Best of Marvel: Week of July 17th, 2019

Runner Up: The Superior Spider-Man #9 (Legacy #42) – Christos Gage, Mike Hawthorne, Wade von Grawbadger, Jordie Bellaire and Clayton Cowles

The “Superior” Spider-Man is actually starting to live up to the ideal.

After the events of the War of the Realms, the Spider-Man of San Francisco is awarded the key to the city for his efforts in making sure that there were zero casualties as Frost Giants stomped their way across SanFran. He accepts the gesture, but “crime” calls him away, only it’s not a crime, he simply thinks he has better things to do with his time than deal with the trivialities of ceremonies. He heads back to his lab and converses with Anna Maria about her making him go to the ceremony and summarily dismisses his colleague Emma after she apologizes for freaking out on him on their first date.

Otto seems to be in a bigger huff than usual and takes his frustrations out on a minor villain by the name of Turner D. Century. Century’s quickly defeated after a savage beating by Otto and the surprise appearance by Spider-Man, Peter Parker. Peter shows up at the request of Anna Maria and being one of the men who knows Otto best, he simply asks what’s wrong. Otto has been irritable, moody and angry since he saved the city and he obviously has no one to talk to.

He immediately spills to Peter that while he was able to keep San Francisco safe, thousands of people still died in the US, more abroad. He removes his mask and Hawthorne paints the face of a man that’s tortured by guilt and doubt. Otto feels that he’s the greatest mind in the world and that he should have thought of something. He doesn’t want to hear Pete say that he can’t save everyone, but it’s eating him up inside that he can’t.

By far, this is some of the best character work and advancement that we’ve seen from Otto in a while. He tried to become a hero, tried to be a good guy while he was inhabiting Peter’s body, but now that he’s doing it on his own and seeing the fruits and consequences of his labors, he sees how hard it is. He’s becoming a good guy and I’m here for it.

After Peter tells him that he’s doing the hero thing right, Emma shows up on the roof that they’ve swung up to and Otto breaks down in tears in front of her. He tries to posture that he’s a loner and asks if he looks like someone that needs anything from anyone before being held by her. He cries in her arms and they finally go on a second date with a surprising enemy spying on them.

I love it when heroes become good guys, no matter how brief it might be, watching Otto rise before his inevitable fall is interesting. I love the fact that he’s sort of mended fences with Anna Maria, I love that he’s found a near intellectual equal in Emma. He has a life and is using his smarts as a teacher and a hero in San Francisco. His ego is still huge, but he’s finally starting to see his faults, becoming Superior than Doctor Octopus.

Mike Hawthorne’s art is stellar. He has a talent for faces and body language. Otto expresses frustration, annoyance and grief; not only in his face, but with the slumping of his shoulders, the shaking in his hands and the tension in his fists. He even somehow finds a way to differentiate between Peter and Otto’s bodies given that Otto’s is cloned.

This Superior Spider-Man has far more emotion in this one issue than Otto’s had in the many years since the original run. It’s a joy to see the once horrible villain embrace his own good emotions for the benefit of others. This is a definite high recommend!

Best of Marvel: Week of July 17th, 2019

Best of this Week: Uncanny X-Men #22 (Legacy #644) – Matthew Rosenberg, Salvador Larroca, David Messina, GURU-eFX and Joe Caramagna

It’s the end of an era and for once, I’m terrified.

I’ve been a fan of the X-Men for a long time. I’d even go so far as to say that they’re my favorite team in all of comics ever because of the range that their stories can go, from tales of marginalization to various stories of abuse and moral relativism, the X-Men have been amazing so why has it taken them so long to feel relevant again? At some point even the best books run out of good stories to tell or end up retreading old waters for a drink of nostalgia and that’s been the X-Men for the last five to six years.

Cyclops had become what Magneto was, young versions of the original five were brought to the future, villains like Mojo and Exodus were brought back, Sentinel threats reemerged X-Men died and were brought back. In the grand scheme of things, it was all a mess with no cohesive direction and Marvel noticed. In comes Matthew Rosenberg who, I admittedly, was very wary of because I hated both his time on Astonishing X-Men and the Multiple Man mini-series. I don’t know if it was all his idea, but he decided to wipe the slate clean with a new Uncanny X-Men series and… it was stupendous from start to finish.

