Best of DC: Week of March 18th, 2020

Best of this Week: Robin 80th Anniversary

All of the Robins are awesome.

Every Bat-fan has their favorite as they usually define the era when they began their love of Batman and comics in general. Older fans love Dick Grayson for being the first and greatest Robin that helped make Batman brighter. Edgy 80s kids and teens both love and hate Jason Todd for being the bad boy that died. Younger fans love Tim Drake for being the one to carry the name in the later seasons of the animated series and being one of the best and smartest Robins. Girls get representation from the spunky Carrie Kelly and the awesome Stephanie Brown. No one like Damian. (I’m kidding, he’s super fun.)

There’s a Robin for everyone and this 100 Page Spectacular celebrates the long history of Batman’s greatest sidekicks (though misses a chance to give Carrie Kelly her own short story) and does an amazing job in displaying each characters personalities by some of the best people to have written them over the years. Because there are so many, I’m only going to talk about the ones I really enjoyed!

The first FOUR stories follow Dick Grayson and some of his best eras.

“A Little Nudge” is written by Marv Wolfman with pencils by Tom Grummett, two parts of the legendary team behind the best years of the New Titans (1989). This story follows Dick Grayson as Batman begins to nudge him in the direction of becoming his own man by being increasingly irritable to his protege. At this point in time, Dick was dealing with the stresses of outgrowing his childhood identity and Batman’s continuing overbearing nature. Where Bruce was all about being cold and methodical, Dick thought with his gut.

Grummett, Scott Hanna on inks and Adriano Lucas on colors illustrate Dick’s frustration through his increasingly sour facial expressions and sudden heroic actions. The costumes are as colorful as those old days with Dick wearing the bright yellow cape, bright red tunic and the elf shoes. In the middle of the dynamic duo’s fight with Natural History Museum thieves, Dick stops fighting when a child gets shot, against Bruce’s orders, and stays with him until the bad guys either get away or get taken down by Batman.

Later on, Dick tells Batman that he’s outgrown the Boy Wonder name and sets off to become his own man as Nightwing. Wolfman gives readers an excellent inner monologue from Bruce where he owns up to the fact that he was nudging Dick in that direction because he had just turned eighteen and Bruce believed in him. Batman always supports his kids, especially his first and it turns the story of separation into something heartwarming.

“Aftershocks” is a fun story by Chuck Dixon and Scott McDaniel who worked on my favorite Nightwing series in the 1996 – 2005 era of the character. This wasn’t anything major, just Nightwing doing everything he could to save people after an earthquake causes massive damage to a suspended bridge in Bludhaven. This era of Nightwing was characterized by him mostly striking out on his own and becoming a Bludhaven police officer, being inspired by Jim Gordon.

Dick really came into his own and developed a rogues gallery to himself during this time, not to mention the sweet costume with the blue “wings” running down his arms into his fingers and those big, bulky gauntlets and boots. This era was the epitome of the 90s with big set piece moments, big muscles and Nightwing just being a nice and generally charming guy. After diving off of the bridge to attach a winch to a falling car, the woman inside asks to name her baby after him and he smiles and says, “Robin works, right?”

“The Lesson Plan” is a story from my favorite modern age creators in Tim Seeley, Tom King and Mikel Janin. The Grayson series took place shortly after Dick’s identity was exposed to the world during “Forever Evil” (2013) by the Crime Syndicate. At this time he was acting as a spy for an agency called Spyral while spying on them for Batman. I never think of Tom King as a comedy guy, but this story was almost gut bustingly hilarious. It was just a world trotting adventure where he teaches one of the students of St. Hadrian’s how to be a spy.

Truly this series was Dick at his most handsome, witty and skilled. He jumps out of a helicopter and grabs onto the cords of a cable car before rescuing a woman held hostage by terrorists on walruses. Dick, the student and the hostage ten fight off more terrorists in Tanzania, riding a bus headed for Los Angeles of all places before Dick finds himself in something Dejah Thoris would wear and having a night with the hostage who reveals herself to be a gorilla from Gorilla City. It’s absolutely absurd, but it is immensely fun and welcome since that whole series is well regarded by fans.

