Best of DC: Week of January 29th, 2020

Best of this Week: Justice League #39 – Scott Snyder, Jorge Jimenez, Daniel Sampere, Juan Albarran, Alejandro Sanchez, Hi-Fi and Tom Napolitano

Talk about a Cosmic Sandbag.

Shayne, the alt-future son of Hawkgirl and Martian Manhunter, gave his life and essence so that his father could return from the darkness. This book opens with the amazing return of Martian Manhunter as drawn by Jorge Jimenez with colors by Alejandro Sanchez. Manhuner hasn’t been seen since Justice League #28 when Lex Luthor absorbed him to become Apex Lex, so this return had a monumental feel, especially as the rest of the League looks upon him with awe. Jimenez makes this moment feel powerful as J’onn stands tall against Perpetua with his reds glowing vibrantly thanks to Sanchez.

As soon as Perpetua takes notice that J’onn has returned, she lunges after him. This is likely due to the fact that Martian Manhunter is legitimately one of the most powerful telepaths in the DC Universe and in the subsequent pages, he makes the choice to connect the minds of the people of Earth with his and the rest of the Justice League to try and swing them all toward the side of hope.

This results in a wonderful double page spread where Jimenez poses Martian Manhunter like he’s about to use the Solar Flare from Dragon Ball and speaks to the people. Jimenez and Sanchez show the people on the streets and various members of the League looking towards the sky with smiles on their faces. Snyder scripts this amazingly by having Manhunter give the rousing speech of goodness and rising above that Superman would normally give. What makes this even better is that Manhunter, who usually suffers disillusionment from living amongst humanity, does an amazing job.

J’onn’s speech manages to rouse enough people that the Totality, the macguffin that could imprison Perpetua once again, begins to glow and surge with energy. Perpetua, starting to feel the fear of loss orders an onslaught of the League. Jimenez emphasizes the anger on her face, the fear on Lex’s and the intensity of the battle happening on the steps of the Hall of Justice.. Sanchez makes sure that the colors almost surge off of the page with flashes of red and blue.

As the hope of the people of Earth continues to grow, the tendrils of the Totality wrap themselves around Perpetua’s spindly body as she screams in anger and hatred. Tom Napolitano places Martian Manhunter’s thought balloons perfectly throughout these pages as Snyder ends J’onn’s speech with the people of Earth joining together in the feeling of heroism and hope. The Sigil of Doom begins to fade away and Perpetua has failed…

And then “KRA-KOOM,” Napolitano’s powerful lettering cracks across the page as Jimenez draws the Sigil of Doom firmly seared into the sky and made even stronger by the overbearing hum of Sanchez’s vibrant green. This is the kinda trope that Scott Snyder does well, but also kinda overuses in his grand scale stories: The Cosmic Sandbag. The heroes were on the very cusp of victory and it seemed like the people of Earth were actually believing in the hope that Martian Manhunter was talking about, but instead they gave into their fear, hatred and base instincts just like Perpetua thought they would.

Snyder utilizes this bait and switch technique to show just how influential Perpetua’s evil is and how at the end of the day it will take more than just a flowery speech to turn people, especially since they watched the Justice Leagues battle the forces of Doom and lose massively. Snyder used this in Dark Nights: Metal anytime Batman thought he had a chance in defeating The Batman Who Laughs and Barbatos. They would just pull nonsense out of nowhere and further plunge our hero into despair because he couldn’t anticipate the villain’s very next five moves. I love it and hate it because it helps to show hopelessness, which I am a fan of, but Snyder does do it a bit too much for my tastes (See The Batman Who Laughs mini-series).

The next thing we see is a Rita Repulsa-esque cackle from Perpetua and honesty this might be my favorite of Jimenez’s panels because he just makes Perpetua look so petty. She’s basically saying, “Bitch, you really thought!” before explaining how everything was by her design. She wanted to give humanity a choice to hear both sides and they still chose Doom. Manhunter tried to hide his mind from her, but he failed to realize that as the creator of the Multiverse, he could never think fast enough to avoid her. Perpetua is far more powerful than these heroes could ever have anticipated.

Jimenez and Sanchez absolutely kill the next few panels as Perpetua casts away the shackles of the Totality, breaking out of the tendrils as her black cape…hair(?) causes a gust of wind to shake our heroes while the background shows varying tones of blue, almost a mockery of their ideals of hope. She stands over the Earth while the void of space appears vast around it and with a flick of her wrist and a flash of yellow she wipes the Justice League from existence. Doom truly has won and she vows to create a new story from the ashes of Hope.