In the aftermath of Emma Frost’s actions from the last issue, the X-Men that are still on our Earth have found a peace that Mutants have never known. With humanities knowledge of mutants erased, Scott Summers is at a loss and questioning what his role in life is now that no one needs protecting. He and Dani Moonstar, aka Mirage, wax poetic on the nature of mutations and what their next course of action is. Scott is morose, seeing as his mutation made him function primarily as a weapon to fight back against humanity as it tried to destroy him, but now that they don’t know he exists, what is he good for?

The dynamic between them is interesting. Scott has been fighting since he was a teenager and he’s only ever seen this life as one big war. Dani is still young, but has the experience of several lifetimes and all that she can think of is helping people. Both of them have experienced loss but process it differently. Scott sees all of his friends as soldiers in the fight where Dani sees them as family. Of course this is because Scott has been leading everyone for so long and Dani has gone through thick and thin with the New Mutants, the Fearless Defenders and the X-Men themselves.

This causes a disagreement between the two and she simply walks away from him as Alex Summers, aka Havok, speaks with his brother about the freedom of being ignored over being targeted. On their way back to the Hellfire Mansion, Alex explains that every bit of leadership he’s ever had to exhibit was learned from Scott. Even with all of his brooding, Scott has been a great leader and it definitely helped when Alex was an Avenger, and he lets his brother know that he’s thankful for it before they’re attacked by some kind of golden Sentinel.

Scott’s unable to damage it and Alex surmises that they’ll never make it back to the mansion before the Sentinel kills them both, so in an act of self sacrifice, knowing that his powers won’t affect Scott, he self destructs and destroys the evil machine. Soon after, more arrive under the control of the General that originally help Emma Frost captive and target the remaining mutants. The battle is hard fought with heavy casualties before the rest of the X-Men return from Nate Grey’s utopian world, winning the battle for mutantkind.

This is the final issue of Uncanny X-Men and it ends on a bittersweet note.

*Slight SPOILERS BELOW*

Havok, a man who was on top of the world, brought low and tried to climb his way back up made the ultimate sacrifice just so that his brother could continue being the leader he is. Madrox, who was just brought back to life has met yet another grisly end, but the status quo has reset though very similarly to the Astonishing X-Men or Mutopia eras in a way. Jean Grey has returned to Scott, Emma and Magneto appear to be on the side of angels again and the X-Men are choosing not to hide anymore.

Shifting focus from this amazingly written and fantastically drawn book, I want to look towards the future and the threads left untied. House of X begins next week and I don’t know how to make heads or tails of things. Who is the man with the giant globe on his head? Is it professor X who had recently taken over the body of Fantomex and is now known as X? Will Magneto ever make use of the Brotherhood he established late last year? What will happen to Illyana now that she’s a demon again? I don’t know, but I am very excited.

This run was great. Rosenberg wrote everything in the most dire way possible given the situation and it fit each and every month. Scott remained hopeful in the face of ever present adversity, flanked by Logan who back up almost all of his actions. Characterizations were great from Dani acting as a voice of reason and Hope being a militaristic badass and the surprisingly black humored Jamie. Larroca’s art never faltered in being action packed but also still and dark.

Whatever comes next from this team, I have high hopes for.

Best of DC: Week of July 10th, 2019

Runner Up: Batman #74 – Tom King, Mikel Janin, Jordie Bellaire and Clayton Cowles

Tom King’s Batman can be hit or miss sometimes, but this one is definitely a hit.

For the entirety of his superhero career, Batman has been driven by one singular goal: to make sure what happened to him as a child didn’t happen to anyone else. He’s vowed to protect the streets of Gotham and to honor the memory of his parents and the city they loved.

This vow has become increasingly harder to honor over the course of this run; from being unable to save a possible replacement in the Superman-like Gotham, to being told to stop being Batman by his father from an alternate universe, and ultimately being left at the altar by the love of his life. One man is responsible for it all, Bane.

Part of the (admittedly) convoluted scheme to break the Batman was to somehow bring the Flashpoint Batman from his Universe to finally convince his son to stop. Thomas rationalizes that all Bruce needs is the love of his parents and his sickness, his broken need to be Batman will go away. As revealed in the last issue, Thomas’ goal is to resurrect Martha Wayne in Ra’s al Ghul’s most powerful Lazarus Pit and reunite the Wayne family.

Mikel Janín’s art remains amazing as always. I could gush for days about how he’s able to make Thomas and Bruce solemnly expressive through body language and only using the lower halves of their faces, but Jordie Bellaire, is the real star of this issue. She manages to color this story in a way that makes it seem like it takes place in three acts.

