Best of this Week: Superman: Year One – Book Two – Frank Miller, John Romita Jr., Danny Miki, Alex Sinclair and John Workman

Superman has always stood for Truth, Justice and the American Way. 

This has never been more true (arguably) than right here in Superman: Year One, where Clark Kent becomes a US Navy Sailor. I briefly touched upon it at the end of the last issue, but this one really resonated with me in a way that no comic has in a little while. Other books have made me feel feelings of fear, disgust and elation beyond compare, but this one makes me feel the bittersweet memories of my own experience.

I remembered my first haircut, carrying my seabag across the base, marching and all of the PT (physical training) that I had to endure for those grueling two months. Clark isn’t fazed by any of it. It takes a few clippers to cut his dense hair. He breezes through the PT, noting how hard it is for everyone else to do and when he has to qualify for using a pistol, he hits the mark dead center every single shot. There were a few superstars like Clark when I was in boot camp and seeing that written and excellently drawn by John Romita Jr., made me feel something of a kinship to one of my favorite heroes.

You can see the struggle in his shipmates faces as they sweat and heave with Clark monologuing in his mind that he can hear their lungs about to burst or their legs about to give out. That shit was me. Every single PT test leaving me winded, marching at a double time… I hated every second of it. But through all of it, I felt proud. I wanted to get through, to push myself harder than I ever could. 

Clark doesn’t feel that. How could he? He’s an alien from another planet with abilities beyond compare and he could do anything he set his mind to. But what does he choose to instead? He answers the call of duty, he chooses to serve his country and his fellow man. It’s ridiculous, but at the same time absolutely commendable and inspiring. If I were to level criticism at the first two acts of this book, however, it would definitely be the lack of real feeling of camaraderie that Sailors feel together in Boot Camp. Never once do we see Clark interact with his shipmates in any meaningful way, aside from his Captain later on. The feeling of pride is there, but the friendships and relationships that come with it does leave a little bit of the story feeling hollow in favor of a less than great, but still good subplot later.

Another problem I have is… I don’t know how accurate print media and comics are allowed to be with military rank and titles, but Kurtzberg is supposed to be a Captain, but wears the insignia of a Petty Officer Second Class and Chief Petty Officer at two separate points. It’s a mildly irritating and nitpicky thing, but what can you do?

Of course, Clark’s path diverges greatly from my own. A little bit before the pistol qualification section, he gains the attention of a Captain Kurtzberg and after his perfect scores, he’s allowed to try out his skills further with an assault rifle, which he also excels at. Kurtzberg recommends him for more advanced training and soon after, he trains to become a Navy SEAL. I don’t have a singular clue as to what the SEAL lifestyle is like, but training he’s made to endure is even worse, though you wouldn’t know it from how he reacts to it all.

It’s here at SEAL training that the first seeds of the subplot, later becoming the hook of Act Three are sewn. Clark begins to hear the calling of the sea. It’s something that some deployed Sailors still feel to this day, the Siren Song or Mermaid Call that drives most men mad with how beautiful their voices are. Kurtzberg calls Clark out during one evening of PT and makes him to push ups on the shore of the beach after Clark tells him that the Captain should see how pretty “they” are. Unable to sleep during the night, Clark sneaks out of his barracks to watch the beings on the coast when Kurtzber appears next to him, warning him to not tell anyone about what they’ve seen as Kurzberg too knows of their beauty and the world of wonders that they live in. 

If you’ve been reading Superman stories for a long period of time, things may start to click as what or who may be calling Clark. After our hero accidentally starts a bar fight while trying to defend the honor of a woman, he’s punished by having to use his toothbrush to clean the head (bathroom) and garbage cans. After finishing his chores way into the night, he makes a dummy in his rack (bed) and sets off to explore the sea, taking to the water like a fish since he doesn’t actually need oxygen. 

He follows the sounds of the voices calling and finally see them, Mermaids, laughing at this strange human. One in particular catches his eye, Lori Lemaris, one of Superman’s original love interests from the late 1950s. He follows her as she laughs, until her voice turns to tears, seeing a submarine having crashed into their city. In one of his first of many acts of heroism, Clark lifts the sub off of the city, saves the people and helps them rebuild just before Morning Colors. Lori begs him to stay, to become her husband and King, but he tells her that the people up there need him, but that he will be back. As always, Clark is torn between two worlds, but his first thought is always to honor his commitments because he’s such a good guy.

Romita Jrs art shines best in these few pages for me. Lori is absolutely beautiful, playful and the visuals of the underside of the ocean are stunning. Everything’s a beautiful hue of blue except for the vegetation and Lori, who’s colored with yellow and purple clothing. Clark looks amazingly strong and happily curious as he saves the people of Atlantis. Romita Jrs. lines are amazingly crisp and he makes great use of only a few hatch lines to shade things. Everything is thoroughly enjoyable to look at, even the way that everything flows under the water is awesome.

Clark manages to return back to the barracks just in time as Kurtzberg watches on, knowing where Clark’s been and thinking to himself that the young SEAL better keep those memories clean and pure because he’s witnessed something amazing. He swam with the angels. There’s a three page long training montage where Clark shows just how efficient he can be in combat, embarrassing one of his shipmates so hard that he’s pulled aside and given his first assignment.