Though, the universe itself has other ideas. In the black of Space, green matter begins to coalesce into a form, then that form takes shape and appears to be Martian Manhunter. Daniel Sampere, Hi-Fi and Juan Albarran take over the art from this point and pose Manhunter as if he’s in a womb, reborn after being supposedly killed by Perpetua and saved by something else. I love that Snyder places such importance on Manhunter and his humanity. Despite the insurmountable odds that the League has faced up to this point, he still does everything in his power to call back to the Earth, to try to win the people back.

He is unable to, however, and it seems as though he’s not the only one unable to use his powers as the rest of the League shows up behind him. In an awesome splash page Sampere and Albarran show everyone as wearing black bodysuits, potentially symbolizing a loss of identity or power as none of them seem to be able to use their abilities. Hawkgirl seems to be the only exception because her wings are a part of her. Superman tries to rationalize that as long as they’re not actually dead then there’s still hope, but then he fails to fly, landing back on the moon.

Another awesome thing about this issue is how it calls back to the very first issue of the run with the Quintessence showing up. The Quinessence are a group consisting of Highfather, The Phantom Stranger, Hera, The Wizard Shazam, The Spectre and Ganthet of the Guardians of Oa. They are some of the most powerful beings in the universe and even they knew that this was how things were meant to be. They saw the same vision of Doom that Martian Manunter did and saved the League in the nick of time to prepare them for what’s to come, not just a war of Justice or Doom, but for Everything.

With everything that’s been hinted at as far as the next incoming Crisis, this is a really good inciting incident as far as things go. Perpetua wins and sets up the next true war for the Multiverse. Given there’s still things to sort out with The Batman Who Laughs, the conflict is set and the Justice League has to give their all to ensure that they can protect the Universe. Superboy Prime is coming back in the pages of Shazam, Wally West has found his kids and Dark Multiverse world of his own creation and this issue even references Doomsday Clock and kinda cements its place as an alt-Universe story, but acknowledges the importance of it.

Scott Snyder has set the stage for everything to come and thanks to his fantastic art team telling the story, he drums up the feeling that there’s still a way to see Geoff Johns original vision for Rebirth through. The hope is there, the League just needs to fight for it. I can’t wait to see what Robert Venditti can do as the writer for Justice League given the amazing work he’s done with Green Lantern and The Freedom Fighters series. Doug Mahnke also taking over as main artist is also a welcome change as he’s one of my favorite of DC’s regulars as well.

This was a high recommend and I can’t wait for the future!

Best of DC: Week of December 4th, 2019

Best of this Week: Justice League #37 – Scott Snyder, Jorge Jimenez, Alejandro Sanchez and Tom Napolitano

I had a really difficult time between choosing this or Deathstroke #50, but ultimately, this was just far more epic.

The war for Justice and Doom has been building up and raging for months now and it’s been leading up to issues like this one and I am here for it. Scott Snyder and Jorge Jimenez must have been binging a bunch of shonen anime to prepare for this because this book was full of so many amazing moments of overcoming the odds, sacrifices and comebacks that would fit perfectly amongst the best Dragon Ball or Naruto storylines.

To start off, Lex asks if Batman and the rest of the heroes are smart enough to surrender to the impending Doom as he pilots the Hall of Doom, commanding his forces. Jarro, however, steals the show by saying that they’re nowhere near that smart and that they’re about to get real #$%^ stupid and Batman adorably agrees. I swear I love them. Even more so as Batman himself pilots the Hall of Justice like he’s Roger Smith from The Big O or Space Pirate Captain Harlock.

The double charge between the generic forces of the real Legions of Doom and the various heroes of Earth was ASTOUNDING to look at. With Damian Wayne leading the charge, the heroes scream with rage and Hope as they rush the battlefield. Almost everyone’s there: Jay Garrick, Superman Prime One Million, Vampire Wonder Woman, Kamandi, most of the Titans excluding Kyle Rayner, but even Guy Gardner is front and center, ready for battle!

Meanwhile, the rest of the League do their best to telepathically turn the Earth from Doom to Justice with the help of Miss Martian and the remaining Starmen. They get far enough that they start to blur the Symbol of Doom in the sky, but they lack the power to disrupt it altogether. The only two that could reasonably do it are Hawkgirl and her son Shayne, but they’re lost in space with John Stewart looking for them. Superman motivates them all to keep trying until help arrives.

As that’s all going on, Hawkgirl does her best to defend her son from The Ultra-Monitor, the fused body of the Monitor, World Forger and Anti-Monitor at the helm. Jorge Jimenez gives her defense so much weight as she holds back the worst of his blasts with her Wings. He facial expression sells her pain and the destruction the Ultra-Monitor causes is beautiful with debris flying around them. Alejandro Sanchez accentuates this by making all of the colors cosmically beautiful, bright and vibrant. Both the Ultra-Monitor’s beams and Hawkgirl’s wings are enough to overpower the darkness in space, but unfortunately, he proves stronger than her.