The first act takes place in the beautiful drawn and barren desert after Bruce and Thomas reconnect while fighting Ra’s ninjas. Everything is bright and the yellows, contrasted to the Blacks of the Bats give things a slightly warm feel. Thomas is happy for his son to join him and give up his crusade.

The second act shows Bruce and Thomas reaching the edge of the pit and is coated in the cool blue hues of night. The scene feels somber and intimate as Thomas tells Bruce how stubborn he was as a child, crying because he wanted to hear his favorite story over and over until he fell asleep. Thomas says that Bruce absolutely got that from his mother, who would constantly insist that Thomas read him that story, how she always had faith that Bruce would sleep. The two begin to climb down into the pit.

Throughout the issue the Russian Folk Tale, “Animals in the Pit” had been told and spoken about in the usual Tom King style. The tale involves a group of animals that get trapped in a pit and perform contests where the loser gets eaten. In the end, one of the two remaining animals tricks the other into ripping himself open and feasts on his flesh.

In the final act, in the dark of the pit, the book takes on a harsh red hue. Thomas is finally there, at the end of his journey to give his son the happiness and family he deserves. Saying that he couldn’t deny Bruce his childish wishes as a kid, but now he will deny him remaining Batman.

Bruce tells him that the reason he wanted to hear the story constantly was because, despite the horror, his father told him the story with a bit of levity. Bruce gained hope that one of the animals just might escape and even if he knew it was impossible, he never gave up hope. He then betrays his father with a right cross to the face.

Janín can draw a beautiful, flashy fight scene when he wants to, but this fight is anything but. It’s raw and brutal, it’s close quarters and every emotion is felt, accentuated by the excellent coloring. Bruce punches his father, Thomas punches his son right back. Even when the fight pivots away from them to focus on the coffin, the tension is still there. Their ideological struggle is felt through the shadows on the wall and when Thomas is thrown into the coffin, things spiral downward for him.

Right on the heels of the hopefully amazing “City of Bane” storyline, this two issue filler arc strengthens Batman’s resolve for what will be the final confrontation with one of his greatest enemies and all of his pawns in Tom King’s Batman run. While the issue does suffer from the usual King-isms (long winded diatribes taking up entire pages, lack of explanation for possibly crucial plot points, like how Thomas came to this world, and the general pretentiousness in dialogue structure) they don’t pull the issue down in a distracting way. While mildly annoying, they fit this story very well and continue to expand on Bruce’s reverence for his mother, introduced in the “I Am Suicide” arc and furthers him being resolute in his mission.

Bane’s going to have hell to pay when the Batman comes for him. High recommend.

Best of DC: Week of July 10th, 2019

Best of this Week: Batman and the Outsiders #3 – Bryan Hill, Dexter Soy, Veronica Gandini and Clayton Cowles

Batman’s Outsiders has a lot to learn before they can properly function as a team.

After losing Sofia, the girl that they were charged with protecting, Baman gathers the team together and tells them that they are going to get her back, but first they need to be tested. On the other side of the coin, Sofia finds herself in the clutches of Ra’s al Ghul, who places the man who killed her father in front of her. Ra’s tells her to kill him, her own test to see if she’s worthy of being trained by him.

The book flips the focus between two central characters specifically, those being Sofia and Duke Thomas, aka The Signal. As mentioned in my last review of Batman and the Outsiders, this book was slated to come out around the same time or after an arc in Detective Comics where Batman’s sidekicks were being targeted by a murderous villain by the name of Karma. His primary targets were the Cassandra Cain and Duke Thomas, the latter of whom is still suffering from PTSD after failing to save a kid with a bomb strapped to him by Karma and being injured in the explosion.

Ishmael, the man who killed Sofia’s father, kneels before her and goads her into attacking him, telling her that he heard her father’s last thoughts before he died. He says that her father wishes that she were killed instead of him and Sofia succumbs to her anger, striking Ishmael. After a smokescreen clears, Duke is met by someone wearing Karma’s gear and attacks the figure in a rage. “Karma” tries to convince Duke that he doesn’t deserve the metahuman power that he has, the ability to see what others cannot (see Dark Knights: Metal), and that Batman must be disappointed.

After thoroughly thrashing Ishmael, Ra’s gives Sofia a sword, telling her to end Ishmael and become another of his weapons. She holds the sword in her hands and thinks long and hard about her decision. Ultimately, she decides that vengeance is the only option and chooses to plunge the blade into Ishmael. Ra’s reveals the test for what it is, allowing Ishmael to defend himself and telling Sofia that if she joins him, nothing will hurt her again.

