Category: X-Men

Best of Marvel: Week of November 13th, 2019

Best of this Week: Fallen Angels #1 – Bryan Hill, Szymon Kudranski, Frank D’Armata and Joe Sabino

She is a butterfly.

Kwannon had been living in silent darkness for almost thirty years, trapped inside of her mind  while Betsy Braddock occupied her body (Uncanny X-Men #256, 1989). That changed in Hunt for Wolverine: Mystery in Madripoor #4 (2018) when Betsy psychically reconstructed her original body, allowing Kwannon to reclaim hers and make sporadic appearances in Matthew Rosenberg’s Uncanny X-Men (2018/2019), mostly serving as Wolverine’s back-up. Of course, things have changed significantly since then and now.

This book opens with a young girl standing on a train while Kwannon narrates in the background. It’s mostly vague as Kwannon refers to a mysterious “she” that she hoped was happy and free during the time that she was locked in her own body. The little girl puts on some sort of tech apparatus on her head which, upon activation, causes her eyes to turn blck as she begins to tear through the pedestrians on the train. It’s savage as she rips a handrail out of place and starts beating people with it. Eventually, she makes it to the train operator’s room, knocks him out and derails the train. Presumably everyone is killed in the horrific accident and the only word on her lips before it happens: Apoth.

Kwannon, now choosing to go by Psylocke as she sees her former name as a shackle to a horrible life of torment and pain, is meditating and enjoying the peace of Krakoa. The first panels are set up very well with many close up shots to Psylocke basking in nature, even pricking her finger and bleeding on a flower to show that blood can even bring new life as it blooms. Frank D’Armata makes excellent use of color as the flower and a butterfly appear purple, Psylocke’s signature color. It’s beautiful, especially as we get to a beautiful shot of Psylocke, in peace, floating as purple butterflies swarm around her.

That peace is soon interrupted as she’s bombarded with a psychic attack by an unknown entity telling her that she has to kill a God, she has to kill Apoth. After the vision, she goes to visit Magneto, still “mourning” the death of Charles Xavier (X-Force #1, 2019). She tells him what she saw and requests to leave Krakoa to investigate. Initially, he denies her request, citing the most recent attack that left Xavier dead as the reason no one is able to leave the island. She responds in fury, trying to assure him that what she saw wasn’t just a dream. 

These pages are strange as they also utilize a bunch of close-ups, focusing on their mouths. It gives the conversation a close and shadowy feel as they’re also shrouded in heavy inks. Magneto urges her to see Mister Sinister, saying that he might find her visions interesting. When she questions him about this, he explains that his grief over Xavier’s death makes him forget conversations (wink, wink, nudge, nudge). She then goes to visit the Evil Eccentric, who also doesn’t seem interested until Psylocke talks about her experience being trapped, showing her ferocity when he asks her how she’d kill Betsy if she could. Satisfied with her answer, he helps her out and asks that she gathers a team.

We then cut to X-23 and Kid Cable (I will never refer to him as just Cable) as they stand around one of the many fires made in celebration of peace and safety. Kid Cable sees Laura not enjoying her time and asks her how she likes to dance, then they have a small fight that Laura wins. She comments that she doesn’t feel anything because everything on Krakoa is safe and “safety sucks.” I like this characterization of Laura so much better than what she had been doing with her plucky, child sidekick, Gabby. It reminds me of both her time in X-Force and the beginning of All New, All Different Marvel when she was ultra violent and reckless. Psylocke tries to recruit the both of them, but Laura convinces her that Kid Cable deserves the peace that Krakoa provides and the two leave the island together.

The pair travel to Tokyo and meet a former contact of Kwannon’s. She informs them of a new designer drug created by Apoth called Overclock that seems to affect people’s mind states, causing them to murder others while the drug is killing them as they get super high. As Psylocke and X-23 watch the video of the train accident, Psylocke has a flashback to her days as a Hand assassin and we earn that she had a daughter that was taken from her. Her daughter was given a tattoo of a butterfly, same as the girl in the train derailment. Whether or not this is her daughter is unknown to us, but it is a possibility. 

The video sends Psylocke into a rage and she demands answers, grabbing the woman and threatening her with mind scrambling via psyblade. When the woman refuses and says that Apoth will kill her, Psylocke plunges her psychic dagger into her mind as Laura takes out her guards. The best things about these pages are that they’re all coated in a tint of purple, alluding to the fact that this somehow all ties back to Psylocke/Kwannon somehow. There are threads here that only she can follow because of her ruthlessness and it all feels so very personal.

Psylocke rips the information from her contact’s mind and travels to the location that she found. There, she encounters a shack full of children under the influence of Overclock and Apoth has taken one of them to speak through. The rest of the children die while he warns Psylocke and X-23 to return to the safety and seclusion of Krakoa while he evolves the world. Apoth seems like an interesting villain as he mentions how hard it is to kill children and yet does it anyway. He claims that what he’s doing is evolving humanity and the person who gave Psylocke the vision referred to him as a new God. What is his power and how is he able to control people’s bodies and create such a deadly and advanced drug?

If I were to have any complaints, it would have to be that sometimes the inks are so dark and prevalent that they can start to feel overbearing. There are a lot of good colors used and D’Armata’s signature style is there, they can sometimes feel drowned out by Kudranski’s inks. When they work together, they produce amazing panels, but when they don’t, they produce odd looking shapes and poses. One in particular after Laura is given the knowledge about Psylocke’s daughter and then she’s hunched over like Quasimodo, that’s more so for Kudranski’s posing, but that darkness doesn’t help.

