Best of DC: Week of January 29th, 2020

Best of this Week: Justice League #39 – Scott Snyder, Jorge Jimenez, Daniel Sampere, Juan Albarran, Alejandro Sanchez, Hi-Fi and Tom Napolitano

Talk about a Cosmic Sandbag.

Shayne, the alt-future son of Hawkgirl and Martian Manhunter, gave his life and essence so that his father could return from the darkness. This book opens with the amazing return of Martian Manhunter as drawn by Jorge Jimenez with colors by Alejandro Sanchez. Manhuner hasn’t been seen since Justice League #28 when Lex Luthor absorbed him to become Apex Lex, so this return had a monumental feel, especially as the rest of the League looks upon him with awe. Jimenez makes this moment feel powerful as J’onn stands tall against Perpetua with his reds glowing vibrantly thanks to Sanchez.

As soon as Perpetua takes notice that J’onn has returned, she lunges after him. This is likely due to the fact that Martian Manhunter is legitimately one of the most powerful telepaths in the DC Universe and in the subsequent pages, he makes the choice to connect the minds of the people of Earth with his and the rest of the Justice League to try and swing them all toward the side of hope.

This results in a wonderful double page spread where Jimenez poses Martian Manhunter like he’s about to use the Solar Flare from Dragon Ball and speaks to the people. Jimenez and Sanchez show the people on the streets and various members of the League looking towards the sky with smiles on their faces. Snyder scripts this amazingly by having Manhunter give the rousing speech of goodness and rising above that Superman would normally give. What makes this even better is that Manhunter, who usually suffers disillusionment from living amongst humanity, does an amazing job.

J’onn’s speech manages to rouse enough people that the Totality, the macguffin that could imprison Perpetua once again, begins to glow and surge with energy. Perpetua, starting to feel the fear of loss orders an onslaught of the League. Jimenez emphasizes the anger on her face, the fear on Lex’s and the intensity of the battle happening on the steps of the Hall of Justice.. Sanchez makes sure that the colors almost surge off of the page with flashes of red and blue.

As the hope of the people of Earth continues to grow, the tendrils of the Totality wrap themselves around Perpetua’s spindly body as she screams in anger and hatred. Tom Napolitano places Martian Manhunter’s thought balloons perfectly throughout these pages as Snyder ends J’onn’s speech with the people of Earth joining together in the feeling of heroism and hope. The Sigil of Doom begins to fade away and Perpetua has failed…

And then “KRA-KOOM,” Napolitano’s powerful lettering cracks across the page as Jimenez draws the Sigil of Doom firmly seared into the sky and made even stronger by the overbearing hum of Sanchez’s vibrant green. This is the kinda trope that Scott Snyder does well, but also kinda overuses in his grand scale stories: The Cosmic Sandbag. The heroes were on the very cusp of victory and it seemed like the people of Earth were actually believing in the hope that Martian Manhunter was talking about, but instead they gave into their fear, hatred and base instincts just like Perpetua thought they would.

Snyder utilizes this bait and switch technique to show just how influential Perpetua’s evil is and how at the end of the day it will take more than just a flowery speech to turn people, especially since they watched the Justice Leagues battle the forces of Doom and lose massively. Snyder used this in Dark Nights: Metal anytime Batman thought he had a chance in defeating The Batman Who Laughs and Barbatos. They would just pull nonsense out of nowhere and further plunge our hero into despair because he couldn’t anticipate the villain’s very next five moves. I love it and hate it because it helps to show hopelessness, which I am a fan of, but Snyder does do it a bit too much for my tastes (See The Batman Who Laughs mini-series).

The next thing we see is a Rita Repulsa-esque cackle from Perpetua and honesty this might be my favorite of Jimenez’s panels because he just makes Perpetua look so petty. She’s basically saying, “Bitch, you really thought!” before explaining how everything was by her design. She wanted to give humanity a choice to hear both sides and they still chose Doom. Manhunter tried to hide his mind from her, but he failed to realize that as the creator of the Multiverse, he could never think fast enough to avoid her. Perpetua is far more powerful than these heroes could ever have anticipated.

Jimenez and Sanchez absolutely kill the next few panels as Perpetua casts away the shackles of the Totality, breaking out of the tendrils as her black cape…hair(?) causes a gust of wind to shake our heroes while the background shows varying tones of blue, almost a mockery of their ideals of hope. She stands over the Earth while the void of space appears vast around it and with a flick of her wrist and a flash of yellow she wipes the Justice League from existence. Doom truly has won and she vows to create a new story from the ashes of Hope.

Though, the universe itself has other ideas. In the black of Space, green matter begins to coalesce into a form, then that form takes shape and appears to be Martian Manhunter. Daniel Sampere, Hi-Fi and Juan Albarran take over the art from this point and pose Manhunter as if he’s in a womb, reborn after being supposedly killed by Perpetua and saved by something else. I love that Snyder places such importance on Manhunter and his humanity. Despite the insurmountable odds that the League has faced up to this point, he still does everything in his power to call back to the Earth, to try to win the people back.

He is unable to, however, and it seems as though he’s not the only one unable to use his powers as the rest of the League shows up behind him. In an awesome splash page Sampere and Albarran show everyone as wearing black bodysuits, potentially symbolizing a loss of identity or power as none of them seem to be able to use their abilities. Hawkgirl seems to be the only exception because her wings are a part of her. Superman tries to rationalize that as long as they’re not actually dead then there’s still hope, but then he fails to fly, landing back on the moon.

Another awesome thing about this issue is how it calls back to the very first issue of the run with the Quintessence showing up. The Quinessence are a group consisting of Highfather, The Phantom Stranger, Hera, The Wizard Shazam, The Spectre and Ganthet of the Guardians of Oa. They are some of the most powerful beings in the universe and even they knew that this was how things were meant to be. They saw the same vision of Doom that Martian Manunter did and saved the League in the nick of time to prepare them for what’s to come, not just a war of Justice or Doom, but for Everything.