When things look to be their most dire, out of nowhere comes John Stewart in The Flash Mobile, plowing into the Ultra-Monitor with enough Speed Force to separate the brothers from each other. The impact and subsequent explosion are absolutely devastating and REALLY cool, it’s all made even better when John steps out from the wreckage and poses like the damn hero that he is. This entire run has been made of epic moments, mostly drawn by Jimenez and this one takes the cake, especially because John Stewart remains one of the most effortlessly cool heroes out there.

The Anti-Monitor, sensing his impending ass beating, cries out for his mother across the multiverse. We then cut to her in the middle of destroying Earth-44, a universe where the heroes of the Earth are all robots made by Dr. Will Tornado (a cool combination of Will Magnus and Red Tornado). Earth-44 chooses Justice over Doom and DocTornado tells her to go to Hell. Perpetua, hearing the cries of her son, chooses an even more dastardly fate for Earth-44 than just crushing it. She palms the planet and throws it like she was Nolan Ryan (I had to research a baseball reference for you guys, appreciate it) towards her sons. It is epic as hell to see, her hair whips with the force she throws it with, there’s a tear in space-time and DocTornado embraces his end like Bardock, basking in his virtue.

His is not the only sacrifice, however, as The World Forger makes a tough decision. Because of almost all of his energy being sapped from him the Anti-Monitor, he only has enough left for one short portal before the planet impacts all of them. It’s somber to see as The World Forger looks downward towards his hammer. He muses of the other times he’s been reformed, but knowing that Perpetua is in control of the Multiverse that may not happen again. He completes his full character arc, going from a villain that wanted to destroy the other universes for one Perfect one, to a hero willing to sacrifice himself for the good of all.

The World Forger picks up his hammer, flexes his muscles as he gets into his strongest hitting stance and prepares for the end. Sanchez does their best to sell just how hot the planet is coming in with the screen being coated in purple-ish, red hue with the next panel being mostly stark white with red streaks.

The fighting continues on Earth-Prime as everyone is in the thick of it. Batman and Luthor duel in the crimson skies, Wildcat and Kamandi watch each others backs and Lightning, Zatanna and JSA Doctor Fate hold their own, but are obviously getting winded. Luthor cracks the hull of the Hall of Justice as the rest of the League feel something coming for them, but Luthor brings the hammer down and causes the Hall to have a crash landing. Damian, Green Arrow and the other forces, presumably, begin to get overwhelmed and all hope starts to dissipate…

Until a beam of energy disrupts the Symbol of Doom entirely, causing Perpetua to pay attention and Luthor to see a supercharged Justice League ready to put down his movement.

Everything about this issue was amazing. Start to finish, the writing was stellar, the art and coloring was exceptional and the lettering was perfect and immaculate. I found myself getting pulled in to the Hawkgirl and World Forger stories and felt satisfied with their payoffs. I got hyped when the battle kicked off and the energy stayed on that level the entire time.

As much as Dark Nights Metal was a saga with twists and turns, this run of Justice League has far surpassed it in my opinion. Scott Snyder wrote this in such a way that it was easy to get invested in the stories of every member of the League, even managing to return Hawkgirl to a state of prominence since her entire New 52 absence and making her an amazingly compelling character. The same can be said for the new addition of the World Forger, the third brother of the Monitor and Anti-Monitor. His design and character arc was amazing despite my initial misgivings.

Jorge Jimenez and Alejandro Sanchez are an amazing team together. Jimenez has alway been amazing on all of the books that he’s been on, but almost every issue of Justice League that he’s done has been beyond amazing. Scenes are drawn with dynamic posing, epic scale and weight that makes you feel EVERYTHING that the characters are going through. Sanchez brings these amazing scenes to life with stylish and shiny looking colors that really pop on the page and draws yours eyes in. Amazingly, nothing is lost in color or details that either of these guys make and it makes the reading and viewing that much more fantastic.

Overall, this is one of those runs that comes along every once in a while and gives you things to remember. Given that this is the penultimate issue to the Justice/Doom War and it’s already given us so much, who knows how much more there is in store for us in the future? High Recommend!

Best of DC: Week of June 5th, 2019

Best of this Week: Justice League #25 – Scott Snyder, James Tynion IV, Jorge Jimenez, Alejandro Sanchez and Tom Napolitano

The Year of the Villain is upon us.