This first issue of Fallen Angels was very interesting to say the very least. I love the idea of getting to know a new and reformed Kwannon as Psylocke given she hasn’t been a character of her own since the 80s and that small time she was resurrected in the mid-2000s. She seems focused and yet still maintains the deadly edge that served her so well as an assassin. I also like that she doesn’t want to be reminded of her time in the darkness, even dismissing Betsy when she presumably wants to talk about everything between them. I don’t know if its anger or contentment with her new life that lets her walk away from Betsy, but it kinda feels liberating in a way.

I’m actually very excited to see where things go from here, so far I love Psylocke’s new direction as she seems to be slowly turning into a teacher for people like X-23 and Kid Cable. Throughout the book there had been flashbacks showing Psylocke’s past and the abuse she went through to become one of the Hands deadliest assassins, so it’s very likely she’ll be similar but better to those two. She will turn them into butterflies. The most perfect versions of themselves.

Best of Marvel: Week of October 9th, 2019

Best of this Week: Powers of X #6 – Jonathan Hickman, Pepe Larraz, R.B. Silva, Marte Gracia, David Curiel and Clayton Cowles

Moira MacTaggert just became far more powerful and dangerous than we could have imagined.

When I wrote the review for House of X #2 all those weeks back, I was under the impression that Moira MacTaggert had an overall purpose for her deaths and reincarnations in regards to making a mutant utopia that works and now I’m not so sure. I’m not saying that that isn’t the main goal, but there’s now a far more nefarious edge that’s been given to her intentions that aligns with my uneasy feeling about Charles throughout this story. I thought this was a story about mutants finally being able to flourish and slowly outnumber humanity.

But it’s about the first steps to utter annihilation.

The book begins with Moira’s 7th or 10th life (around Powers of X #1), I’m very unsure, and gives us the answer to what she showed Charles that set him on the path that we see him on now. Powers of X has been mainly focusing on a dystopian future where mutantkind has been nearly exterminated and both humanity and various forms of sentinels are flourishing. One of the main characters we’ve observed in this future is The Librarian, an evolved human acting as the receptacle of all knowledge of humanity. 

The vision begins with him entering a secret entrance to a place called The Preserve, very reminiscent of Krakoa, at least in terms of how to enter it and the residents therein. He’s immediately attacked by a beast-like man who is then revealed to be Logan, still alive after a thousand or so years and he stops him. The Librarian makes it a point to tell Logan that he’ll never be fast enough to kill him as he can’t feel everything about to happen and stop it before Logan has a chance to react. They have a short conversation about how English is now a dead language, but the Librarian has learned it to have a conversation, not with Logan, but with Moira X. 

She emerges from the shadows and the Librarian laments that the time of the last Mutants is about to come to an end because of the Phalanx. He also muses that he will separate Moira from the rest to prevent her from dying as that will immediately reset the timeline, stopping the Phalanx and The Librarian from ever coming into existence and he doesn’t want anything to have that power over him if he’s to exit outside of reality.

That’s the first definitive answer to how powerful Moira is that we’ve gotten thus far. We know that no matter what, she will die and come back to life and something like this has been speculated, but actually just resetting the timeline, erasing EVERYTHING that came before and starting again with the wealth of a thousand plus years of knowledge is insane to me. 

The Librarian, however, also knows that he likes to observe and see the wonders of the world and asks Moira how she would prevent this future from happening if she could, taunting the pair with their “evolutionary inevitability.” He notes that Mutants have never been able to see their true enemy, always blaming the creation of machines as their ultimate downfall. The book turn everything on its head when it’s revealed that it has never been the machines, but humanity itself.

Mutants adapt traits to their environments, but that doesn’t hold a candle to genetic engineering. Think about heroes like Captain America, The Hulk, Luke Cage, all of them were just regular joe schmoes that gained insane abilities from accidents or experimentation and can rival any one mutant. If you add machines and nanotechnology to that mix, then things become even more insane as they’re constantly able to be upgraded, reprogrammed and will destroy any threat that humanity sees until eventually consuming their masters. 

Maybe there’s a reason Charles was so willing to give away the Krakoa drugs. Speculation gives way to the idea that Moira, in her infinite knowledge, found a way to imbue those drugs with DNA chemicals in them. (That is in no way supported by this story) But I would love the idea that Logan proposed, to stop post-humanism, you have to do it at the humanity part. It aligns with Charles’ overall goal of using The Five and Cerebro to bring back the 16 million mutants killed on Genosha and overpower the number of Humans in the world with far greater numbers.

The Librarian turns his back to Logan and Moira and says that maybe since they have no alternative, then maybe it is also his destiny to become as a God…and then Wolverine kills him, quicker than he could have prevented. Armed with this new knowledge, Moira tells Logan to kill her and this scene is beautiful. I believe R.B. Silva draws this part of the book but the gravitas of the scene – Moira gently feeling Logan’s hand to reveal his adamantium claws, their silhouettes juxtaposed against the colors of morning light and the slight smile she gives are perfect. Marte Gracia and/or David Curiel’s colors as he impales her with his claws are immaculate as the lighting implies that life is leaving her body and sort of fits my motif of the bright morning shining on mutant kind.