“More Time” by Judd Winick, Dustin Nguyen and John Kalisz is a far more somber tale about Jason Todd potentially a short time after the events of Under the Red Hood. Jason Todd was the second Robin and met his unfortunate end in the 1988 story, A Death in the Family by Jim Starlin and Jim Aparo. Jason eventually returned in the Batman: Under the Hood story where Winick and Doug Mahnke re-envisioned the former Robin as a violent vigilante Jason does have something of a strained relationship with Batman, but it wasn’t always that way as this story illustrates.

One thing that Dustin Nguyen has always been great at, it’s making kids super adorable and he does so in this story as it flips back and forth between the past and the present as Jason gives Bruce a birthday present in the form of his father’s watch, which Jason sought to fix. Nguyen and Kalisz characterize the past with Jason appearing as a happy, young kid under the dim lights of the Batcave and a twinkle in his eyes. He’s happy to have a home and a father to care for him so he wanted to do something nice for him.

Present Day Jason is characterized by dark backgrounds with bright oranges, smoke and heavy blacks for the shadows. Jason is far more tired, grizzled and angry, but he still finds the time to place the same gift box from all those years ago on the Batmobile for Bruce to find. At this point in time, they may have been at each other throats, but the love between them was still there, buried deep – culminating in two side by side panels of past and present Jason saying, “Happy Birthday, Bruce.”

“Boy Wonders” is a story about Tim Drake by James Tynion IV, Javier Fernandez and David Baron and sees Tim taking advice from all of his brothers. Next to Chuck Dixon and Geoff Johns, James Tynion IV has had one of the longest lasting impacts on the Tim Drake character throughout his run on Detective Comics by emphasizing the power of his mind in comparison to the other Robins and why he could ultimately be the successor to Batman above each of them or eke out a new life for himself.

While taking down the cast of The Warriors on a speeding train with Nightwing, Tim contemplates what his future will be. He looks to Dick as the one who did everything that he’s doing now and Dick tells him that as the smartest Robin, the best thing he could do is use that mind to bring up the next generation of heroes. Jason, the reason he’s even wearing the costume of Robin in the first place, tells him to take everything he’s learned from Batman to become BETTER than him. Arguably, it’s Damian that gives him the best advice by telling him that he’s the most capable of all of the Robins and that he should choose a path himself instead of relying on the advice of others.

Of course, this story takes place before the events of Detective Comics Rebirth where Tim does chart his own path in making Gotham safer with his Gotham Knights Protocol, but things don’t exactly turn out well for him. For all of the talk about how Tim is the smartest, he unfortunately could never get out of his own way long enough for things to go right…especially now that he’s going by “Drake” in that awful brown costume.

“Fitting In” is a Stephanie Brown story by Amy Wolfram, Damion Scott and Brad Anderson which sees Stephanie trying to live up to the standards of each of the boys that came before her. Stephanie was absolutely the shortest term Robin that Batman took on, as he only allowed her to take up the mantle in an attempt to get Tim back after his real father told him to hang up the cape after discovering his sons identity.

Even still, Stephanie did everything she could to earn Bruce’s respect and Wolfram plays on this and that past story by making it more about Tim than Steph. She has to train in the same costume that Tim did, but she proves more…voluptuous than Tim. Her costume bursts at the seams and Alfred designs the costume that she’s known for. She and Batman then get a call about fire at an amusement park and ride off to take down Firefly.

Unfortunately for her, she gets captured, but being the innovative girl that she is, she manages to free herself and take down Firefly at the same time. Damion Scott’s art is very well suited to the cartoonish action and paints her as a capable sidekick despite initially being a damsel in distress. I honestly wish her run as Robin would have been longer because she honestly fits well in the role as the bubbly Robin in contrast to the hell that Tim was going through at the time.