With everything that’s been hinted at as far as the next incoming Crisis, this is a really good inciting incident as far as things go. Perpetua wins and sets up the next true war for the Multiverse. Given there’s still things to sort out with The Batman Who Laughs, the conflict is set and the Justice League has to give their all to ensure that they can protect the Universe. Superboy Prime is coming back in the pages of Shazam, Wally West has found his kids and Dark Multiverse world of his own creation and this issue even references Doomsday Clock and kinda cements its place as an alt-Universe story, but acknowledges the importance of it.

Scott Snyder has set the stage for everything to come and thanks to his fantastic art team telling the story, he drums up the feeling that there’s still a way to see Geoff Johns original vision for Rebirth through. The hope is there, the League just needs to fight for it. I can’t wait to see what Robert Venditti can do as the writer for Justice League given the amazing work he’s done with Green Lantern and The Freedom Fighters series. Doug Mahnke also taking over as main artist is also a welcome change as he’s one of my favorite of DC’s regulars as well.

This was a high recommend and I can’t wait for the future!

Best of DC: Week of December 4th, 2019

Best of this Week: Justice League #37 – Scott Snyder, Jorge Jimenez, Alejandro Sanchez and Tom Napolitano

I had a really difficult time between choosing this or Deathstroke #50, but ultimately, this was just far more epic.

The war for Justice and Doom has been building up and raging for months now and it’s been leading up to issues like this one and I am here for it. Scott Snyder and Jorge Jimenez must have been binging a bunch of shonen anime to prepare for this because this book was full of so many amazing moments of overcoming the odds, sacrifices and comebacks that would fit perfectly amongst the best Dragon Ball or Naruto storylines.

To start off, Lex asks if Batman and the rest of the heroes are smart enough to surrender to the impending Doom as he pilots the Hall of Doom, commanding his forces. Jarro, however, steals the show by saying that they’re nowhere near that smart and that they’re about to get real #$%^ stupid and Batman adorably agrees. I swear I love them. Even more so as Batman himself pilots the Hall of Justice like he’s Roger Smith from The Big O or Space Pirate Captain Harlock.

The double charge between the generic forces of the real Legions of Doom and the various heroes of Earth was ASTOUNDING to look at. With Damian Wayne leading the charge, the heroes scream with rage and Hope as they rush the battlefield. Almost everyone’s there: Jay Garrick, Superman Prime One Million, Vampire Wonder Woman, Kamandi, most of the Titans excluding Kyle Rayner, but even Guy Gardner is front and center, ready for battle!

Meanwhile, the rest of the League do their best to telepathically turn the Earth from Doom to Justice with the help of Miss Martian and the remaining Starmen. They get far enough that they start to blur the Symbol of Doom in the sky, but they lack the power to disrupt it altogether. The only two that could reasonably do it are Hawkgirl and her son Shayne, but they’re lost in space with John Stewart looking for them. Superman motivates them all to keep trying until help arrives.

As that’s all going on, Hawkgirl does her best to defend her son from The Ultra-Monitor, the fused body of the Monitor, World Forger and Anti-Monitor at the helm. Jorge Jimenez gives her defense so much weight as she holds back the worst of his blasts with her Wings. He facial expression sells her pain and the destruction the Ultra-Monitor causes is beautiful with debris flying around them. Alejandro Sanchez accentuates this by making all of the colors cosmically beautiful, bright and vibrant. Both the Ultra-Monitor’s beams and Hawkgirl’s wings are enough to overpower the darkness in space, but unfortunately, he proves stronger than her.

When things look to be their most dire, out of nowhere comes John Stewart in The Flash Mobile, plowing into the Ultra-Monitor with enough Speed Force to separate the brothers from each other. The impact and subsequent explosion are absolutely devastating and REALLY cool, it’s all made even better when John steps out from the wreckage and poses like the damn hero that he is. This entire run has been made of epic moments, mostly drawn by Jimenez and this one takes the cake, especially because John Stewart remains one of the most effortlessly cool heroes out there.

The Anti-Monitor, sensing his impending ass beating, cries out for his mother across the multiverse. We then cut to her in the middle of destroying Earth-44, a universe where the heroes of the Earth are all robots made by Dr. Will Tornado (a cool combination of Will Magnus and Red Tornado). Earth-44 chooses Justice over Doom and DocTornado tells her to go to Hell. Perpetua, hearing the cries of her son, chooses an even more dastardly fate for Earth-44 than just crushing it. She palms the planet and throws it like she was Nolan Ryan (I had to research a baseball reference for you guys, appreciate it) towards her sons. It is epic as hell to see, her hair whips with the force she throws it with, there’s a tear in space-time and DocTornado embraces his end like Bardock, basking in his virtue.

His is not the only sacrifice, however, as The World Forger makes a tough decision. Because of almost all of his energy being sapped from him the Anti-Monitor, he only has enough left for one short portal before the planet impacts all of them. It’s somber to see as The World Forger looks downward towards his hammer. He muses of the other times he’s been reformed, but knowing that Perpetua is in control of the Multiverse that may not happen again. He completes his full character arc, going from a villain that wanted to destroy the other universes for one Perfect one, to a hero willing to sacrifice himself for the good of all.

The World Forger picks up his hammer, flexes his muscles as he gets into his strongest hitting stance and prepares for the end. Sanchez does their best to sell just how hot the planet is coming in with the screen being coated in purple-ish, red hue with the next panel being mostly stark white with red streaks.

The fighting continues on Earth-Prime as everyone is in the thick of it. Batman and Luthor duel in the crimson skies, Wildcat and Kamandi watch each others backs and Lightning, Zatanna and JSA Doctor Fate hold their own, but are obviously getting winded. Luthor cracks the hull of the Hall of Justice as the rest of the League feel something coming for them, but Luthor brings the hammer down and causes the Hall to have a crash landing. Damian, Green Arrow and the other forces, presumably, begin to get overwhelmed and all hope starts to dissipate…

Until a beam of energy disrupts the Symbol of Doom entirely, causing Perpetua to pay attention and Luthor to see a supercharged Justice League ready to put down his movement.

Everything about this issue was amazing. Start to finish, the writing was stellar, the art and coloring was exceptional and the lettering was perfect and immaculate. I found myself getting pulled in to the Hawkgirl and World Forger stories and felt satisfied with their payoffs. I got hyped when the battle kicked off and the energy stayed on that level the entire time.