With all of this, we find out that Moira’s been the one that’s had to break Charles Xavier of the notion of peaceful coexistence with humanity. It’s also revealed that because she’s gotten too close to everything, that she’s had to fake her death to operate in the shadows and let Xavier and Magneto act as figureheads to the movement when in reality, almost everything is according to her plan.

But of course, not everything is as good as we’d hope as Moira’s been hiding the biggest secret from everyone else on Krakoa aside from Charles and Erik – Mutants will always lose.

Everytime, in every scenario, humans and mutants clash and inevitably, mutants are defeated. Moira has set a rule that mutants with precognitive abilities are not allowed to come back to life because if they’re allowed to see the future and they destroy the very foundation that Krakoa is built on, then everything will have been for naught. This could also allude to the visions that Blindfold had before she killed herself in Matthew Rosenberg’s Uncanny X-Men.Charles and Erik promised Mystique that they’d bring Destiny back to life and Moira lambasts them for even promising that, but they explain that they’ve been putting her off as long as they can, but eventually they will tell the truth.

We see the celebration from House of X #6, but it’s been recontextualized. Under all of the celebration, the hope, is the feeling of dread. The feeling of utter hopelessness, knowing that it will all reach its end within a thousand years, all because of the idealism of men.

House of X and Powers of X have been amazing reads thus far. I love how circular this story is, how referential it is to past history of the X-Men and paints a new ideal of the futility of mutant life as long as humanity is still around to destroy them. It separates the X-Men from the numerous other superheroes by pointing directly at the lengths humanity will go to make sure that they remain the dominant species on Earth.

RB Silva and David Curiel have done a phenomenal job of giving this book life. From the cheery beginning of a lush and hopeful green to the ending of the dark night sky, lit by the explosions of fireworks, the flickers of hope with the true darkness behind it. Silva makes sure to draw Charles with an unearned smirk, the look of a man that’s very sure that his part of the plan will be perfect, at least after his initial spirit has been crushed. Moira has the look of determination, the kind of look only gained from centuries of experience and she maintains it even in the face of death.

Hickman has evolved these characters from just a Scottish doctor that used to care for the mutants on her island and hapless man that only wants to be peaceful – to the cold revolutionaries that want mutants to have one day in the sun before it’s ultimately ripped away again.

What does this ultimately mean for the X-Men? For Mutants in general? Hopefully we’ll see in the coming months as seven or eight new series will shine a light on what the rest of them are doing while Charles, Erik and Moira sip tea and wait for the apocalypse.

Best of Marvel: Week of September 18th, 2019

Best of this Week: House of X #5 – Jonathan Hickman, Pepe Larraz, Marte Gracia and Clayton Cowles

The X-Men have conquered their greatest enemy: Death.

After the events of the last issue, it was a wonder just how Hickman would write the X-Men out of the predicament that has stopped them so many times before. In the standard Hickman way, he made retcons that enhanced the usefulness of lesser characters and provided a way out that not only makes sense, but can be used for just about anything in regards to all of our favorite dead mutants.

In House of X #1, one of the first things we see is Charles Xavier meeting the reborn forms of Scott Summers and Jean Grey as full adults after they emerge from egg sacs of some kind. Initially, I thought that this was just some sort of strange symbolic rebirth thing and while it still is, it has become far more literal and intriguing because of five mutants – Goldballs, Elixir, Hope Summers, Proteus and Tempus.

Goldballs had one of the dumbest powers for the longest time; the ability to propel golden balls from his chest, but in this book we learn that these balls were actually non-viable eggs that, with the help of Proteus, could be made usable. After they’re injected with mutant DNA and given life by Elixir, Tempus ages the eggs to maturity and thanks to Hope’s powers, all of them operate at peak efficiency. This allows the mutants to effectively resurrect their dead friends as husks until Xavier implants mind engrams into the bodies with their past memories.

Everything about this scene was immaculate and well done to a point where I almost want to cry. What coloring there was felt low and hushed, almost as if we were seeing something miraculous, the gift of light. Camera angles were mostly downwards, to capture the harmony of the group before they began their work. They stood silent and acted on instinct, indicating they’d done this before, showing us that they were absolutely sure of their process. 

Xavier leaning down, cradling his children and asking them to not die again as it kills a part of him every time that they do is heart wrenching, but joyous when he gives them their memories back. There’s no hesitation, only love, only care. 

The gravity of the event as it happens and seeing someone like Goldballs become one of the most integral mutants in the revival of the mutant race brought me to an unknown level of joy. There was so much weight to their actions with the excellent narration by Magneto as to what exactly they were doing while talking to Polaris, making the point that when they are apart, they are still strong mutants, but together they are even more powerful than previously imagined. 

This message also acts as a bit of foreshadowing for the end of the book and as the theme for this issue as a whole; the idea of togetherness, something that the human race has denied mutants for all of their existence. 

I’m almost certain they used the exact same pages from House of X #1 as we watch the resurrection of the dead team, but this time we have a whole new perspective of how we got there. In an absolutely beautiful celebration of life, we see the mutants of Krakoa praise the Five for bringing their mutant family back to life and a confirmation of those mutants by Storm. Under the purple leaves of a tree of Krakoa with a bit of sunlight shining through. Purple usually symbolizes nobility, passion and authenticity and with the use of dynamic angles and heroic posing, we can be absolutely sure that these are the same mutants.

