Best of DC: Week of January 22nd, 2020

Best of this Week: Far Sector #3 – N.K. Jemisin, Jamal Campbell and Deron Bennett

I was once told, “If we all think the same, then are we truly living?” 

That’s the question that the story of Far Sector centers around thus far as Green Lantern Sojourner “Jo” Mullein has to operate as the protector of the planet sized City of Enduring where the three dominant races, the Nah, the @At and keh-Topli, are kept in line by having their emotions stripped from them. After a murder occurs on the planet after 500 years of peace, Jo has to investigate a drug called “Switchoff” that turns off the emotional inhibitors of its users. After dancing with the handsome Councilor Marth, she discovers that the issue of Switchoff use goes far deeper than she expected.

In a brilliant scene drawn by Campbell, we see how Switchoff affects Marth and turns him from a monotone man with natural charm to a sexy, dreadlocked, high elf before our eyes. He’s a lot more relaxed and muses of his people’s past with Jo as they play a game similar to chess. He’s drawn with a wide grin that hides his inner pain and lamentation over the loss of emotional connection his past. He is lit in purple lighting signifying his higher status and he even notes that he’s not the only Councilman that’s using Switchoff.

Two of the biggest themes of this issue, compared to the others so far, are centered around the ideas of memory and the past. After Mullein leaves Marth’s presence, she heads to her home on Enduring and receives a chapter of a book from Earth that she’s been reading and confirmation that her father sent an email reply to her. This is especially strong as while she’s lying in bed, she cries while reminiscing of her childhood on Earth – watching westerns and Saturday Morning Cartoons. These are the things that brought her joy, especially hearing that her father sent her a reply. She’s so far away from home kinda misses it.

At the same time, her duty is to the City of Enduring and those in charge of it, so when she’s called to pull a little bit of crowd control, she’s a bit annoyed but accepts the task. Things are different in the City than they would be on Earth. Two sides have decided to protest against one another and the solution of the Peace Division is to kill them all in order to keep the peace. Mullein is understandably shocked, but the Peace Officers look pretty nonplussed, keeping with the idea that their emotions are heavily suppressed as no one would want to slaughter so many.

Mullein is given a choice to stop both sides before the kill order is given and she takes it. Campbell gives us many great shots of Mullein doing heroic poses before separating the two angry mobs with shields of green and looks of annoyance. It’s a great way of showing us her personality without vocal exposition. Jemisin contributes to this by showing us Jo’s thoughts on peaceful resolution, saying that her dad talked about two kinds of peace in her youth: temporary peace by shutting conflict (with a note asking readers to look up Martin Luther King Jr.) and peace made when people get what they want and need.

I take a small bit of umbridge with her thoughts because Dr. King’s methods did eventually lead to widespread change if not also due to his martyrdom, but I might be reading Jo’s words wrong or taking them to heart when I need not.

Mullein actually tries peaceful conflict resolution by asking both sides what they’re arguing about with one side saying they’re against Switchoff users because emotions caused the “Burnover,” a war between the three races. The other side argues that emotions aren’t the problem, aliens are. Neither side wants to acknowledge that it’s the races themselves and their inability to take personal responsibility that’s the real problem. When one of the aliens complains about the Switchoff users being criminals and wanting to respect law and order, jo flashes back to racial injustices that she potentially witnessed on Earth.

I have to hand it to Jemisin for how she chose Mullein to handle the situation. Instead of saying that both sides have points, her thoughts lead her to asking the Switchoff users to make demands to The Council, saying that the emotionless way had been tried for thousands of years so it’s time to give the other side some shine too. Mullein comes off as someone that wants to promote real change instead of being a fence sitter and it’s actually kind of inspiring. She acknowledges the dangers of following the law and order as they have been forever and wants to protect the people of Enduring from the same.

Unfortunately for her, the time to get the crowds to disperse ends and the kill order is given. Jemisin and Campbell do an amazing job of showing how frantic Mullein is as she tries to get the Peace Officers to stop, with Deron Bennett’s lettering the emphasis of certain words are made paramount as Mullein rushes to reach the Officers. Shots are pulled in close to her face to show the frustration and fear in her eyes as she realizes there’s nothing that she can do to stop it after hearing who ordered the firing.

Campbell ends the issue with two amazing pages: One showing the Peace Officers firing indiscriminately into the crowd. The page is colored with intense red hues from the weapons. The faceless Officers stand firm in their actions and the people are screaming and cowering as the beams violently blast through them. It’s a horrifying scene, even more so as Lantern Mullein watches on in horror before it turns to absolute rage. Earlier she mentioned how she can’t and won’t fight cops, indicating some traumatic incident in her past or her currently being a space cop, but that is thrown out of the window after seeing this injustice.

Campbell then gives us a taste of Mullein’s willpower as she slams down in the middle of everything and prepares to fight. 

This was a really strong issue and showcased a little bit more of Mullein’s past while also expanding on the social unrest on the City of Enduring. Even though emotions are supposed to be stripped from the people, the tensions still run high between them all, suggesting that things might not be as on the level as even the people believe. I definitely want to learn more about Marth and the other Councilmen given the new knowledge that  the aren’t even following their own laws. N.K. Jemisin has crafted a very interesting story with a compelling lead that I can’t wait to get more of, especially with Jamal Campbell drawing her every month.

Absolutely high recommend.

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