As much as Dark Nights Metal was a saga with twists and turns, this run of Justice League has far surpassed it in my opinion. Scott Snyder wrote this in such a way that it was easy to get invested in the stories of every member of the League, even managing to return Hawkgirl to a state of prominence since her entire New 52 absence and making her an amazingly compelling character. The same can be said for the new addition of the World Forger, the third brother of the Monitor and Anti-Monitor. His design and character arc was amazing despite my initial misgivings.

Jorge Jimenez and Alejandro Sanchez are an amazing team together. Jimenez has alway been amazing on all of the books that he’s been on, but almost every issue of Justice League that he’s done has been beyond amazing. Scenes are drawn with dynamic posing, epic scale and weight that makes you feel EVERYTHING that the characters are going through. Sanchez brings these amazing scenes to life with stylish and shiny looking colors that really pop on the page and draws yours eyes in. Amazingly, nothing is lost in color or details that either of these guys make and it makes the reading and viewing that much more fantastic.

Overall, this is one of those runs that comes along every once in a while and gives you things to remember. Given that this is the penultimate issue to the Justice/Doom War and it’s already given us so much, who knows how much more there is in store for us in the future? High Recommend!

Best of DC: Week of November 6th, 2019

Best of this Week: Legion of Doom #35 (Justice League #35) – Scott Snyder, James Tynion IV, Francis Manapul, HI-FI and Tom Napolitano

Doom is Here.

The Justice League is in shambles after the explosive events of the last issue which saw Starman’s death, The Anti-Monitor being coaxed back to his mother’s side and Hawgirl’s hubris leading to Perpetua regaining her lost power. Just when victory seemed at hand, it was ripped away in an instance and everything that Lex Luthor had planned and fought for was finally coming to fruition. We’ve all been wondering why the Symbol of Doom had been appearing above the skie of the DC Universe and now we know. Doom is winning.

This issue picks back up with the League still reeling from what just happened. Superman is defiant in the face of defeat, but the Starman of the Justice Society tells him that since the connection between him and the other Starmen is gone, then Will Payton the Starman of Earth-0, must have been killed in the battle. This leads Jarro to surmise that everything in Starman’s vision is coming true, that The Last Great Disaster was still coming. Kamandi sits in utter defeat, thinking of his world, the likely result of that disaster.

This is especially distressing for him because he had so much hope going into the time travel fight. He comes from such a horrible world where anthropomorphic animals are in a constant war with each other. He thought that everything was hopeless until Wonder Woman convinced him that e timeline was worth fighting for. It’s almost because of him that all of the other Leagues were brought together and given hope, so knowing that things didn’t go exactly according to plan is probably crushing him.

The Leagues that managed to get back to Earth-0 are unaware of what happened out in Space and don’t know that the Anti-Monitor took over the body that he had begun to share with his brothers, the Monitor and the World Forger. Superman thinks that they’ll still be able to get their help as they still have the pieces of The Totality (The macguffin that would have saved the universe), but Batman rationalizes that whatever happened out there must have been absolutely dire. As they go to check on Miss Martian and the other Titans, they find that she’s had a massive psychic wave wash over her because of the Symbol of Doom. Raven feels it too as all of the universes negative emotions are dragged to the surface and amplified. It’s not only this Earth and this universe that can see it.

It’s all of them.

Francis Manapul does an amazing job of capturing the scale and danger of Perpetua’s victory by stretching the Symbol of Doom across six vertical panels showing the other heroes of the world looking up at the sky. Batwoman in Gotham, Black Canary and Green Arrow in Seattle, The Marvels in Philadelphia, Swamp Thing and Detective Chimp in Louisiana, CATMAN IN TANZANIA and the Rocket Red Brigade in St. Petersburg all look toward the sky and see that Doom is coming for them all. Each of these panels are colored in Manapul’s almost airbrush-y style. They’re vibrant, but still give off that feeling of bad tidings.

All of this is absolutely terrifying because there are so many villains and criminals active in the DC Universe. We’ve been seeing the result of Lex’s different offerings over the course of the various stories and while some like Jason Todd’s supervillain team are innocuous, others like Mr. Freeze have been committing absolute terrors in Gotham. Doom is seeping its way into the hearts of the people and they absolutely love it. Heck, this book even starts with a guy holding a sign in front of the Hall of Justice saying “Luthor was Right.”

It doesn’t stop there as it can be seen from Darkseid’s Ghost Sector, Oa, Barbatos’ prison in the Dark Multiverse, the Crime Syndicate’s Earth-3 (even though all of them are supposed to be dead) and even the World Orrery in the center of the Multiverse. The power of Doom itself stretches far and wide and one world gets an unfortunate taste of it. We are then transported to Earth-19, the Gotham by Gaslight Universe, as Bruce Wayne and Inspector Gordon look up to the sky, seeing the Symbol of Doom and Perpetua herself.

The scene is painted in a beautiful purple hue and heavy inks. Everything feels utterly dark, not only because of the setting, but also because of the panic on the people’s faces. They scream that they’ve gone man, that the world is ending. Perpetua condemns the world for being so primitive because of the heavy fog of industry and their lean towards Justice. Batman himself tries to call for help, but the signal is blocked. Perpetua takes notice of him and chastises him for his choices, and uses her power to begin the destruction of the world. Batman realizes the end is near and reveals the knowledge of the Multiverse to Gordon, who responds by asking what the hell can they do against her and Batman replies they’ll do what they can, a hero to the end.

Perpetua crashes her staff into Earth-19, sending a shockwave through the planet that cracks it apart with fire and thunder. Starting out with one wide shot panel of Perpetua towering over the city and slowly pulling in to the terror of the citizens running away, we can feel the fear and terror on the people’s faces. Even as Batman tries to save a frantic child amidst the utter destruction, we know that there is truly nothing he can do as Perpetua announces that there are now only Fifty-One Earths. It’s heartbreaking as it all ends with a distorted, yellow panel of Perpetua’s evil eyes.