A point can be made that this story also had some needless sexualization, but given Bruce’s lack of respect for Stephanie and him just wanting a replacement Tim at the time, this was well written from that perspective. He never cared for Stephanie and her time as Robin was mostly her trying to live up to Tim’s standard which eventually left her to try too hard and “die” because of it. I’ll always take more Stephanie Brown as I can cause even now there’s not enough of her and I’m damn sure not reading Young Justice by Brian Michael Bendis.

“My Best Friend” is the one that makes me the most sad as it revolves around Jon Kent writing an essay on Damian as well…his best friend. I feel like the Super Sons series was also done a dity hand by BMB as he took Jon and aged him up for his Superman story when we could have gotten more fun stories between Damian and Jon. As far as homages to one of the better Rebirth series this one was just fun.

There’s not much to say other than Jon reminisces over a few of their adventures and tells readers about the side of Damian that we don’t often see because the Bat-boy is always a little bit too intense. Jon reminds us that they’ve fought for most of the time they’ve known each other, but when it comes to being heroes, Damian always had his back. It’s heartwarming. Of course there’s the continuity issue of them going to the same school in this story cause Jon was only ten at the time and Damian was thirteen, but honestly I only care about the friendship.

“Bat and Mouse” is a story by Robbie Thompson and Ramon Villalobos which sees Bruce and Damian having separate brooding inner monologues about how neither understands the other anymore and about how they want to open up to each other, but the distance between them has grown too wide. Admittedly, this is a much darker story in the respect that Batman and Robin haven’t really been the same since Damian started his new Titans team and started down a darker path that his father has yet to find out about.

Thompson captures this feeling that Damian is arrogant but scared. He feels like he’s outgrown what Batman has become because he’s willing to get rid of threats almost permanently through erasing their memories and villainous tendencies (see Teen Titans, 2018). At the same time, he’s afraid that maybe what he’s doing isn’t the right path and he so desperately wants to reach out to his father, but feels like he can’t.

Batman is the same way in that he loves his son more than anything and wants to regain the relationship that they had in the past, but doesn’t know how to say the words either. He knows that Damian is hiding something big, but he doesn’t want to accuse the boy and deepen the already cavernous rift. Even as they take down the robotic villain Quietus, they show signs of breaking through their equally cold exteriors, but fail to do so and I get the feeling this will all come to a head soon.

The Robins will always be some of my favorite characters in all of comics. Each of them have distinct personalities and quirks that set them apart from a lot of comic characters, especially when it comes to the trauma that they’ve faced alongside Batman. This special won’t be for everyone, just like each era of Robin isn’t for everyone, but overall, I really enjoyed it and the creators selected to honor these fantastic characters.

Best of DC: Week of February 19th, 2020

Best of this Week: DCeased: Unkillables #1 – Tom Taylor, Karl Mostert, Trevor Scott, Neil Edwards, John Livesay, Rex Lokus and Saida Temofonte

Ahhh shit, here we go again. DCeased was awesome.

In much the same way that the original Marvel Zombies filled my heart with dread, DCeased absolutely blew my mind with the short six issues that it took place in. It was equal parts violent and heartbreaking as the heroes of Earth had to figure out a way to either stop the Anti-Life virus or die trying. We had a good spin off with the single issue, A Good Day to Die and now we have Unkillables, another spin off focusing on some of the more violent heroes and villains while the events of the main series unfold elsewhere.

The book begins on the first day of the Anti-Life virus being released as Deathstroke finds himself on a job in Kentucky. Throughout the original story, I did kinda wonder what people like him or the other assassins were up to, given that we saw a select number of other dead supervillains throughout like Giganta and Clayface. As Tom Taylor and Karl Mostert unfold the story we see that Slade Wilson was killing some infected Neo-Nazis before an attempt to renegotiate his price ends with him infected too.