The book begins with Clark in his youth, impatient and wanting to solve all of his problems by using his power, but being told to be patient by Pa Kent. Cutting to the future where he and Jon can’t light a lamp in Pa Kent’s honor, he’s drenched in rain under the cover of night. In the present an emaciated Superman floats through the Sixth Dimension in total darkness, left there by the glistening White Superman of the Utopia created by the World Forger.

Elsewhere, the League fights their future selves in an amazing action sequence by Jimenez and Sanchez. The clashing of ideals is in full force as these perfect beings from different eras fight each other for the future. Our Justice League fights with the fury of youth, uncompromising in their belief that a future where the lives of billions are lost in order to achieve justice is no future at all. The Future League, however, with their vast experience and tainted souls fight with certainty, knowing that their world has no pain or injustice.

Their battle is captured excellently through sheer scale and intensity as the book rumbles on. Wonder Woman knows what she’s capable of taking and throws down on her older self with punches and kicks befitting a warrior with the heavy impacts to match. Lantern Stewart has an architectural mind, but his older self has obviously come across bigger, but doesn’t count on the flash decking him right in the mouth. The Flash himself doesn’t see it coming when he catches a flurry from himself and who I believe to be Wally and Bart as they phase in and out of existence.

Martian Manhunter uses his shapeshifting abilities to become something out of any Kaiju movie as he tears through the city and himself. Batman… dear God Batman and his beautiful Bat-Mech. The machine is over designed with sharp edges, a bright white color scheme with a gold Bat logo and big dumb Bat wings, but it is AMAZING to look at. Appearing to be on the side of the World Forger, he tells the team to see the Light, telling them to listen to his words and imagine light as they get beat down by their future selves.

Back in the Sixth Dimension, Batman thinks back to the light ceremony and how the League was there to help him and Jon and suddenly lights begin to appear, not just any lights… suns. In what may be one of the greatest sequence of pages in the last few issues of Justice League, (and there have been some great ones) Superman is re-energized. He dives through one sun and then another and another, regaining the hope and strength that he is so known for and rushes towards his friends.

The World Forger readies his hammer to strike this future reality into existence until he feels the vibration. He tells Future Lois Lane to shoot it down, but she sees the “S” and begins to cry. Flash sees him, Diana, J’onn and especially Bruce as Superman RAGES INTO THE BATTLE AND WITH A SINGLE, WORLD EXPLODING, PUNCH puts and end to the World Forger’s machinations.

Instead of destroying the World Forger in that instant, he extends his hand, telling him that there is another way to save the Multiverse if he joins the Justice League. Batman had his suspicions of the future the whole time and upon learning of Superman’s fate, decided to give him a chance to find his way back to his friends and if he didn’t then the Utopia was meant to be, but he always knew that Clark would find a way. Clark focused on hope and the happy memories. He knew that there was always another way and that the World Forger’s ideas that there was only one path or a few that involved him fighting against the Justice League were misguided and that there was one he hadn’t considered; joining them.

Before jumping into the latter 1/3rd of the book, I have to praise this book for having such a satisfying conclusion to this arc. I love that the League didn’t just have to vanquish another threat, but gained a new ally in their fight against the coming Doom. The art was amazingly frenetic and bright with the colors popping in ways that made everything all the more epic and badass. Shading and detailing made everything seem so much more inspiring and dire at times, which is exactly what this needed with special praise going to the single splash page of Superman roaring his arm back for a Real Superman Punch.

Things finally coalesce with the second story of this issue written by James Tynion IV and drawn by new series regular artist, Javier Fernandez. Paying off the events of the Year of the Villain One-Shot, Lex Luthor has made his plea to the people of Earth. After the Legion of Doom saves the world from a raging Mxypytlk, Lex tells them what a mess of things the Justice League made of the Source Wall. He encourages the citizens of the world to shun the League and become Villains just like him as it’s the only way to save themselves since the heroes obviously can’t.

The people are listening and have already started rioting in the streets. Unlike in The Last Knight on Earth, the League has hope. The World Forger hopes to gain the aid of his brothers, the Monitor and the Anti-Monitor. Starman hopes to gain the aid of other heroes from the Multiverse. Wonder Woman wishes to stay on Earth and utilize the Largest League that there has ever been and J’onn says that they have to do it all. At the same time, after his supposed Death, Lex brings himself back to life in a strange body, saying that Doom is just beginning.

I have never been more excited for Justice League than I am now, especially given how widespread this story will be. There are hints of the same kind of scale as Jonathan Hickman’s run on Avengers, with every small thing in every tangential book affecting some part of the larger narrative and that’s the kind of storytelling that I adore. Offers are going to be going out to every villain in the DC Universe and things are only going to be more intense from here on out and I am here for it.