Meanwhile, Hawkgirl and Shayne (the child of Hawkgirl and Martian Manhunter) drift in the emptiness of space. Hawkgirl’s still suffering from her injuries at the hands of Lex Luthor, a result of her thinking that she would be able to get revenge for the death of J’onn J’onzz, but unfortunately allowing him to get the drop on her, causing the entire plan to go awry. There’s still a small bit of hope as Hawkgirl and Shayne manage to reach Batman on the Javelin’s comms. Batman warns them that they need to escape as quickly as they can as they won’t stay hidden for long. The warning rings true as Perpetua allows Luthor to hit the Javelin, stranding them in space and finally giving Luthor the reigns to attack the League head on.

This issue was absolutely fantastic from start to finish. While I have criticized The Batman Who Laughs for being an OP character that always wins, that has always come with the caveat that he’s just another Batman and has plans on top of plans. Perpetua and Luthor are different because it is shown that there is a small chance that they can fail. The last issue planted that idea in our minds with Hawkgirl being the linchpin to their defeat, but her hubris allowed Doom to win. Perpetua took advantage and is now showing what happens to those that aren’t on her side.

I love tales on a cosmic scale and this book is building to bigger and better things, not only in one universe, but all of them. Perpetua is doing something similar to what Crisis on Infinite Earths did back in the 80s and is bringing together all of the different universes and systematically destroying them to make way for something better in her image. It’s not just the normal universes that are affected either, it’s the Dark Multiverse as well and if things are to be believed, the Tales from the Dark Multiverse books could be what makes Scott Snyder’s Justice League the center point for the next big Crisis.

Francis Manapul is pulling heavy duty with his work in this issue as everything looked amazing. The heroes looked like they were in utter defeat, designs were amazing as always and Perpetua looked absolutely threatening. She’s such an ethereal being with dark, dark shadows that have just a small splash of color in them. Her eyes are piercing and you can almost get the feeling that she can snap you out of existence at any moment. She’s a wonderful new addition to DCs cast of Cosmic characters and Manapul does an excellent job of portraying as a grand threat.

This run of Justice League and the stories that surround it, much like Dark Knights: Metal, are exactly what I’ve been looking for in comics. I love it when villains have their way and get their wins in. What makes this even better is that Perpetua and Apex Lex are absolutely compelling villains that make good, smart use of the situations that they find themselves in. Lex Luthor is finally achieving things that he tried back in the Villains United days, the Injustice Gang days and every other time he tried to achieve global domination, but failed. With the help of his new evil Cosmic mother, short of an evil alternate universe Batman, there is nothing that can stop them.

Doom is Here. Doom is Winning.

Best of DC: Week of September 18th, 2019

Best of this Week: Year of the Villain: Lex Luthor #1 – Jason Latour, Bryan Hitch, Andrew Currie, Tomeu Morey and Tom Napolitano

Doom is Here.

Lex Luthor has gone through an amazing transformation over the last few years. He was just a rich douchebag when the New 52 started and this eventually led to him becoming a hero in his own right, even taking up the mantle of Superman after Clark died during DCYou’s Superman: Truth arc. When the status quo needed resetting after the League destroys the Source Wall and Luthor was called to join a large group of heroes and villains to stop a new threat to the universe. He saw the error of his heroic ways and embraced Doom after seeing just how powerful entropy could be.

Everything he’s been planning has been leading up to Year of the Villain and things are in full swing with the bad guys finally having the edge, but there’s just something that Luthor can’t satisfy yet: His own urge to be the ONE Luthor. His ultimate belief that he himself is the pinnacle of the multiversal Luthors and this book sets out to prove him right in a variety of ways.

Starting out on Earth-38, a universe reminiscent of the 1960s Superboy comics, Lex recruits the aid of Alexander Luthor, a younger version of himself that still rocks the ginger bowl cut and genius of his future self. Lex likely sees the malleability of this Young Luthor and sees just how similar their upbringings were ad hopes that this child can see the pending darkness and failures that other Luthors have succumbed to. Lionel Luthor is drunk and hears it all, insisting that Lex take him instead, but the Apex Predator incinerates him as Alexander looks on with nonchalance.

Bryan Hitch might be in his finest form in years right now. Somehow, he manages to make a middle school science fair eerie and uncomfortable and make a bowl cut mildly threatening. Tomeu Morey’s coloring of these first pages paints a picture of the perfect suburban setting with darkness just sitting underneath and curiosity from the Young Luthor, the same glint in his eyes.

The next two Earths play in parallel to each other as opposite futures. Earth-45 is a desiccated world where brands brought the world to its knees along with a Doomsday Luthor that squandered the world and destroyed it. Earth-32 seems to be a world of peace where a Martian Kal-El and Lex Luthor coexist as best friends in the Superman and Batman roles.

Luthor has a special hate for this Lex as he’s chosen to live in the shadow of the alien and sicks the Doomthor on Kal-El, thinking that Bat Lex will abandon his fight with Apex Lex to save him, but a Luthor is still a Luthor and he calls Apex Lex’s bluff, but he’s seen all that he has to. He knows that Bat Lex is absolutely Doomed because of his heroic nature and chooses to let him suffer on an Earth that will absolutely be killed by Doomthor.

Luthors hate for both of these other versions is palpable though. Lex has made body modifications for power before, but never once has he allowed himself to become a mindless brute because of it. He doesn’t want to see society utterly destroyed like Earth-45 Luthor did. Even his transformation into the peak form of what a Human-Martian hybrid should be is more enlightening than dangerous.

He very likely also sees Earth-32 Luthor as one of the bigger multiversal insults. Lex Luthor stands in no one’s shadow and seeing him become a creature of the night, the Batman to a Martian Superman, is low. It also echoes back to the years when all he got was guff from the Superhero community and the American populace at large by portraying himself as a hero. It’s the opposite of his current goal of absolute Doom in that this peddling the false hope of Justice.

Doomthor is revealed in his full form during the Earth-32 scenes and he looks amazing. Bryan Hitch draws him like a bald Doomsday, but has the LexCorp logo adorning his chest. He’s an absolute unit of grey and white, muscles pulsating, arm cocked back ready to take Kal-El’s head off and face so full of rage. Of all of the alternate Doomsdays we’ve seen, I think this might be my favorite.