Angel, Husk, Mystique, Monet, Wolverine, Nightcrawler, Cyclops and Jean Grey all died to ensure that the Mother Mold didn’t come online and destroy the mutant race. In two nine panel grids, Storm greets hew newly reborn friends, questioning how she knows that it’s truly them. After they give their answers from the somber to the cocky to the… Monet, Storm asks what they are and the crowd answers with one word: Mutant. 

The level of solidarity among the mutants is inspiring, the love and pride they have in themselves in infections and makes me want to see them do nothing but succeed. However, I do have something of a concern with the level of reverence they seem to be getting. As they walk naked down the stairs to interact with their fellow mutants, the other mutants reach their hands out at them as the sun shines brightly behind them. They seem as saviors, messiahs, people standing above their fellows and that’s a potentially dangerous path for them to go down, especially since Krakoa is performing so well and don’t need egos to ruin it.

On top of their resurrections, Xavier and Emma Frost are also trying to get the world’s governments to accept Krakoa’s pharmaceuticals and accept the Mutant Utopia as an independent nation. With a few notable exceptions from Russia, Latveria and Wakanda (among a few other countries that also would not accept Mutants or their cure alls) most of the world is very into the prospect of life giving drugs in exchange for giving mutants diplomatic immunity and recognition.

In many ways, this is the progress that they have always strived for. Some people aren’t reticent to their acts of kindness out of ideological differences, but others see the benefit of siding with the new Nation as long as they can see the benefits. They may be alliances of necessity or fear, but the point still stands that their autonomy is being recognized. They’re not being actively hunted, at least since Orchis was stopped from activating the Mother Mold and with their population in the cusp of becoming what it was in the past, they are flourishing and don’t NEED human support, but they find it better that they receive it.

With the world coming together for mutants, there’s only one more group left to truly unite the houses: The Villains. In my opinion, most of House of X has been leading up to this, the day when even mutant villains will come in full support of Xavier’s new mission to save the race and there are some nasty ones here: Mister Sinister, Lady Mastermind, Mesmero, Selene, Sebastian Shaw, Emplate, Exodus, Gorgon, Black Tom Cassidy and Azazel.

But these villains pale in comparison to the final arrival in Apocalypse. In more than one way, Apocalypse’s dream has finally come to fruition as well. Mutants have risen above and finally become the dominant species that he always believed they could be. They have evolved past their petty and weak natures and embraced their strength in both numbers and power. With Krakoa welcoming him with some lovely birds, Apocalypse speaks on behalf of all of the evil mutants when he says that they will obey the laws of Krakoa as they are written and cements this new alliance with a handshake with Charles Xavier.

This blew my mind. Apocalypse’s whole deal was that he would absolutely destroy the weakness in the mutant gene pool and was only able to do so with Charles Xavier dead in the Age of Apocalypse timeline. He tore the world asunder, but as we learned from one of Moira MacTaggert’s past lives, even this would not have lasted. If Moira’s been in contact with Apocalypse, then he too knows that following Xavier right now is the only true path to mutant evolution and supremacy.

I have never been so elated, surprised and anticipating of a comic in so long. 

Pepe Larraz and Marte Gracia are a match made in heaven and this book has a cinematic quality through and through. Larraz allows the characters to appear overjoyed, happy and proud with beautiful facial expressions. With faraway shots and ever changing angles in the panels, there’s such a grandeur in the story being told. The sun is always shining in this particular issue, much like it was in House of X #1, signaling a brand new day and bright future for mutantkind.

Gracia’s colors are bright and vibrant, emanating with a hopeful glow. Their lighting effects are on JJ Abrams levels of shiny and somehow The Five characters stand out apart from the clothes that they used to wear. Tempus’ blue pops out perfectly against Goldballs gold and black. The purple of the tree leaves in the Confirmation is absolutely beautiful and awe-inspiring and the darkness during Apocalypse’s arrival set against the shining God rays is the perfect contrast.

I have never been more proud to be a fan of the X-Men. Knowing their history of death and rebirth, it’s relieving to see that they now have the means to finally conquer their mortal enemy. There’s so many that can be brought back to life (provided their deaths haven’t already been retconned). John Proudstar, the original Thunderbird, Jamie Madrox, Negasonic Teenage Warhead, Sean Cassidy, Blindfold and many others that either died so long ago or died at the hands of Matthew Rosenberg’s Uncanny X-Men.

House of X has gone above and beyond and rejuvenated a portion of the Marvel Universe that has been a chaotic mess for the better part of almost 20 years by this point. There’s finally unity amongst all of the mutants in the Universe, from 90s villains to even recent ones from Brian Michael Bendis’ run. 

Jonathan Hickman is proving that almost anything he touches turns to gold as he’s crafted an amazing tale in only nine issues, counting Powers of X as well. I find myself, for the first time in a long time, not just going through the motions. I feel as though I’m witnessing a revolution occurring, an actual brand new era for some of my favorite super people. 

The series is set to conclude in about three weeks for X-Men #1 and I am already so very excited. Highest of recommends.

What are we? Mutants.

Best of Marvel: Week of September 4th, 2019

Best of this Week: House of X #4 – Jonathan Hickman, Pepe Larraz, Marte Gracia and Clayton Cowles

No More.