Cornered and afraid, Karma approaches Duke and asks him where is his team now, making him think that The Signal is all alone. Suddenly, Cassandra kicks Karma in the face, Katana slashes him in the face of the mask and Black Lightning picks the kid up from the ground. Bruce reveals that he was the one under Karma’s mask and tells Duke that he is very proud of him.

This issue was made great by the duality of the situations presented. Batman normally takes in broken kids and builds them back up to be strong, compassionate and in tune with their emotions. Ra’s al Ghul takes young men and women and turns them into unrepentant killing machines under his will. Duke could just as easily have been in the same position that Sofia is in now and vice versa. Sofia, however, will be a harder case to bring back to the light now that she knows that she has given in to her darker side. Sofia has a chance to become like Damian if she’s lucky, but who’s to say?

Duke has already been to the dark depths since his late childhood, watching his parents get forever Jokerized, dealing with an army of wannabe Joker kids as a teen and fighting against the Dark Multiverse as Batman’s new ward. Duke has been through a lot, but he’s also been able to overcome every threat in his way. Karma took that security away from him when he made Duke watch his own failure and this left the young man angry and broken, unwilling to take orders from anyone lest he make the same mistakes again.

Batman and the Outsiders succeeds at placing it’s focus on characters other than Batman, leaving him as more of a support player while the stories hone in on individuals or team dynamics than Batman’s leadership. Duke Thomas has been out of the picture for a while and having the gates flood open on his headspace in particular made me very happy. I also kind of like Sofia. While not exactly super fleshed out yet, she shows a lot of promise especially making the decision to have this new character go down a dark path in the beginning. She has good motivations and I actually hope that by the end of this arc, she earns a place on the team properly.

High recommend.

Best of Marvel: Week of July 10th, 2019

Runner Up: Miles Morales: Spider-Man #8 (Legacy #248) – Saladin Ahmed, Javier Garrón, David Curiel and Travis Lanham

Something about black people and being experimented on makes me uncomfortable.

In the last issue, Miles was captured by some sort of weird teleporting being after helping Bombshell fight off some ridiculously strong robots. This issue begins with him in some dark room, strapped to some kind of operating table with a heart beat monitor and only a creepy robot-thing to keep him company.

Miles looks absolutely terrified. Not only because he doesn’t know where he is or who captured him, but the robot interacting with him says that its boss, The Assessor, will target Miles’ family and friends if he doesn’t comply. Miles agrees to the experiments and tests if only just to keep them safe.

The Assessor tests his combat, speed and climbing abilities and pushes Miles to his absolute limits. He’s run ragged in a way that is seldom seen except in cases where the threat is life or death. It goes on and on for an undetermined amount of time until Miles wakes up in an operating room where doctors discuss his DNA and maybe kidnapping his family for more subjects.

This angers and scares Miles into breaking free, beating up the doctors and defeating the teleporting enemy from before to make his grand escape.

Only… it turns out to be another test.

Saladin Ahmed absolutely nailed this issue with his focus on the bleakness and fear in Miles and the situation he’s in. He made me genuinely terrified to turn the pages and see the next torture Miles would have to go through. Ahmed writes Miles like the scared teenage superhero that he is, he’s hopeful, but frantic in the face of an enemy that knows who he is and how to hurt him.

Javier Garrón and David Curiel do their best to nail the unsettling feeling of the sanitized experimental environment that Miles finds himself in and utilize panel layouts to make the book even more terrifying.

Every blank space around each panel is black compared to the normal white. Every panel is also small and feels claustrophobic, leaning heavily into the nature of the facility Miles finds himself in. In it’s own way, it’s clean and very structured to the point where it feels like you could be trapped reading the book.

I also feel like there’s something here in the fact that it’s the black Spider-Man being experimented on. Of course Pete has been poked and prodded every which way for years, but the way that the doctors and the robot were talking about Miles, made him seem less than human. He was never called a kid, just “the Subject.”

Truly there are three absolutely horrifying pages in this issue. The first is where Miles has been ordered to sleep and he’s shrouded in darkness aside from his face and the heartbeat monitor. The other is the double page spread of about 18 – 26 panels of Miles running, fighting, being scared, bleeding and all of the tortures he’s put through while captured.

This issue is a high recommend because it’s a well written and fantastically drawn chapter in this Miles Morales run. Saladin Ahmed draws heavily from his Black Bolt series in terms of storytelling and Garrón makes it all so real and visceral. As far as this run goes, this issue and the one prior are pretty good starting points if you’ve missed the rest!