Lex travels to Earth-1 to a future that I certainly hope we see published one day because I absolutely love the Earth-1 stories. This segment begins with who I believe to be Perry White telling an unknown individual of the day when Lex absolutely broke the Superman of that world using the Black Mercy parasite. While the Lex of Earth-1 died after being caught in a fight between Superman and Zod, I suppose as with most other things, DC is choosing to retcon and ignore a past story in favor of this excellent story instead. Lex finds Earth-1 Lex in a hospital bed, likely in a coma and angril screams at him for being made so small, asking how his obsession with Superman is worthy of the name Luthor… but then Apex Lex takes a moment and thinks.

He sees the ultimate Doom that this will lead to. This world, without its great symbol of Hope and Justice, will crumble as it is already a darker reflection of the Prime universe. Bryan Hitch draws Apex Lex’s face with a heated rage contrasted by Morey’s use of muted colors in the room, the sterilized feeling of it all. He grasps the Comatose Lex’s head, preparing snap his neck, but then he relents with stunned silence. Hitch captures this moment with solemn beauty and revelation for what Lex will really have to do to achieve Doom. The Comatose Lex just lies there, smiling. He’s absolutely pleased with himself and finds himself living up to the Luthor name.

After Luthor travels to Earth-50 and likely kills the Luthor of that world, in front of a statue of him replacing the Lincoln Memorial, he has a conversation with Alexander. Alexander asks “why don’t we just kill all of the Luthors when they’re babies” to which Apex Lex answers, “There is no ‘we’ only Luthor.” To me this sounds like Lex could do exactly that, but at the same time, he has to teach Alexander how exactly to be Luthor by seeing all of the mistakes that others have made in the name. By showing him alternate realities, pasts and futures, Alexander can see every possible path there is for him to take and sidestep their particular hurdles to realize his destiny.

The two Luthors meet three more over the course of their adventures, one who became a cobbler and another from the age of Merlin who became a Wizard, two drastically different paths, but neither good enough of the name of Luthor. The final is the one that intrigues me the most, however.

The final Lex appears to be the absolute opposite to Apex Lex. The Luthor who gave up his ambition, his visions of grandeur and embraced the down to Earth nature of his humanity (and a good ginger beard). Through drinking tea mixed with pieces of the Blak Mercy himself, he has lived multiple lives and experienced multiple realities and has seen the many paths just as Apex Lex and Alexander are doing now. The difference is that Bearded Lex sees through Apex Lex, he knows that his hubris and need to be the one and only Lex Luthor is why he’s willing to give up his humanity despite knowing that he will never be. He is but one of many.

This is illustrated excellently through Hitch and Morey portraying Lex in many of the positions of other heroes like Shazam, The Flash, Orion and even as Brainiac himself among others. Morey makes these colors slightly more sepia toned to illustrate that they are potential pasts and futures to give a lived in feel. There’s also no way for Lex to ever be the one true Lex at all and every attempt is just another way to fool himself.

Hearing enough, Alexander killed Bearded Lex, gaining the respect of Apex Lex and finally becoming Luthor…only afterwards, it is revealed that at some point, Alexander was given the Black Mercy plant and acts as back up human DNA for Lex, likely for when his own status quo needs to be reset if his path towards Doom is also the wrong path. Despite the lessons that he was trying to teach, Lex still has an ace up his sleeve, he still has some of his humanity and he knows that no matter what happens, he will remain the one true Lex Luthor.

Of all of the Year of the Villain spotlights, this one is my absolute Favorite. It might just be things that put Luthor in the forefront in general, but there’s just something so great about his new form of evil. He wants to see the utter ruination of good and he’s actually making headway and earning from his past and future mistakes before he can even make these decisions. It peels back the layers of all the men that Lex Luthor could have been and shows us just why Apex Lex is the best version of all of them, because his plans have succeeded without him being subservient, comatose or a mindless beast.

Lex Luthor is here for Doom and I am on board for it.

Best of DC: Week of August 7th, 2019

Runner Up: Justice League #29 – Scott Snyder, James Tynion IV, Bruno Redondo, Hi-Fi and Tom Napolitano

Jarro is the best new member of the Justice League and I will not be persuaded of the otherwise.

Since the events of No Justice (2018), the Universe has been without Starro, the sentient and powerful telepathic starfish that served as the Justice League’s first ever villain. In an uncharacteristic act of heroism, the conqueror sacrificed his life in an effort to save the universe from being destroyed. All that was left a small part of him that was kept in a jar and maintained his sense of heroism, becoming Batman’s newest son, Jarro.

Jarro is the epitome of “doing his best” as this book involves him single handedly taking on the Legion of Doom.

Lurking in the shadows of the Hall of Doom, listening to their top secret plans, lies Jarro dressed as Robin! He waits for the perfect moment and strikes at Lex and the others! They’re all stunned that someone had the knowledge of their location and the gall to attack them. They all think that they can overpower him, but forget that Jarro still has all of the memories of his former self and creates an energy weapon that knocks them all back, including Sinestro and his constructs.

Though things take a turn, even after Jarro manages to take control of Brainiac for a moment, and Lex gains the upper hand, pinning Jarro to a wall. As he’s about to lay the final blow, the Justice League arrives to save their companion!

Throughout the book, however, there are numerous questionable things that makes it seem like it’s just too good to be true. Jarro is referred to as Batman’s favorite Robin by Sinestro. How did Jarro even find the Hall of Doom and how did the League track him? Hell, when Batman sees Jarro, he SMILES. That’s a huge red flag.

When Jarro begins to spawn more stars and takes over the minds of the Legion, Batman chides him for his actions and eventually realizes that he’s had a star on his face the whole time. Jarro had been showing the good guys a vision where the League wins after deciding that control is the only path to victory after the shared vision he had with Starman in the last issue.

It’s all very reminiscent of any time that the Black Mercy plant is used and while what Jarro did was horrible, Batman manages to convince him that everything will be okay. So he releases the hold on everyone, jumps on Batman’s shoulder and tells the others to prepare for war.