Mutants have been made to suffer time after time after time because humans fear change and their inevitable obsolescence. Two of the greatest mutant extinction events have been the result of either human fear or absolute ignorance. In New X-Men (2001) we saw the utter destruction of Genosha by Bolivar Trask’s Sentinels, a massacre that resulted in the deaths of sixteen million mutants over the course of a single day. This left only a little under one million mutants left until House of M (2005) after which Wanda Maximoff decimated the mutant population, leaving only one hundred and ninety-eight left.

Thanks to the work of Moira MacTaggert and Charles Xavier with Krakoa, the mutant population is returning to normal levels and is looking to absolutely eclipse humanity in a short time span. Of course, humanity doesn’t take this too well, causing the Orchis Organization to activate itself, so it’s up to Cyclops and his band of Mutants to cast the enormous Mother Mold (a sentient machine that would create Master Molds to create Sentinels) into the blasted sun.

This issue was nothing short of heartbreaking.

Jonathan Hickman is doing something amazing with this book by showing just how strong the need for preservation is between both sides. In the last issue, one of the security team members for the Orchis station blew himself up in an effort to preserve a future where humans would be the dominant species. He wasn’t thinking about himself or his future with his wife, Dr. Gregor, the head of the station. He only wanted to ensure that The X-Men couldn’t stop the Mother Mold from being activated.

Scott’s team, now only consisting of Marvel Girl, Monet, Wolverine, Nightcrawler and Mystique soldier on after Husk and Archangel are killed in the explosion. Nothing was going to stop them from completing the mission and they absolutely did, but not without each of them being killed in the process. I don’t feel the need to place a spoiler tag here because I have no doubt that either, some of the first issue of House of X takes place in the future and that they will all be reborn or that somehow they will be brought back to life as they will appear in other upcoming X-Series. 

Pepe Larraz absolutely killed this issue with his art alongside Marte Gracia and Clayton Cowles. Every single page has the feeling of large scale epicness to them from the vast emptiness of Krakoa’s Observation room to the different locales of the Mother Mold Base. When Mother mold itself floats into the Sun, quoting it’s own version of the Prometheus myth, it looks enormous at first and slowly descends into the much larger and grander sun. Gracia’s colors are absolutely beautiful as almost everything is bathed in the beautiful glow of the sun. Monet’s red skin shines even brighter as the cuts her way through Orchis security, Nightcrawler and Wolverine’s burning bodies create the perfect ash contrasted by the glowing blue eyes of Mother Mold as Wolverine cuts away the last anchor keeping it on the station and Karimas shining silver arms stand above Cyclops, coated in purple nanobot defeat, as the last thing we see from his visor’s reflection is Dr. Gregor aiming her gun in his face. 

Gracia’s colors are vibrant and help to make Larraz’s lines even more beautiful. They make excellent use of cool blue tones for the few scenes that take place in Krakoa, establishing the still peaceful nature of that location. The space station, however, is awash in heavy yellows and oranges that only set the tone for the book and its high tension, but also works to show us just how dire everything is for either side. It’s high pressure and high stakes. Gracia did a great job of giving things the proper amount of emotional weight through color where Larraz did through excellent facial expression and action.

Normally the brightness of the sun is supposed to represent a better future, but it’s hard to tell who this brighter future is for. The X-Men, ultimately, do win in this war for survival, but it’s a Pyrrhic victory. Karima, who we’ve seen standing beside Nimrod in the future, and Dr. Gregor stand in victory for this battle. Granted, we now that the future where Nimrod reigns has been nullified after Moira’s 10th death, it’s hard not to be afraid by Mother Mold’s ending proclamation and Gregor’s newfound bitter resolve.

Charles and the rest of Mutantkind can rest easy, but can they also live with the cost of what they’ve done if our predictions just so happen to be false? The purpose of Krakoa was to ensure that there would be no more needless mutant death, but in the wake of human fear, more have died. This isn’t like any other time where mutants have been killed and brought back to life years later. For some reason – it just feels heavier. Charles’ tear at the end, with Cowles amazing placement of a “No more” caption feels like a resolution. Charles Xavier is having no more death, not for any of his people and it is powerful.

House of X continues to be one of my most anticipated releases as the weeks go by. This story of death and rebirth keeps achieving new heights of amazing storytelling and even better art. Jonathan Hickman was the perfect choice to breathe new life into the X-Franchise as I don’t have any semblance of a clue what will be in store for the future of the X-Men. What do the end pages of this issue mean? What will be the big fallout from the revelation of Powers of X #3? Will Pepe Larraz continue to be godlike in his presentation? We’ll find out next week in Powers of X #4.

Best of Marvel: Week of August 7th, 2019

Runner Up: House of X #2 – Jonathan Hickman, Pepe Larraz, Marte Gracia and Clayton Cowles

I have never been more interested in Moira MacTaggert than I am right now.

I’ve always seen Moira as just another supporter of mutants that tragically had their life ended because of The Brotherhood’s evil schemes. I loved that she supported Charles dreams and wanted to help mutants, but never actually knew that she herself was a mutant. She’s always had something of a tumultuous history and this issue of House of X expands on that in the most amazing way and shows how important she truly has been in the advancement of the lives of mutant kind this entire time.