Best of Marvel: Week of July 10th, 2019

Best of this Week: Wolverine Vs. Blade – Marc Guggenheim, Dave Wilkins and Travis Lanham

It is quite possible to just have TOO MUCH AWESOME in one book.

Wolverine Vs. Blade had been advertised for a while, but that didn’t stop it from hitting me like a train from out of nowhere. Hile the story is very one note, it still fits both of these characters and the art elevates it to a level that I haven’t been excited about from Marvel since Clayton Crain was doing Carnage USA and X-Force. It blended the line between almost 3D and photorealistic and the writing turned this into an awesome buddy-hero story with hilarity and badass banter.

Taking place in Wolverine’s X-Force days, prior to Avengers vs. X-Men and before Blade became a full time member of the Avengers, we open to Blade and Wolverine in the middle of taking down a Cult of vampires known as “The Creed.” The book wastes no time on the banter or the action as Wolverine makes a nod to one of their previous interactions where blade stuck him full of Vampire blood while slicing a vampire head into pieces.

Wolverine shines in these opening pages in the always badass black and grey. His face is alive with burning vampire hating rage, showcasing his sharp canines and HEAVILY muscled body as he slashes and slices through vampires with the reckless abandon that he’s known for. The vampire LOOK scary, but Wolverine IS SCARY, especially covered in their blood and surrounded by the still burning remains of their bodies.

After thinking they’ve completely torn through the cult, Blade offers Wolverine a marshmallow from the fire that he’s about to set. Wolverine thinks he’s joking, but then, in a moment that I regret laughing heartily at, Blade shows off a single white marshmallow and gives us ONE of the best shit eating grin in this entire book.

Cutting to six months later, Wolverine is being attacked by very minor villain, Dragoness, who has been turned into a vampire. For no other reason, I think, than to flex his art skills and give me something to fawn over, Wilkins draws Wolverine standing with his back to a window and arms flexed so hard that I almost thought his veins were going to EXPLODE. He was Huge Jackedman levels of vascular and needed to rehydrate like hell, but I couldn’t look away from how ridiculous and magnificent he looked. However, he cuts through one of Dragoness’ wings and sends her spiraling into a conveniently placed piece of sharpened wood. Soon after, he finds the item that she was fighting him for; a mysterious box radiating with magic.

Elsewhere in Germany, Blade is taking down a Vampire Count who fires at him with eye beams that curiously look like Cyclops’. Blade allows the vampire to think he has him on the ropes before setting off explosive charges that trap the vampire under rubble. Blade is the undisputed king of banter in this issue as he offers to pick up a rock or two before the sun rises and kills the vampire for a little bit of information. When the vampire says he’d rather die, Blade gives another grin as the sun rises and burns the vamp to ash.

Both men are given information from their sources, Wolverine in Doctor Strange and Blade in some fellow he dangles off the side of a building. They learn about the prophecy of a Vampire Messiah named Varkis. Logan sees a pictogram that looks like him fighting Blade and Blade learns that Varkis may be a mutant. Armed with their information, the two make their ways separately to South America for a final confrontation.

The fight is epic.

Both men ripple with brutal and blood energy and their musculature is a sight to behold. Blade impales Wolverine with his sword, but Wolverine, being the badass that he is, rips it out and slashes blade across the face, destroying his glasses. Wolverine pounces at him again, but Blade hits him with an anti-vampire glave and Wolverine stands confused. The two work out their equal confusion until Varkis appears, looking like Wolverine, but still with bone claws.

He tells the pair that he was created from a portion of Wolverine that was sliced off and grown using magic as Wolverine has left many parts all over the world, but none have spawned a whole person. Wolverine tries to take on Varkis while Blade cuts through more lesser vampires until Wolverine remembers the picture and suggests he and blade recreate the battle ON VARKIS. Wolvie aims low while Blade aims high and Varkis is thoroughly killed.

Blade gives his last shit eating grin as he says he forgot the marshmallows this time after they blow up another temple. It’s a nice call back to earlier and the perfect cherry to top this wonderful book.

This book was a treasure. Wilkins art was amazingly dynamic, making every fight scene feel like it was brutal, bloody and horrifically violent. His colors straddle the line between very dark and amazingly bright when they need to be. The red from Wolverine’s eyes in the X-Force costume stand out alongside the red of Blade’s sunglasses as they glean with their movements and create little motion lines as they go. Most of the book takes place during the night and Wilkins makes great use of lighting to set the mood, giving a real goth or Castlevania-esque feel to things.