Things take a dark turn as Clark and his team are made to infiltrate a ship that’s been hijacked by pirates. During the training, as Clark thought to himself just how easy it would be to kill, he started to get a pit in his stomach. Things weren’t sitting right, especially as Kurtzberg egged him on by saying, “That there is how to kill a man good!” This stuck with Clark as he did his bet to avoid killing any of the hijackers. He saw how monstrously they murdered the crew of the ship and he felt himself getting more angry, but he still couldn’t bring himself to take a life. 

Things reach a head as the team reaches the control deck and Clark still refuses to kill any of the enemies. Kurtzberg lambasts Clark and orders to give him some corpses, until one of the hijackers pulls out a grenade. Everyone starts to panic as the mission goes FUBAR, but Clark utilizes his strength to stop the grenade, subtly, making it seem like it was a dud. 

While he ended up saving the lives of his fellowsailors, his reckless actions reward him with an honorable discharge. Kurtzberg advocates for him, but ultimately Clark has to pack his sea bag and say goodbye to his friends. Before he departs, he has something of a heart to heart with Kurtzberg. The Captain tells him to hone his skills, that he could do amazing things with his gifts and Clark salutes him, walking into the ocean to find his destiny.

The way this scene is framed, with the lighting indicating an early morning, makes everything seem like the future is absolutely bright for Clark. Having Kurtzberg abandon his badass attitude of authority and strength to give Clark advice while shaking his hand like a man is an amazing and heartfelt sight. For the first time, Clark doesn’t have to try to lower his strength, it just comes naturally.

All of this is bittersweet. Clark Kent wanted something different than his life in Smallville. He knew that he would have to hide his abilities if he stayed, he knew that he could do so much more for the world. He chose to serve his country, one of the best things a Patriot can do, but his heart was too good for it. His skill and power raised him to a position that did not align with his own moral code. Clark would never kill, but no good deed goes unpunished.

The third and final act of this book comes with Clark returning to Atlantis, seeking out his new love, Lori. She reacts happily once she sees him again, calling him the love of her life and saying that he should meet her family. Then they… frolic in their special hiding place until the next day. She tells him to wear his best as he is to finally meet her father, Lord Poseidon. He emerges from the shadows in his iconic red and blue with fish swimming all around him and the flora lighting up in his presence. 

Poseidon isn’t amused, seeing Clark as a little standing frog and proceeds to put Clark through impossible tasks to win his daughters hand. Clark begins to find the true scope of his powers as he concentrates and releases his heat vision on one of the enemies. It’s a stellar display of power and control as Clark monologues that this fire inside of him was his and his alone. Alex Sinclair did an amazing job of portraying the ability and powerful it is with intense and vibrant reds.

Poseidon pulls out every stop that he can to try and crush Superman. He sends his best warriors, but Clark doesn’t even acknowledge them trying to crush him. Stone automatons fall to his might. A giant squid swallows him whole and vomits him back up, unfettered by the stomach acid. Becoming increasingly enraged, Poseidon summons the Kraken and uses the fabled beast to try and crush Superman to death. 

As the tentacle lifts and Lori cries, thinking her one true love has died, Clark stands right back up with a smile. Lori jumps for joy, the people are stunned and in a silent rage, Poseidon calls off the Kraken and plots revenge on the frog that he couldn’t crush.

Throughout this entire act, Poseidon monologues to himself about the bug that wouldn’t be crushed or burned or destroyed in any way. Clark just smiled, snickered and mocked Poseidon the entire time. There was no malice in his smirk, just the boyish exuberance of love and youth. Poseidon though Clark wanted his crown, but really he just wanted Lori, a place to finally be himself and a peace of mind that he’s never truly had.

Superman: Year One has been amazing thus far. While it’s only a few peoples take on what would happen if Superman joined the military, I feel like it’s a great and accurate one in line with who Superman would be as a man. Given the lessons that he’d learned from Pa Kent, how could we expect him to be ready to kill at any moment? Instead, we see his compassion for humanity shine through as he’s even willing to preserve the lives of absolute monsters. 

John Romita Jr. captures the apathy of an effortless Clark in his early career, the wonder when hears the beautiful call of love from the sea and the conflict of a man caught between duty and morality. To say that this is some of his best art in years would be an understatement when it concerns this entire story. While the last issue focused heavily on the vast normality of the midwestern United States, this issue feels more tight and focused on the inner turmoil of Superman. The locales feel more linear, allowing us to explore more of Clark’s own inner thought processes. He is surrounded by other strong men, but he is in a league of his own until he meets Lori.

Superman: Year One is a great journey of self-discovery. Other Superman stories have tried similar themes with varying degrees of success. Superman: Earth One went in the hard direction of Superman being an apathetic douche that knows he’s a God and lowers himself to the level of men until someone bigger makes him want to protect the citizens of Earth. Superman: American Alien grounded Superman near as much as this book does, but what makes them different is the journey Clark takes to find himself.

This book warmed my heart something fierce with it’s incredible storytelling and art. With issue two being this good, I can only hope that the next one will be nearly as amazing. Given that the preview of the next one shows Superman holding up the Daily Planet globe, we are absolutely going to be in for a treat. 

Highest of recommends.