff Shaw takes this story to its absolute peak with his amazing art. Propelled by a psychic dragon construct created by Moondragon, Beta Ray Bill sends his Stormbreaker hammer into Hela, taking her out of the fight. The sight is awesome, but unfortunately the only teamwork really seen here. The dragon looks ferocious and rightfully takes Hela out, or else the fight would have been very one sided again.

Shots are far and mostly wide, showcasing the various means of attack as the Guardians tear through Thanos’ alien creatures, mostly with Gladiator shooting everything in sight with his laser eyes. Shaw makes things look grand in scale, even when things are focused on one character such as Phyla-Vell after taking Proxima Midnight out of the fight with rays from her hands.

Things get even more tense as Peter confronts Cosmic Ghost Rider, who betrayed the Guardians in the last issue because of Hela’s control of the dead. He falls apart as Hela’s control over him fades and it’s actually pretty sad, mostly thanks to Petit’s lettering making The Riders apology even more melancholic.

Quill catches up to Gamora, who went to stop Thanos from being resurrected, and tries to convince her against killing her Uncle Eros, aka Starfox. Starfox had been the main antagonist of this Guardians book, thinking that Thanos would use Gamora’s body to house his consciousness when it turned out to be his Brother, the only other Titan left. Gamora rationalizes that if it had indeed been her that Thanos took over and she were in Peter’s shoes, she would have killed the possessed body in an instant, stabbing Eros through the heart and preventing Thanos from being resurrected.

That one panel was absolutely beautiful, if a bit marred by the lettering covering the exit wound. Eros snaps out of his trance and looks like he’s gasping in pain. Gamora is resolute in her decision, much like she was when she killed Thanos in the beginning of Infinity Wars (2018). She apologizes to her Uncle who muses that the plot was miserably predictable. It’s heart wrenching, especially knowing how light hearted and heroic Eros was before all of this started, seeing him fall as low as he did, almost killing Gamora before the gambit was discovered.

Suddenly, Thanos’ body erupts awake, though his mind not fully intact due to the transfer not being completed. Hela returns and in her anger, fires a black hole missile at Gamora, but it gets deflected back at the Incomplete Thanos, causing him to become the center of the black hole. The Guardians escape as Hela and presumably everyone else gets sucked into the black hole.

Setting up the Death of Rocket arc at the end, I really enjoyed this issue. Not only was it action packed, it also subverted my expectations about its outcome. I absolutely thought that Thanos would come back in full force in the final pages of the story and while he may in the future, it was great to see that it won’t be a YEAR after he was killed in the first place. I had some initial bad feelings about this team of Guardians, but they meld together very well. The power of Beta Ray Bill, Phyla-Vell and Moondragon combined with the skill of Star Lord, Groot and Gamora makes for an absolutely interesting and banterful team. Also because I’m a huge Phyla-Dragon fan and I can’t wait to see more of them. High recommend!

Best of DC: Week of June 12th, 2019

Runner Up: Superman #12 – Brian Michael Bendis, Ivan Reis, Joe Prado, Oclair Albert, Alex Sinclair and Josh Reed

Reunited and it feels so good.

The House of El has been separated for a long time. Jon went on adventure with his Grandfather and came back as a seventeen year old, though it’s only been three weeks on Earth. Kara went off into space to find out who destroyed Krypton and why and hasn’t been on Earth almost as long as Jon. That just left Superman while Rogol Zaar rotted in the Phantom Zone.

After Jon’s return, the father-son duo go on to rescue Jor-El, who’s in the middle of a war of his own design. Suddenly, Kara and Krypto join the fight, on the way back to Earth after discovering who killed Krypton. The family reunites just as Rogol Zaar, Jax-Ur and General Zod escape the Phantom Zone and go after the House of El.

Ivan Reis plays up this reunion like it’s been years in the making with Superman immediately intercepting Zaar with Kara, Jon and Zod in the background, all fighting in this amazingly drawn battle. Their blues and reds stand out as colors of hope as they fight against the Khunds, Thanagarians, Trilium Collective and the Enemies of El.