Guggenheim is in top form for the characterization of Blade of Wolverine. Logan is no-nonsense and violent to a terrifying degree as he always should be. Blade is snarky and effortlessly cool like Wesley Snipes before him. If there were to be a mini-series between these two, I would love it if this team came together again, but for a One-Shot, this was absolutely fantastic.

If you want to see amazing art and basic story that still is a riot to enjoy, this book is definitely made for you. Dave Wilkins wows on every page and Guggenheim brings his skills back to the best of the mid-2000s Marvel style. If it did have any pitfalls, it would have to be that it should have been even longer. High recommend!

Best of DC: Week of July 3rd, 2019

Runner Up: Batgirl #36 – Mairghread Scott, Paul Pelletier, Norm Rapmund, Hi-Fi and AndWorld Design

It finally seems like the Batfamily troubles have finally met Batgirl.

For the last few months, Batgirl has gone through something of a transformation in the way that her stories are being told. Back in 2015 she received an upgraded costume and status quo during the DCYou era, but with that came this unfortunate lack of seriousness and gravitas as she remained hopeful through all of her problems. She had a good support network and being the owner of a multimillion dollar start-up, she was absolutely set.

But that era came and went, DC Rebirth happened and I don’t know, her books just sort of foundered to me because they lacked the importance of other Bat-books, until Mairghread Scott took over. She’s been putting Batgirl through the ringer and has been bringing her back down to the gritty and hard nature that the rest of the Batfamily has been going through and this issue is no different.

After being put up for an auction to see who would finally kill Batgirl. Barbara escapes, defeating the Terrible Trio’s Shark as the auction house catches fire, trapping everyone inside. Batgirl fights her way through to a metal gate that she can maybe cut her way through, but The Trios Vulture throws a knife into her back. She states that letting these people go would be bad for business and that Batgirl sealed their fates when she escaped their trap. Vulture is willing to let herself and many others die to protect her reputation.

This kind of callousness stuns Batgirl because villains usually want to live, but Vulture is absolutely on the side of culling weakness from the world and the Terrible Trio failing to kill Batgirl is something she can’t abide and will take everyone down with her. Fox betrays Vulture, allowing Batgirl to free everyone, including the carrion villain. Shark, however, is unable to move after his beating and Batgirl, still wanting to be hopeful and helpful tries to save him. With everything crumbling down around them, Shark pushes her out of the way of debris, killing him as Batgirl watches on.

As she crawls out of the ruins, nose bloody and face full of dejection, she heads to a meeting that she was supposed to attend in order to talk with her investors. Her friend Alysia, who she placed in charge in case she wasn’t able to attend meetings, tells her that the investors forced her to make a decision that ultimately led to Babs being pushed out of the company. Now, broke and homeless, Barbara’s thoughts drift to Shark and in the face of everything, she still sees positivity.

She gets her stuff from Jason Bard, the guy who she worked with on a Mayoral campaign or something along those lines with in earlier issues, and seeing how caring he’s become since their last few encounters, she actually kind of sees him as a friend. Black Canary hooks her up with a dingy apartment in The Narrows, but Babs sees it as a good start, thinking of Shark and Jason, even as her life is collapsing, she still has hope.

I know earlier I said that the stories prior to this also had hope as the ultimate ending to everything, but at the same time, Barbara also had a safety net of things to fall back on. She’s not calling on Bruce to help her, she doesn’t have Dick to confide in and she doesn’t have the money that she used to have and to her, that is perfectly fine.

With her Year of the Villain tie-in coming up soon, I can’t wait to see where things go for her.

Best of DC: Week of July 3rd, 2019

Best of this Week: DCeased #3 – Tom Taylor, Trevor Hairsine, Stefano Gaudiano, Rain Beredo and Saida Temofonte

Hope is dead.

Tim Drake, Dick Grayson and Bruce Wayne lie dead on the floor of the Batcave as Alfred makes his way to the Batwing, unable to mourn their deaths and wanting to help stop the zombie threat. Harley Quinn finally gets the catharsis that’s she’s been looking for by pumping an infected Joker full of lead. With her face full of glee, it soon turns into a look of determination as Batgirl, Catwoman, Huntress and Batwoman are set upon her, bloody and rabid with infection.

These first few scenes are horrific and shocking to the extent of which this infection is spreading. The Batfamily is normally the most prepared for things like this to happen, but in one fell swoop, they’re almost all gone. That’s the brilliance of Tom Taylor’s plotting with this story, the inability to know what the hell is going to happen next. Batman would have come up with a cure, a plan, but with Tim and Dick being infected and him unable to fully prevent himself from succumbing to his wounds, the world’s greatest planner is no longer a factor. Barbara would have been an excellent second, but any hope of that was lost the moment she showed up covered in blood.