In her first life, Moira MacTaggert lived a fairly normal existence. She went to school, married, had kids and died at the rope old age of 78. Soon after, she woke in her mother’s womb, capable of remembering everything that she had done in the past life. It was strange and she couldn’t let on what she knew, but she knew that she was special somehow. It wasn’t until she saw Charles Xavier on the news that it all clicked for her. When he said the word mutant, everything changed for her. She went to try and meet him, only for her plane to crash, ending that life. 

In her third life, she dedicated herself to biology and sought out a cure for the X-Gene, achieving as much only for it to go horribly wrong when Mystique and Destiny, a character who died in Fall of the Mutants (1988) and was last seen in Necrosha (2010), appear and murder all of her fellow scientists. Destiny tells Moira that she knows what her abilities are and that if she continues down a path that could lead to the extinction of mutants, Destiny will always be there to stop her. She tells her that the only path to stop this cycle of reincarnation is to do whatever she can to help mutant kind. 

As a reminder, Destiny has Pyro slowly burn Moira alive so that she never forgets what it will be like to die at her hands.

From here, Moira becomes a radical, leading lives that take her away from Xavier’s dream and push her further into darkness. Everything becomes a lesson in repeating the past, however. At first she lives the normal life and history that we already know. Forming a school for gifted youth, the schism between Magneto and Charles, The X-Men and eventually Charles’ and mutantkind’s death at the hands of Sentinels.

In the life after that, she shows Charles her past lives and turns him into a radical, managing to take over America before Sentinels kill them again. The next sees her kill the Trask family line, only for someone else to design Sentinels instead. She aligns with Magneto or Apocalypse in different lives, all reaching similar or even worse endings.

Eventually, she realizes that there’s only one path that she hasn’t truly tried: Embracing the dream and making it real. This is the House of X timeline.

We’ve seen Moira passively protect mutants, but never engaged with Charles in a way that could truly help him. With knowledge of past events, the two can find a path forward that would not only save mutants, but propel their evolution farther. I believe that’s why Charles has sought to UNITE everyone. Apocalypse, Magneto, Mystique, Mister Sinister, all of mutantkind under one banner to make the lives of all better. It’s certainly a dream, but Moira MacTaggert is the linchpin that makes that dream a reality.

She’s always been one of the X-Men’s smartest and loyal friends. With her help, her genius behind Charles’ vision there’s no way that the House of X can fall. It’s very telling that every path that utilizes violence or tries to eradicate one side has always lead to ruin. It’s even more telling that even the peaceful path requires some bit of strong arming, but if that’s what it takes to get humans to stop killing mutants, then it really doesn’t matter. Charles will have peace between the two sides and Moira is more than willing to embrace this beautiful new path.

Best of Marvel: Week of July 24th, 2019

Best of this Week: House of X #1 – Jonathan Hickman, Pepe Larraz, Marte Gracia and Clayton Cowles

“You have new Gods now.” – Erik Lehnsherr, 2019

The new era of X-Men is here and for all of its familiarity, it does something new and sort of unsettling with a tried and true formula. This is thanks to the beauty and scale of Larraz’s art and the far and wide nature with which Jonathan Hickman is crafting yet another saga to rival both his SHIELD and Avengers runs. If you let it, House of X will engulf you in a rich new mutant world filled with happiness and untold amounts of pride by it end, but also with a good helping of fear… as if everything is just a little bit off.

The book begins with a great wide shot of a figure staring up at what appears to be the root of or at least some important part of a tree. Two other figures, a woman with red hair and a man with glowing eyes, are birthed from two sacs under the tree and we get the familiar line, “To me, my X-Men. Presumably, this is Charles Xavier and as we progress, this idea is made clear as it seems we are doing away with the “X” identity he took up during Astonishing X-Men (2018). This also serves as some clear symbolism of a new rebirth for the X-Men.

Over the next few panels, we are shown shots of various X-Men planting flowers, plucked from the island of Krakoa, in various areas from their home in Westchester, New York to Mars, the moon and the Savage Land. The book is then framed around Magneto and two of the Stepford Cuckoos giving ambassadors from various countries a tour of the various locales that Krakoa has been placed upon as they ponder Charles’ proposed deal. This deal would allow them to make use of the flowers of Krakoa for various medicinal purposes, possibly making the world a much better place, so long as they agree to recognizing the sovereignty of the Krakoa nation state. A new Haven for Mutantkind.

Of course there have been such efforts made in the past. Genosha, the first and most prominently mentioned example, is alluded to have been the catalyst for humankind not being taken over by the mutant X gene. Mutantkind apparently would have become the dominant race on the planet Earth within ten years if not for Genosha’s destruction. Asteroid M and Utopia weren’t mentioned, but my guess is that they simply weren’t as impactful in regard to mutant kind likely because of the events of House of M (2005) dwindling their numbers to nothing. As it stands now, after the implementation of Krakoa spiking the birth rates to much higher than previously calculated, that humanity has about 20 years left.

These estimations are made by a brand new organization known as The Orchis Protocol, a network built for the purpose of monitoring evolutionary anomalies and preparing a doomsday protocol in case humanity is threatened by Homo Superior. The organization apparently consists of ex assets from practically all major organizations in the Marvel Universe from AIM, SHIELD and Hydra to even Hammer, Alpha Flight and SWORD. Some of Larraz’s best shots are in the scenes where we’re introduced to this mysterious group. They pilot a ship towards the sun and we get a good shot of the outside of a portion of their space station as they dock their ship.