Superman fights with intensity, knowing the destruction that Zaar is capable of. When Zaar breaks away to take his ax/staff from Kara, she rocks him with a HARD punch. The impact almost shakes the page. The same things play out in her book, also released this week, but she knows that she has to keep the item away from Zaar, lest his power increases exponentially.

While the battle is going on, Krypto and Jon play around a little bit and this wholesome moment puts a smile on Clark’s face before Zod ambushes him. The two clash and briefly enter super speed before he and the rest of his family make a dash to Jor-El’s ship following Zaar’s retreat and the end of the battle.

The family, excluding Jor-El who looks salty as hell in the next panel, embrace. They go their separate ways soon after as Kara wishes to confront the leader of the Trilium Collective as they’ve been the main roadblock in her book. She takes Jon, leaving Superman and his father time to reconcile as Jor-El leads Superman to the remains of Krypton for a cool cliffhanger.

This book was great. Ivan Reis continues to be a fantastic artist for Superman, drawing on his and the others sheer amount of strength to make things look impactful and cool. His sense of scale makes things seem so much bigger, especially with all of the action going on in the background. With Sinclair’s help, colors are vibrant and give the book all of the life that makes it good, especially on the non-gloss paper.

One thing that I hold in high regard for this story is how it seems to be working towards making General Zod less of a tyrannical villain and more of a tyrannical anti-hero, at least for the moment. In most other cases, seeing Superman would be fight-on-sight because of his hatred for the House of El, but his Kryptonian pride won’t let him compromise the chance to take revenge on Zaar and anyone else responsible for Krypton’s destruction.

This allows him to form something of an alliance with Superman. Coupled with the two or so dream sequences we’ve seen that allude to peace between the two, there’s real hope for a mutual understanding between them. So long as Zod never learns of Jor-El’s involvement in Krypton’s destruction.

Best of DC: Week of June 12th, 2019

Best of this Week: The Batman Who Laughs #6 – Scott Snyder, Jock, David Baron and Mike Cipriano

Gotham City is Laughing.

The Batman Who Laughs mini-series continues to be absolutely terrifying in every aspect of its creation. From the horror styled art, to even the idea that Batman has to become his greatest enemy to defeat them, this book has it all in spades while at the same time continuing to make TBMWL one of the more scary of Batman’s villains.

Wearing the Mask of TBMWL, Bruce activates his Last Laugh Protocol, sending out drones to spread an anti-Joker serum in the case that the Grim Knight and TBMWL succeed in their plans. He also sends Jim Gordon and his son James to gear up for the coming fight.

As Batman taunts his foe by teleporting another Bruce Wayne away before TBMWL can kill him, the Evil One notes that he knows that Batman can see the thousands of Bruce Wayne’s in the various universes. Bruce Waynes that have married, had kids or been able to grow old because they found true happiness, but our Batman says that the one common thread they have is good hair, joking in the face of danger.

Bruce tells the evil Batman to meet him at Wayne Manor for their final confrontation and it is amazing. Jock and Snyder do their best to portray this fight from two perspectives; the normal one and Batman’s as he sees TBMWL as a distorted and disturbing monster. Meanwhile Gordon and James don two prototype Beyond Suits and confront the Grim Knight.

The Batmen fight is an absolute treat to read. Smaller panels with normal points of view show the fight as it is, with TBMWL in his leather suit wielding a chain with a Batblade at the end. The larger panels, however show what Batman sees; TBMWL twisted, teeth jagged, spikes intense, awash in David Baron’s bright reds. He’s dangerous.

Bruce gives his all in the fight, punching and kicking with desperation and using his ace in the hole, a young Bruce Wayne, as bait for the Evil One to go after. At the same time, The Gordons are getting their asses kicked by The Grim Knight who uses mind games to get James to betray his father.