What this book does best is simply allude to the idea that not everything is as it seems. It has little hints planted with things that only a could would say about themselves or their parents thoughts. Told through Jarro’s perspective, it’s good to see that Batman has raised him to be a being of hope and a cute one at that. Even his little Robin costume made me absolutely giddy and excited for the little guy.

Once again, it’s Batman that has to save the day because he’s always the most sound of mind. Though what this story does is shine a light on just how powerful Jarro could be. He managed to take over the minds of the Justice League without anyone being the wiser and shows just what an asset he is. It’s even implied that he has a potential that even he can’t see yet and I’m excited for his future.

Best of DC: Week of July 31st, 2019

Best of this Week: Batman: Last Knight on Earth #2 – Scott Snyder, Greg Capullo, Jonathan Glapion, FCO Plascencia and Tom Napolitano

The last case Batman will ever solve, might just be his most terrifying.

Beginning with Batman confronting an older Joe Chill in the past over the dead child in Crime Alley that looks eerily similar to Bruce. Our hero kind of surprises and disarms him by removing all of the weapons he’s hidden around his apartment. Chill seems to have been expecting him, preparing what he calls an “end of an era feast” for Bruce, implying he knows his identity. To make matters even more interesting, he insinuates that he didn’t even kill the Waynes for Marth pearls and makes it seem like there was an even larger plan afoot than anyone realized.

Cutting back to the Nightmare future, Batman and Joker’s Head are taken by surprise as a Speed Force Storm tears through the desert. Never let it be said that Greg Capullo hasn’t been improving his skills at body horror because the tornado is terrifying. Consisting of the constantly shifting, twisting and stretched bodies of Barry Allen, Bart Allen, Jay Garrick and possibly others, the faces scream and cry for Bruce to help them. It’s a shocking and unsettling sight as one can almost hear the deafening cries of atom splitting agony that they’re going through. The deep red of the storm doesn’t help as it just makes things FAR more threatening than they need to be. Bruce and Joker sit in a cave for safety while Bruce laments that there is absolutely nothing that he can do to save them.

The pair continue on, hang gliding through the air, crossing over a base named Fort Waller. Joker tells Batman that originally it was the last bastion of hope, where Mr. Terrific, Dr. Sivana, Ivo and others could combine their knowledge with the powers of the new avatars of the Green and Red to repel those incensed by Luthor. Batman asks him what happens and Joker’s narration ends as they watch the battle. Unknown Soldiers fighting abominations of the Red in a hellish battle of blood and fire until a Swamp Thing appears from the crimson dust of their fight, no longer appearing to have any faculties or emotion other than: KILL.

The tone shifts as they reach an area known as the Plains of Solitude, seeming a mass of crystalline structures similar to Superman’s secret base. The cool blues of this area offer something of a safety in a book that has otherwise been overbearingly tense since it began. It doesn’t help that Joker’s been doing variations of “can I be Robin, are we there yet, and knock knock jokes the entire time. Bruce snaps that he could never be Robin because Robin was a good guy and who in this world was still like that? Pods shaped like Superman’s baby rocket start landing close to Bruce and Joker before the pair are saved by… Superman?

Or so we think, this “very talkative” (end sarcasm) Superman leads the pair to a farmhouse in the middle of the plains where a surprisingly alive and potentially insane Lex Luthor greets them. Batman, furious at the state of this world demands to know what happened, what did Luthor do? Luthor answers that he had a debate with Superman. What makes this so interesting is that, Luthor says that he knows that he should have lost. The stakes were such that, the loser would be impaled by spike of Kryptonite and Luthor, having almost crapped himself a speech mostly using platitudes from others in his own words, didn’t hold a candle to Ka-El… but in the end, Superman ends up skewered and the world goes to hell with him.

It begs the question of, what happened? Did all of the people just side with Luthor on impulse? Did something happen to sway them or was someone else manipulating things? Everything is speculation. Things are cut short, however as Bane and Scarecrow show up to punish Luthor and bring Batman to their new God, Omega. Bane appears to be absolutely rotting with venom as his veins are green and his skin is pale. Scarecrow looks absolutely scraggly with long, gnarled fingers with syringes at the end of his fingers. Scarecrow has poisoned the Superman clone and forces him to try and break the Bat.

Suddenly, as Superman lifts Batman above his head, a sword pierces his chest as it’s revealed that Wonder Woman has returned to save the Caped Crusader. The two are told to run away by Luthor, to save the world as he opens a portal for them and is summarily torn apart by other infected Superman Clones.

We see the full extent of the utter destruction Luthor’s actions have caused as they land on the cloak of The Spectre. Wonder Woman tells Batman that the fighting eventually spilled over and destroyed both Heaven and Hell. It only makes sense, doesn’t it? The forces of magic are very powerful in the DC Universe. How much trouble would it take for a Mordru or Neron to tangle with Doctor Fate or Zatanna, culminating in the ruination of the afterlife, damning everyone to a non-existence at the end of everything?

They enter the cloak and take a ride down the River Styx. Diana tells Bruce that the voices of the dead will be calling out to him for sending them there. Capullo stuns with a double page spread of many of DCs biggest heroes, showing Batman the sheer weight of what his as-of-yet unknown role in Luthor’s scheme was. There are far too many to name, but I will say that I appreciate Capullo putting Kyle Rayner among those in the front. His deaths in many alt-stories will always irk me, but I do like seeing him recognized and put higher than Hal Jordan or even John Stewart.

Things take an even darker turn as Alfred shows up among the dead and Batman almost climbs out of the little boat, knowing that he just saw Alfred not too long ago and he and Wonder Woman make it to the real Gotham City with a cliffhanger and a surprising reveal at the end.

Last Knight on Earth pulls no punches when it comes to depicting a desolate world where Doom wins. I want to say that it’s almost dour to the point of being almost being hopeless and that’s exactly what I love. I adore how much is being packed into this story, how many references to the greater DC universe we’re getting. Capullo’s art is probably the best it has been in years and the quality of the writing is right on part with Dark Knights: Metal. It’s a righteous trip as Batman lugs the annoying head of the Joker around like a planet hopping adventure. It’s really fun and very dark.