The world has turned to hell and even Superman can’t bring himself to smile or be hopeful as he looked into the faces of friends and companions, their eyes replaced with the rabid rage of infection and none of the love that they once had. He removes the infected from the Daily Planet office and shores up defenses on the outside before promising Jonthan that everything will be okay before he flies back home to Smallville.

The best way to describe Clark’s emotions as he makes his way through the Planet is hope being replaced by despair. The captions say it best, the hardest part of dealing with the infected is dissociating. These people are no longer Clark’s colleagues. They’re rageful monsters bent on killing, thankfully none of them can make a scratch on him, but the internal scars are far more painful than anything on the outside. Even when he promises that he’ll be back to his son, there’s this underlying feeling of doubt. We don’t know that he will, he doesn’t know that he will, but he’s Superman, right? He has to have hope?

Elsewhere, Garth and Mera are working to make his magic stronger before noticing the sky grow darker, dark with blood. They watch as Aquaman tears through Atlantis’ warriors, infecting and spilling their blood as it flows through the water and gets Garth. Mera barely escapes, but the fear on her face is palpable, she knows that all is lost.

Even Atlantis isn’t impervious to all of this, granted it’s because Aquaman was attacked by infected diving out of a boat, but that doesn’t make things any less terrifying. This also helps us to learn that the infection can spread through blood and given how fast Aquaman and Tempest can swim through water, and how far spread the infection already is, nothing is safe.

On his way to Smallville, Superman does his best to save anyone not infected along the way. He catches up to Jefferson Pierce, aka Black Lightning, and his daughters, telling them to head to the planet before reaching the home of the Kents. Martha is okay, but Jon… Superman makes one final act of kindness before flying his mother to safety, leaving any hope that he might have had in the barn with his father.

That’s what I loved about this book. It is hopelessly nihilistic because of how tragic everything is and how all of it can even break Superman. Hairsine’s art invokes the feeling of terror that I felt the first time I watched 28 Days Later, seeing these ridiculously fast and violent killing machines tear through everything in their path. The shading on everything makes the inkers inks feel even more dark and bleak especially as Aquaman is slicing through Atlantis in a nice double page spread with a black background.

DCeased is definitely much better than I initially gave it credit for. With Hairsine’s art and Taylor’s bleak writing, this is definitely worth checking out, high recommend!

Best of Marvel: Week of July 3rd, 2019

Runner Up: Savage Avengers #3 – Gerry Duggan, Mike Deodato Jr., Frank Martin and Travis Lanham

Well, this was wild, wacky and amazingly violent.

Gerry Duggan and Mike Deodato Jr. have come up with an absolutely fantastic story that’s full of brutal action, some cheeky comedy and remains true to every character involved up to a point. It pulls no punches and with Deodato’s amazing art, not only does it read well, but it looks damn good at the same time.

Starting off with a bang, we see Frank Castle tearing his way through Kulan Gath’s stronghold in the Savage Land looking for the bodies of his family. Of course Frank knows that it’s a trap, but never in his life has he let that stop him. With rage as his eyes, he tears through the Hand Ninjas, using a sniper rifle at close range and taking their own katanas to use against them. Suddenly, one of the ninjas puts a sai into the barrel of his weapon and he immediately recognizes them. Elektra has joined the fight.

Elektra seems to know of Kulan Gath’s plan to use the blood of warriors to summon something and she’s there to put a stop to it. She looks absolutely fierce back in her old gear, especially as she roundhouses and slices through Hand Ninjas while telling Castle to be careful as they make their way through the castle.

Meanwhile, Wolverine is captured by Gath and is suspended over his blood pit. Unfortunately for Logan, his healing ability only helps the evil Wizard as his blood only makes the plot come closer to fruition and Logan has an ever flowing amount of it. Soon after, Jericho, in the disguise of one of Gath’s students, tries to fool him. The Wizard sees through the ruse and gets stabbed in the chest, but given his sheer power, says that the insult hurts a lot more than the blade does and Jericho insults him by saying that’s not even worth Doctor Strange’s time.

Just as Gath is about to stab Jericho again, remarking that in his time he is the Sorcerer Supreme, he is shot right in the head by Castle. Gath makes Castle an offer to return his family to him alive in exchange for finding the thief who stole his amulet. Logan smirks and muses that the thief is long gone by now… only for him to return and threaten the Wizard. Conan is portrayed is a comedic man out of time and element in contrast to his own books where he is as serious as death and twice as deadly. Elektra frees Logan who collapses as he tries to stand and fight and Gath commands his forces to attack.