Mostert and Taylor set this opening up in a very comedic way with the white supremacits running from something in the local church as Deathstroke looks on, puzzled as to why they’re running before taking a few out before heading inside. Mostert, Rex Lokus and I think Trevor Scott then give us an awesome single page of Slade facing down a horde of zombies with only his gun and a bloody sword. He looks like a badass and, in the following panels, proves it by killing them with ease.

Mostert doesn’t shy away from Slade’s brutal violence and shows how fluidly he can kill with dynamic poses as he shoots and slices multiple enemies at once. This accentuated by the excellently colored spurts of blood from the zombies and the gory detail of blood on the walls. There’s even a really good panel of one of the zombies being cut in half with Scott inking the silhouette as their blood and insides drip down. Even better is when Slade gets infected and violently rips his mask off before coming back to his senses while choking a guy.

Tom Taylor introduces a unique aspect here as Deathstroke returns to normal on the second day of the virus being introduced. As we learn later, it’s due to Slade’s unique super soldier DNA that allows him to fight off the infection, effectively being immune to a point. I can definitely see this being a double edged sword for him as the infection seems to last for a day before being purged from his system. This makes him unique amongst both the heroes and villains of Earth as maybe a potential savior.

I’d also like to praise Saida Teofonte for her amazing lettering as well. She does an amazing job, not only with word balloons, but with captions that have a bloody background and the typefaces she uses for sound effects. For the most part, they fit the gruesomeness of the story with intense and bloody BANGs to eerie RRRRRRs, signaling the incoming zombies. Deathstroke’s scream as he claws his own face is intense, scratchy and blood curling until we get an AMAZING title page with names filling the empty space.

As things progress, we cut to Jason Todd in the Batcave. The silence is eerie as we get one small “spsh” sound as Jason steps through the blood trail of Bruce, Tim and Dick. Unfortunately, this seems to take place shortly after the events of DCeased #2 when an infected Dick and Tim attack and infect Batman, leaving Alfred to kill them all. Jason, like most readers, is shocked because he thought Bruce would have found a way to survive and then he’s met by Ace the Bathound. After letting Ace see that he’s not infected, Jason proceeds to make graves for his brothers and father before speeding off in the Batmobile to find the rest of his family with Ace.

These scenes are powerful as Jason, normally the black sheep of the family, has to deal with the fact that he’s one of few left. Why wasn’t Bruce prepared? Why was he the one left and not Dick or Tim? Damian’s still alive in Metropolis, but effectively, Jason is all alone. Mostert and I believe Neil Edwards show Jason’s love for his family as he carves out wooden headstones and buries them in the cave. Without a word of dialogue, this speaks volumes about Jason’s love for his family.

Elsewhere in Gotham, Ravager, Rose Wilson with a missing eye, unlike her main continuity counterpart, is curled up in her apartment in fear. The zombies are pounding on her door when Slade radios in and tells her it’s time to escape. Rose has the ability to see into the future in short bursts and sees that everytime she goes for the door, Zombies come through and kill her. Deathstroke, however, has a plan. As a side note, it’s great to see Rose in gear similar to what she wore in Geoff Johns’ “Teen Titans” while also complementing Deathstroke’s current armor.

Unfortunately for Deathstroke, as he keeps his eyes to the sky, he sees the terror that is an infected Man-Bat flying at him with a terrifying SCReeeee as he crashes through the window and smashes the plane on the roof Rose runs to her dad and, believing him to be infected, plunges her sword through his chest and he screams “Ow.” This scene is pure comedy made even better by the dramatic rain and fire in the background. Soon after, Mirror Master, Evan McCulloch, shows up offering them help.

I don’t know what the reason is for using the Scottish version of the character, but it doesn’t really matter as the representation of the Mirror Dimension is still cool as hell. While wearing special glasses that block signals, they walk through the dimension and Mostert draws an epic depiction of it with all of the violence, gore and death through the many mirrors while the characters look miniscule compared to the vastness of it all. The Mirror Dimension has always been terrifying and McCulloch could do a lot to solve the problem, but it makes sense that he doesn’t. Cause it’s terrifying.