Best of DC: Week of July 17th, 2019

Best of this Week: Justice League #28 – James Tynion IV, Javier Fernandez, Daniel Sampere, Juan Albarran, Hi-Fi, Tom Napolitano

Doom is coming.

Martian Manhunter, J’onn J’onzz, is hearing the whispers of the people. He hears them asking for Lex Luthor to grant their wishes, for power, money, confidence and J’onn is determined to stop him. With Hawkgirl, the two fly to the last place that J’onn traced Luthor’s presence. Luthor, however, was already in J’onn’s head and commands him to knock Hawkgirl unconscious so that they may talk.

Elsewhere on Qward, in the Antimatter Universe, the rest of the League stand on the lifeless world looking for The Anti-Monitor. Daniel Sampere has few pages in the book, but he makes the best of every one that he is given. The first splash page is absolutely beautiful as it establishes John Stewart as the head of this mission given his numerous battles with Sinestro and his Weaponeers. The rest of the League also look badass with Batman’s broody darkness flanked by Superman’s big blue hope. Even with the World Forger and the Monitor behind The Flash and Wonder Woman, they stand out as uber-imposing figures with the League.

They find that the planet is lifeless with a message left by the Anti-Monitor in the Weaponeers blood. He warns them not to follow and the team is left at a loss because the being could be literally anywhere in the multiverse. J’onn and Luthor walk around a secret lab/refuge that Luthor had been hidden for a very long time. Luthor explains that his Offers are going out to the worst of the worst and the Manhunter asks why Luthor is telling him all of this, the newly reborn villain replies with “Why not?” because he did broadcast it to the world before his “suicide.”

What makes this most interesting is the uneasiness at watching Lex Luthor, the man who held his sanity and guile above all things, slip into the realm of madness and resignation to his vow of Doom. He tries to convince J’onn that there’s no more need to fight for the greater good given how willing people were to embrace Doom. He says that J’onn’s own desire to save or rehabilitate Luthor is part of his own eventual downfall.

Luthor praises something higher than himself by waxing poetic about Perpetua’s vision of what man and Martian was supposed to be. He acknowledges his own jealousy of Superman after having a conversation with Perpetua at length. Apparently she tells him that humanity AND Martiankind would have been immortal, apex predators, conquerors of the multiverse. He Offers J’onn a choice; to join him or not.

J’onn calls him insane.

Luthor had hoped that things wouldn’t come to this but i left with no other choice than to activate tech that had been in J’onn’s mind since one of their earlier encounters. It slowly undoes the Martian’s cellular structure as Hawkgirl wakes up and attempt to save him. Fernandez has always been good with faces and the way that he conveys her terror at watching J’onn slowly come undone as Luthor grins evilly is masterful. Hawkgirl cries as Luthor absorbs J’onn’s body into himself, the rest of the Legion attack the League and Starman, Shayne and Jarro see the end of the world at the Legion of Doom’s hand.

This book was absolutely stellar. Ending the Apex Predator arc on a very low note was probably the best decision to showcase how much more powerful Luthor is in this form. He’s gone completely mad and yet lucid. He’s sure of his path and even the best that the Justice League has to offer isn’t enough to stop his plans from coming to fruition. With the Anti-Monitor keeping away from the League, one has to wonder what it is he’s afraid of or what he’s trying to avoid and what is the horrible end that Starman has seen?

The stakes are getting higher and higher as we continue to make our way to the culmination of everything as the Year of the Villain soldiers on.

Best of DC: Week of June 5th, 2019

Runner Up: Deathstroke: R.I.P. #44 – Christopher Priest, Fernando Pasarin, Ryan Winn, Jeremy Cox and Willie Schubert

Slade Wilson is dead.

With a large crowd of mourners, we get an idea of how respected and reviled the Terminator was in the larger DC Universe, or at the very least, in the realm of villainous circles. Talia al Ghul bids him farewell and says that he will be welcomed in hell. Red Lion, Priests pastiche of Black Panther, pays his respects to “de ultimate wheelon.” Raptor, Killer Frost and Deadshot all show up to pay respects, with Deadshot saying that he always thought he’d be the one to take Wilson out and how he feels cheated.

Dr. Ikon, who was put into a coma by Jericho and subsequently hunted by Slade for daring to have a relationship with his son shows up and wishes Slade had at least given him his eye back. Even his ex-wife, Adeline Kane cries as she views the funeral, damming him for dying even after all of mess they’ve put each other through.

The Legion of Doom appears and tries to assert their dominance over the crowd, but remain calm as Sinestro remarks that Deathstroke was one of the few that could legitimately stand with the group as he analyzes the body.

Superman, who Deathstroke fought all the way back in issue #8, appears above the proceedings to make sure that everything stays cordial amongst the many attendees. Meanwhile, Jericho, angry that his father’s even getting a funeral, tries to goad Superman into bringing all of the villains in attendance down, but Superman disagrees. He says that no one is committing and crime and the boy just gets angrier.

At the Titan’s base, Red Arrow tries to comfort Damian, telling him that Deathstroke’s death wasn’t his fault and that even though Damian wanted him dead, Emiko had to be the one to loose the arrow. Unbeknownst to either, Jericho takes over Emiko’s body and attacks Damian, cursing them for killing Deathstroke before taking over Kid Flash’s body soon after.

For the entirety of this run, we’ve seen how negative Slade and Jericho’s relationship is. Jericho hates his father and that has poisoned his entire life. Knowing he’s being mourned pisses off the former Titan, but hearing that another Titan was the one that killed him sends him into a rage. It’s similar to his heel turn in Geoff Johns spectacular Teen Titans run in the mid 2000s where he didn’t want more kids to suffer, but this time he’s the one suffering.

At the same time, Rose Wilson attacks people dressing up as her father as his face is shown all over screens in a city and Detective Gordon tells her that Slade wouldn’t have wanted her to follow in his footsteps as he was told by Wintergreen, echoing the most early issues of Deathstroke, like #4 – #5, I believe.