Conan picks up Logan and uses his still unsheathed claws as weapons as he swings the diminutive mutant around. Gath uses his magic to toss Logan into Elektra and runs his hand through the heart of Conan for the Amulet of Power and just as things are getting bleak, a certain symbiote attaches itself to the warrior as Gath summons his creature, Jhoatun Lau, The Marrow God.

Savage Avengers is shaping up to be the same kind of sleeper hit that Secret Avengers was back in 2012, especially while building Conan up to be a possible major player in future stories and hopefully in the upcoming Absolute Carnage event now that he’s had the Symbiote become part of him. The rest of this team itself is pretty good, fusing Castle and Logan’s rage with Jericho’s magic, Elektra’s skill and Conan’s cunning, this is definitely a book to keep watch of.

Best of Marvel: Week of July 3rd, 2019

Best of this Week: Captain America and the Invaders – Roy Thomas, Jerry Ordway, Jay David Ramos and Joe Caramagna

What better way to celebrate American Freedom than by having Captain America inspire us to keep the country safe from Facist, Authoritarian rule of the dirty Nazis?

Reuniting two of the co-creators of DCs All-Star Squadron, Captain America and the Invaders tells a one-shot story of an adventure in the Bahamas Triangle a short time before the team actually assembles. With fantastic art by Ordway and perfectly campy writing, this book captures the feel of both the 1940s books and the stellar 80s works that these two are famous for.

Beginning with Captain America, Steve Rogers, bursting through and interrupting a meeting of home grown Nazi-sympathizers, the book manages to set the stage for what the action and dialogue will be like for the entire issue. Captain America is certain of his every action, punching and jumping over obstacles to take down the bastards and when one tries to escape, Steve sets upon him with fervor as the FBI emerges to arrest the Nazis. Once they’re taken down, Cap gets his next assignment, Protection Detail for President Roosevelt as he meets the Duke of Windsor as he governs the Bahamas..

We get the background that the Duke stepped down as King at the request of Winston Churchill for getting too cosy with the Nazis after being guests in Germany. President Roosevelt hopes to sway them to America’s side by offering them protection from Nazis. Ordway makes sure that everything looks absolutely of the time. Cars and some structures look exactly like they did in the 40s, however, the US Navy Sailor uniforms he and another sailor by the name of Jim Hammond wear for the undercover assignment, are not. Captain America himself looks very good in his original costume.

After a nasty storm, the President’s ship arrives on the island and not long after, he, The Duke and his wife are met by Baron Heinrich Zemo, the father of Helmut Zemo. Zemo takes everyone hostage as his men kill all of the Sailors protecting the President aside from one draped in the American flag and another who can become living fire. The Human Torch looks absolutely awesome “flaming on” to contrast the cloudy night sky. His flames are seen from the house and he proceeds to fly into the air and burn several Nazis alive. I’ve always loved the old look of a mostly naked Torch with bright oranges and yellows for the flame and his body with hatch lines for details.

As Zemo prepares to kill Roosevelt, the lights in the house turn off and a mysterious agent proceeds to knock out Zemos men while the Baron runs away. The rain picks up and Hammond’s flame goes out as other Nazis escape into a U-Boat. Rogers catches up to Zemo who uses a Death Ray of some sort to fight the American and is goaded into fighting in an enclosed space during the chase. Cap gets one good punch in, sending the Death Ray out of Zemos hands, causing the roof to fall on Caps head as Zemo makes his escape.

Cutting back to the escaping U-Boat, the Nazis think they’ve made the escape from America’s living flamethrower as their ship is torn through by an unknown assailant, Namor showing up to make sure that they didn’t get away. Cap and Hammond get back into their uniforms and make up stories about what happened to them during the night as they rejoin the protection detail with their flimsy excuses before musing to each other about meeting up again in the future.

This book was a fun little romp in a simpler time and definitely had less seriousness than the current Invaders series, but did have the heart given that Thomas co-created the team way back in 1969. It felt like he was slipping back into his old baseball glove and found that it still fit. Ordway’s art was well complimented by Ramos’ colors and looks amazing. I know he’d done some cover work recently, but his panel to panel art was certainly fantastic, like he hadn’t missed a step at all.

Flying the flag high and on Independence Eve ensures that this book is a must-read!