After many pages, we arrive at the rest of the stars (fodder) of the series in Vandal Savage, Solomon Grundy, The Creeper, Cheetah, Lady Shiva, Bane, Deadshot and Captain Cold. I do have a bit of a continuity issue as Cold was shown to have been one of the Infected during the events of “A Good Place to Die,” but alternatively this series could explain how he got there or, much like that story, it’s off base with what’s happening in the main pages. But some of these additions are pretty interesting to say the very least.

Savage is near immortal, but has been shown to have been killed before. There’s a high chance that using Deathstroke, he’ll find a way to cure and rule over the people of the Earth after the heroes leave. Grundy is already dead, so can he get infected? The Creeper is much like Deathstroke in that he can heal from anything, so it makes sense that he’s managed to survive. Cheetah is strong and fast, but I don’t rate her chances high and the rest, while immensely skilled, are still just human. This is a ragtag group, but they’re not averse to getting the job done by any means.

The rest of the issue focuses on Jason Todd and his fight to rescue the remaining members of the Batfamily. Mostert, Lokus and John Livesay give readers an awesome assault on the Gotham PD with Cassandra Cain as Black Bat, James Gordon and Harvey Bullock fighting back against the zombies. Cass awesomely kicks and knees zombies in the background while Harvey and Jim shoot them. I LOVED Cass as Batgirl/Black Bat and it was awesome to see the return of the iconic costume and a character that I like so much.

Of course,Temofonte thrills with the lettering here again. She sells the panic in both Jim and Bullock as they fight off the horde as well as the frankness of Bullock as he has to break it to Jim that Blck Bat is the only one coming. The static-y bubbles that she uses on Bullock when he gets infected is also amazing and saddening, but gets even worse when Cass has to “CRCK” his neck to kill him. Soon after, Jason plows through the GCPD in the Batmobile with a “CRNNNCH” that shrinks around the vehicle.

Jason rescues Cass and Jim after shooting the remaining zombies in the head and plans to get the hell out of dodge. Jim, still holding out on the idea of hope, tells Jason that Barbara is still out there somewhere, but Jason, knowing that it’s no longer the time to keep secrets, reveals his and Cass’ identities and shows Jim that Barb is dead. He then takes the haggard detective to her last known location and Mostert and Lokus sell the utter despair of the scene.

Infected versions of Barb, Stephanie Brown, Batwoman and Catwoman were killed by Poison Ivy and Harley Quinn in Issue #3 of DCeased (if I remember right). This scene of James finding his daughter is depressingly grey and his facial expressions show us just how painful this is for him. He’s lost just about everything and cries in his grief. Jason, however, finds the dead body of the Joker and ties him to the front of the Batmobile before they all make their escape to Bludhaven.

This first issue of a three part miniseries already has me as excited as the original story did. I love each of the characters being used, the callbacks to past history and the way that everyone is being written. Each of these violent characters sees that there’s no need to hold back anymore as the regular rules are tossed out of the window. Everyone now has different amounts of pain and grief to deal with while others have different hopes of power or a cure. Ultimately, I don’t think things will end ultra well given the events of the main series, but I have no doubts that this will stand on its own.

Tom Taylor continues to be excellent when writing the despair and tragedies of DCeased and lifting up lesser characters, like The Creeper. His scripting and dialogue are a joy to read and I really feel like he’s got a grasp on everyone. Karl Mostert brings their all to this book with awesome panels and scenes that make readers want to wince, but look again to see the utter brutality of what they’re witnessing. His art is stellar. The various inkers definitely bring it to life alongside Lokus’ vibrant colors and Temofonte’s amazing letters.

I’m already gleefully anticipating the next issue and it more than justifies the $5.99 price, high recommend!