Karima, an Omega Sentinel character that hasn’t been seen since sometime after Second Coming (2010) accompanies an Orchis higher up as they talk about the state of absolutely giant station so close to the sun. We get a bit of a tour before we get the best and most ominous shot of the full station. It appears to be the head of MASTER MOLD surrounded by hexagonal plates, the most terrifying shape in all of fiction. Master Mold hasn’t been really seen since about 1994, and again in 2010 because of universe jump in Second Coming. Master Mold was one of the X-Men’s most dangerous threats for it ability to produce sentinels at a rapid rate, so there’s no way that this can mean anything good.

Cutting back to New York, Mystique, Sabretooth and Toad are stealing information from the Damage Control Database. Mystique and Toad manage to get away, but Creed is captured by Invisible Woman and the rest of the Fantastic Four. Scott Summers shows up to remind them of the amnesty that’s apparently been granted to mutants, including thieves and possible killers like Sabretooth. Scott and, normally even tempered, Reed butt heads a little bit as Reed has a problem with Sabretooth getting away with his crimes and Scott acquiesces, seeing that Reed is serious. Scott does leave them with one sick burn as he tells Reed and Sue that Franklin has actual family on Krakoa when he’s ready.

What I love best about this scene is just how smug Reed is about all of this. For years, mutants have tried to stay out of the affairs of the greater Superhero world out of fear for their reputations. The shoe is on the other foot now that they have all of the leverage and the power that they so deserve. Even more awesomely, Scott’s new costume is a fantastic design combining the best of his Astonishing costume with the angular design of his Uncanny X-Men costume, minus the X mask, with blue lines instead of red.

Speaking of colors, Marte Gracia excelled in this regard. There’s so much symbolism to be gleaned from something as simple as a color change. Cyclops wore that suit in a red hue when he was a violent radical; having it recolored blue gives off the hint that he’s still a radical, but in the way that he dealt with the situation between Reed, he’s more hands off, non-violent even. Magneto normally wears red and purple when he’s angry and evil and gray during the AXIS (2015) era and that alluded to his anti-hero nature during that time. This go around he’s wearing white. He’s also peaceful, but at the same time he’s as graceful and imposing as he always has been, never betraying the idea that he is still the same man, but won’t harm anyone as long as they respect mutants. The most glaring example is the change in color from the AIM scientists where they’re wearing red instead of yellow.

In between each different scene we’re given these little interludes in the form of documents called Xavier files. These give some background on the new elements introduced in the book and the best one is the Omega Level file. There have been hundreds of mutants introduced over the years, many of which could have been considered Omega Level mutants, but thanks to Hickman’s expert writing, things have been parsed down to just fourteen. On Twitter, he stated that the X-Men lore was nothing but chaos, so he wrote a 14,000 word memo on what the new status quo would be, including limiting the use of the term “Omega Level.” This undoubtedly helps to establish something of a power structure given the high number of mutants that are known about while also acknowledging other heroes. Notably, while Forge is a master of technopathy, his level has been surpassed by humans in the past, but Magneto is the only master of Magnetism.

I want to bring things back to the tour. After it is over, several of the ambassadors agree to support Xavier. Russia’s ambassador never had intentions too, neither did one of the representatives of STRIKE as he was simply assigned to watch another ambassador. The last ambassador had a weapon hidden and Magneto immediately dismantles it and promises to each of them that things will be different. He wants them to tell their superiors that while Charles made the offer out of grace and love, it is NOT a negotiation.

Magneto takes pride in this. So much so that his assurance and steadfastness in his stance is powerful. It moved me. He tells them to be grateful for the bounty they’re receiving out of graciousness as mutants, like Thanos, are inevitable. It’s like he can actually see a future, one not shrouded in darkness for mutants and he’s smiling because he knows it’s coming.

This is one of the more interesting aspects of the book. Charles Xavier had always wanted to coexist with humanity, but after years of divisions and attacks, he seems to mostly be done with that. He’s willing to give humanity Krakoa’s flowers to make pills that will help them as long as they leave mutants alone. He’s effectively made something that will definitely topple the pharmaceutical market and he has to know that humanity would start to get very afraid. Not only that, but Krakoa has the ability to create portals that can move mutants from place to place without humans being able to track where they’re going. Of course the ambassadors are afraid of the use they could have as far as movement and positioning in case things went to war, but Magneto assures them that it is only them that wants war.

Everything seems perfect. Everything seems like it’s going to be alright, but that helmet… something about that helmet and the bodysuit reminds me of The Maker, another Jonathan Hickman creation from his turn on The Ultimates. It scares me and I needed that, I needed something to keep me hooked and the fear that everything is not as it seems is just that.

House of X hit the ground running. While it does little to acknowledge the fantastic Uncanny X-Men run from Matthew Rosenberg, that’s probably for the best. Jonathan Hickman does his best work when he has a fresh slate. He took over Avengers from Brian Michael Bendis and made an amazing story over the course of nearly four years. He reinvigorated SHIELD and the Fantastic Four with innovative stories that had nothing to do with the books prior to them. Hell, the reverberations of his runs on each of these are still being felt to this day.