Jericho continues his rage, in Kid Flash’s body, and attacks Sinestro, who uses his Ultraviolet ring to tap into Jericho’s repressed emotions and fires upon the crowd. Doctor Light reveals that Superman was just a projection and disables Jericho and the Legion ponders what to do with the boy. With Deathstroke dead, the Legion makes their first Offer for Year of the Villain and gives him a chance to join them and with his current mental state, who’s to say that he won’t?

Deathstroke has been a weird and convoluted ride at times, but the character work herein has been phenomenal. We’ve seen the root causes of what makes Deathstroke himself so poisonous and how that’s affected his children.

Jericho wears the mask of a hero, but underneath, he’s scarred. He nearly kills a man he loves on the off chance that he may tell Slade of it, causing Slade to hunt him and now he himself is falling to the dark side.

Rose has always straddled the line, but her father kept her on the side of good at least by discouraging her from being him. Her anger at his death may drag her into the same pit as Jericho, especially after trying to solve the mental break she had, thinking she was overcome with the Spirit of a Hmong warrior.

There’s going to be a war to determine who the next Deathstroke will be and if that doesn’t excite everyone, I don’t know what to say other than High recommend.

Best of DC: Week of June 5th, 2019

Best of this Week: Justice League #25 – Scott Snyder, James Tynion IV, Jorge Jimenez, Alejandro Sanchez and Tom Napolitano

The Year of the Villain is upon us.

The book begins with Clark in his youth, impatient and wanting to solve all of his problems by using his power, but being told to be patient by Pa Kent. Cutting to the future where he and Jon can’t light a lamp in Pa Kent’s honor, he’s drenched in rain under the cover of night. In the present an emaciated Superman floats through the Sixth Dimension in total darkness, left there by the glistening White Superman of the Utopia created by the World Forger.

Elsewhere, the League fights their future selves in an amazing action sequence by Jimenez and Sanchez. The clashing of ideals is in full force as these perfect beings from different eras fight each other for the future. Our Justice League fights with the fury of youth, uncompromising in their belief that a future where the lives of billions are lost in order to achieve justice is no future at all. The Future League, however, with their vast experience and tainted souls fight with certainty, knowing that their world has no pain or injustice.

Their battle is captured excellently through sheer scale and intensity as the book rumbles on. Wonder Woman knows what she’s capable of taking and throws down on her older self with punches and kicks befitting a warrior with the heavy impacts to match. Lantern Stewart has an architectural mind, but his older self has obviously come across bigger, but doesn’t count on the flash decking him right in the mouth. The Flash himself doesn’t see it coming when he catches a flurry from himself and who I believe to be Wally and Bart as they phase in and out of existence.

Martian Manhunter uses his shapeshifting abilities to become something out of any Kaiju movie as he tears through the city and himself. Batman… dear God Batman and his beautiful Bat-Mech. The machine is over designed with sharp edges, a bright white color scheme with a gold Bat logo and big dumb Bat wings, but it is AMAZING to look at. Appearing to be on the side of the World Forger, he tells the team to see the Light, telling them to listen to his words and imagine light as they get beat down by their future selves.

Back in the Sixth Dimension, Batman thinks back to the light ceremony and how the League was there to help him and Jon and suddenly lights begin to appear, not just any lights… suns. In what may be one of the greatest sequence of pages in the last few issues of Justice League, (and there have been some great ones) Superman is re-energized. He dives through one sun and then another and another, regaining the hope and strength that he is so known for and rushes towards his friends.

The World Forger readies his hammer to strike this future reality into existence until he feels the vibration. He tells Future Lois Lane to shoot it down, but she sees the “S” and begins to cry. Flash sees him, Diana, J’onn and especially Bruce as Superman RAGES INTO THE BATTLE AND WITH A SINGLE, WORLD EXPLODING, PUNCH puts and end to the World Forger’s machinations.

Instead of destroying the World Forger in that instant, he extends his hand, telling him that there is another way to save the Multiverse if he joins the Justice League. Batman had his suspicions of the future the whole time and upon learning of Superman’s fate, decided to give him a chance to find his way back to his friends and if he didn’t then the Utopia was meant to be, but he always knew that Clark would find a way. Clark focused on hope and the happy memories. He knew that there was always another way and that the World Forger’s ideas that there was only one path or a few that involved him fighting against the Justice League were misguided and that there was one he hadn’t considered; joining them.

Before jumping into the latter 1/3rd of the book, I have to praise this book for having such a satisfying conclusion to this arc. I love that the League didn’t just have to vanquish another threat, but gained a new ally in their fight against the coming Doom. The art was amazingly frenetic and bright with the colors popping in ways that made everything all the more epic and badass. Shading and detailing made everything seem so much more inspiring and dire at times, which is exactly what this needed with special praise going to the single splash page of Superman roaring his arm back for a Real Superman Punch.

Things finally coalesce with the second story of this issue written by James Tynion IV and drawn by new series regular artist, Javier Fernandez. Paying off the events of the Year of the Villain One-Shot, Lex Luthor has made his plea to the people of Earth. After the Legion of Doom saves the world from a raging Mxypytlk, Lex tells them what a mess of things the Justice League made of the Source Wall. He encourages the citizens of the world to shun the League and become Villains just like him as it’s the only way to save themselves since the heroes obviously can’t.

The people are listening and have already started rioting in the streets. Unlike in The Last Knight on Earth, the League has hope. The World Forger hopes to gain the aid of his brothers, the Monitor and the Anti-Monitor. Starman hopes to gain the aid of other heroes from the Multiverse. Wonder Woman wishes to stay on Earth and utilize the Largest League that there has ever been and J’onn says that they have to do it all. At the same time, after his supposed Death, Lex brings himself back to life in a strange body, saying that Doom is just beginning.

I have never been more excited for Justice League than I am now, especially given how widespread this story will be. There are hints of the same kind of scale as Jonathan Hickman’s run on Avengers, with every small thing in every tangential book affecting some part of the larger narrative and that’s the kind of storytelling that I adore. Offers are going to be going out to every villain in the DC Universe and things are only going to be more intense from here on out and I am here for it.