Earlier in the issue, Jim and James had a heart to heart where James tried to ask his father to complete the treatment that would stop him from becoming a psychopath again, but Jim says that he doesn’t trust James anymore after all he’s done. He notes that his human face has always been a mask and that someday he might trust his son again, but now is too soon. He may have been right as The Grim Knight starts choking him as James watches.

TBMWL, however, does not take the bait and chooses to continue his assault. He slashes and slices at Batman before throwing a Batarang in his eye. He says that the happiest Batman, calling back to his previous statements, is the one he’s about to stab in the heart with the last bit of his own Joker serum and he gives Bruce a final coup de gras.

This penultimate issue absolutely justifies Snyder’s decision to bring the count up to seven issues because of how much story there’s left to tell. This issue brings the pain, the intensity and darkness that the best Batman stories are made out of.

Watching Batman spiral down the path to becoming a Joker is heart wrenching, especially as Alfred has to watch it happen. Watching Gordon fail to reconcile with his son is heartbreaking. Watching the Batman Who Laughs continue to win is terrifying.

Jock is a master of his craft and teamed with David Baron, the line art and coloring is a master work of horror and anguish. Even the lettering includes a hidden message capable of inducing dread throughout the run of the book if eagle eyed readers take notice.

Suffice to say, this is a high recommend and the final issue is hotly anticipated.

Best of Marvel: Week of June 12th, 2019

Runner Up: The Immortal Hulk #19 – Al Ewing, Joe Bennett, Ruy Jose, Paul Mounts, Rachelle Rosenberg and Cory Petit

I think I’m going to be sick. Sick with disgust, fear and absolute love for this amazing series and the levels it goes to push the envelope of horror storytelling in a superhero universe.

Beginning with an impressive analogy, foreshadowing the events of the book, a young Captain Fortean is trying to impress a young Betty Ross with the importance of spiders to the ecosystem as they watch a butterfly trapped in its web. He tells her that spiders keep the rest of the insect population in hand so that the world isn’t in chaos. As they drive away, the butterfly escapes from the web.

Continuing the events from the last issue, Hulk is in the middle of battle with RickBomination, who displays an ability to dissolve Hulk’s body parts with his acid. Truly it’s a gruesome display from the fluid splashing off of Hulk’s arms, to the acid dripping from both of Rick’s mouths, to the slop of flesh falling off of Hulk’s hand as it fails to regrow.

Elsewhere, a kill team utilized by Shadow Base is taking care of witnesses and kills one of the hotel staff. This act is witnessed by Jackie McGee, the reporter that’s been following the Hulk and his exploits for the entirety of the series and her new friend: a newly resurrected and terrifying Harpy, Betty Ross-Banner.

Betty’s new form is a thing of nightmares. In her original Harpy form, Betty was a green skinned beast, resembling a centaur/manticore like monster consisting of wings and feathered legs. She was also the Red She-Hulk, pretty much exactly what it sounds like. This new Red Harpy is…something else. With a jaw that seems very snake-ish, the talons of her hands and feet are razor sharp, capable of grappling, ripping and slicing through anything. Her display of violence against the kill team is brutal and horrific.

She rips off heads, tears bodies in half and just strikes fear into the hearts of the men. The expressions on their faces are not unlike any previously seen in the series, but they still carry with them the sheer terror of what they’re facing. Jackie tries her best to stop Betty’s rampage, but her voice is mousy, unheard as Betty goes absolutely mad.

Throughout the book, Betty narrates that everything about her is her own. Her rage, pain and violence is all hers. Her new Harpy form is hers and after years and years being defined by her relationship to Bruce, she has something all on her own again. She is not endlessly loving, she is not forgiving, she is no one’s friend or soulmate and that if she is seen as a monster, then this is the perfect world for her. The truly horrific bit is saved for the end and it is disgusting.

This issue had a big focus and did a great job of reintroducing Betty Ross-Banner in a meaningful way after her “death” at the hands of Bushwacker a few issues earlier. It also teases a release from her role as just Bruce Banner’s love interest and more into her own kind of beast, more ferocious than her Red She-Hulk past. I’m excited for what the future has in store for her and the rest of the Gamma Monsters.