Pepe Larraz was possibly the absolute best artist to capture Hickman’s vision for this project. His high angles and wide shots give credence to the size of the story. His facial expressions give into the idea that mutants have won this time, there’s hope where previously there was none. Body language surprisingly upbeat, bouncy even. There’s a lot to say about symbolism in terms of sun positioning in many scenes. The book has many showing the sun rising, symbolically showing a rise for the mutants. I see Orchis base near the sun as an allegory for Icarus flying too close to it. As the book ends with a sunset over Jerusalem, I see things as the sun setting on the time of humanity.

X-Men and their vast history is absolutely ripe for fine tuning if not complete destruction only for it to be made bigger and better in the years to come. I have no idea where this story is going and with 80,000 spin-offs incoming with a bunch of different creative teams, there will absolutely be something for everyone. In an attempt to revitalize a part of the world that used to sell like gangbusters, Jonathan Hickman is gearing up to shoot the X-Men right back up to the moon and light the world on fire behind them.

Best of Marvel: Week of July 17th, 2019

Best of this Week: Uncanny X-Men #22 (Legacy #644) – Matthew Rosenberg, Salvador Larroca, David Messina, GURU-eFX and Joe Caramagna

It’s the end of an era and for once, I’m terrified.

I’ve been a fan of the X-Men for a long time. I’d even go so far as to say that they’re my favorite team in all of comics ever because of the range that their stories can go, from tales of marginalization to various stories of abuse and moral relativism, the X-Men have been amazing so why has it taken them so long to feel relevant again? At some point even the best books run out of good stories to tell or end up retreading old waters for a drink of nostalgia and that’s been the X-Men for the last five to six years. 

Cyclops had become what Magneto was, young versions of the original five were brought to the future, villains like Mojo and Exodus were brought back, Sentinel threats reemerged X-Men died and were brought back. In the grand scheme of things, it was all a mess with no cohesive direction and Marvel noticed. In comes Matthew Rosenberg who, I admittedly, was very wary of because I hated both his time on Astonishing X-Men and the Multiple Man mini-series. I don’t know if it was all his idea, but he decided to wipe the slate clean with a new Uncanny X-Men series and… it was stupendous from start to finish.

In the aftermath of Emma Frost’s actions from the last issue, the X-Men that are still on our Earth have found a peace that Mutants have never known. With humanities knowledge of mutants erased, Scott Summers is at a loss and questioning what his role in life is now that no one needs protecting. He and Dani Moonstar, aka Mirage, wax poetic on the nature of mutations and what their next course of action is. Scott is morose, seeing as his mutation made him function primarily as a weapon to fight back against humanity as it tried to destroy him, but now that they don’t know he exists, what is he good for?

The dynamic between them is interesting. Scott has been fighting since he was a teenager and he’s only ever seen this life as one big war. Dani is still young, but has the experience of several lifetimes and all that she can think of is helping people. Both of them have experienced loss but process it differently. Scott sees all of his friends as soldiers in the fight where Dani sees them as family. Of course this is because Scott has been leading everyone for so long and Dani has gone through thick and thin with the New Mutants, the Fearless Defenders and the X-Men themselves. 

This causes a disagreement between the two and she simply walks away from him as Alex Summers, aka Havok, speaks with his brother about the freedom of being ignored over being targeted. On their way back to the Hellfire Mansion, Alex explains that every bit of leadership he’s ever had to exhibit was learned from Scott. Even with all of his brooding, Scott has been a great leader and it definitely helped when Alex was an Avenger, and he lets his brother know that he’s thankful for it before they’re attacked by some kind of golden Sentinel.

Scott’s unable to damage it and Alex surmises that they’ll never make it back to the mansion before the Sentinel kills them both, so in an act of self sacrifice, knowing that his powers won’t affect Scott, he self destructs and destroys the evil machine. Soon after, more arrive under the control of the General that originally help Emma Frost captive and target the remaining mutants. The battle is hard fought with heavy casualties before the rest of the X-Men return from Nate Grey’s utopian world, winning the battle for mutantkind.

This is the final issue of Uncanny X-Men and it ends on a bittersweet note.

*Slight SPOILERS BELOW*

Havok, a man who was on top of the world, brought low and tried to climb his way back up made the ultimate sacrifice just so that his brother could continue being the leader he is. Madrox, who was just brought back to life has met yet another grisly end, but the status quo has reset though very similarly to the Astonishing X-Men or Mutopia eras in a way. Jean Grey has returned to Scott, Emma and Magneto appear to be on the side of angels again and the X-Men are choosing not to hide anymore.

Shifting focus from this amazingly written and fantastically drawn book, I want to look towards the future and the threads left untied. House of X begins next week and I don’t know how to make heads or tails of things. Who is the man with the giant globe on his head? Is it professor X who had recently taken over the body of Fantomex and is now known as X? Will Magneto ever make use of the Brotherhood he established late last year? What will happen to Illyana now that she’s a demon again? I don’t know, but I am very excited.

This run was great. Rosenberg wrote everything in the most dire way possible given the situation and it fit each and every month. Scott remained hopeful in the face of ever present adversity, flanked by Logan who back up almost all of his actions. Characterizations were great from Dani acting as a voice of reason and Hope being a militaristic badass and the surprisingly black humored Jamie. Larroca’s art never faltered in being action packed but also still and dark.

Whatever comes next from this team, I have high hopes for.