Best of DC: Week of February 26th, 2020

Best of this Week: Batman: Curse of the White Knight Book Seven – Sean Murphy, Matt Hollingsworth and AndWorld Design

Batman is Dead.

The last issue of Curse of the White Knight gave us the last in the story of Edmond Wayne and revealed that the man that Bruce thought was his ancestor, turned out to have been the family to Jean-Paul Valley instead. Bakkar of the Order of St. Dumas killed Edmond after betraying and stealing Gotham from under him, thus assuming the name of Wayne and forming the city to his vision. With this newfound information, Batman has found himself a man with a lineage of thievery, especially after finding out that Gotham’s Elite have been funding their crime through Wayne Enterprises.

This issue begins with a somber flashback to a moment before the funeral of the Waynes. Bruce cries and blames himself for their deaths because he wanted to see The Mask of Zorro. He had always wanted to use the rapiers that his father kept on display and figured if he learned to use them from the movie, then he would be able to impress his father enough. Alfred, always so caring, tells him that if he’s able to go to the funeral, then he can hold a rapier. He then vows to teach young Bruce how to use it for the next danger he may face.

Matt Hollingsworth colors this flashback in a cool blue hue, emphasizing both the sadness and the hopefulness of the moment. Murphy portrays Alfred as being caring and shows that even with the tears, Bruce shows his ability to rise up and become the hero that people need. Though the rapier is far too large for his kid body, Bruce holds it firm in hopes of protecting Gotham in the future.

As we cut back to the modern day, Bruce faith in himself and his dreams of becoming Gotham’s knight are shaken. He was never a Wayne by blood and he sees himself as part of Gotham’s cuse. Many would be right to see him as such given Gotham’s crime initially started off as petty stuff and eventually escalated into battles with The Joker, Two-Face and others with Gotham being caught in the crossfire every time. He didn’t even know that his company was being used by criminals because of his singular focus on fighting crime.

Murphy draws Batman as being tired and ashamed of himself for only just now understanding Jack Napier’s vision and why Batman is just as bad for Gotham as The Joker was. His expressions are melancholic, Murphy makes excellent use of shadow to try to hide some of his shame and body language to make him look like an old man that’s been sitting on a lawn chair for eighty hard years. Harleen Quinzel acts as his voice of reason during his pity party and actually shows concern for him.

Hareen has been a central character in this world since the very first issue of the original White Knight and that doesn’t change here though her own personal arc is over. The last issue saw her do her best to bring Jack Napier out of Joker’s mind for one last time for information and to save her children. In the end, she had to shoot Joker in the head to let Jack rest and rid herself of the monster that had been plaguing her for years. She still finds herself at Batman’s side as one of his most trusted friends.

Bruce still has one thing that he can do to make sure that Jean-Paul doesn’t get away with his crimes and Harley convinces him that Gotham will forgive his transgressions like they did for the former Joker in Napier. At the same time, Azrael is still out there and Murphy and Hollingsworth give readers an AMAZING shot of the villain in his updated Knightfall costume. He grabs onto the nds of his cape s he soars backwards into his hideout. The lights of the city contrast with his blacks, yellows and blues to just give us a pretty damn good shot of how powerful he feels in the suit.

This is contrasted by the next few set of panels where he’s puking out of his mask after escaping from the GTO (Gotham Task Oppression Unit). This version of Azrael has been diagnosed with terminal cancer and as such needs medicine to live and suppress the symptoms. With little dialogue and some telling panels, we see that Azrael has empty bottle after empty bottle of pills in his cabinet. He’s starting to look a bit more gaunt than the first time we saw him. He’s withering away slowly and only has one more pill to spar for his coming battle with Batman.

I love the details that Murphy and Hollingworth add here. There’s blood in his vomit and it maintains after he pukes on his leg. His ribs are starting to show and we’ve seen just how jacked he was in the issues prior. His hair doesn’t appear as long as it did, even pulled into a bun/ponytail and there’s just something so final about the “shit” he gives after finding out that he only has one more pill left. In that singular moment, his mistakes come back to haunt him after killing his, admittedly, treacherous employer.

Soon after, Bruce makes amends to Barbara Gordon after inadvertently causing the accident that almost saw her completely lose use of her legs and effectively getting her dad killed. Barbara has always been resilient and we all feared that that issue #5 would be yet another Killing Joke, but here she is, using crutches to try walking again. The scene takes place during the bright Gotham day and this signals a brighter future for their relationship.

Bruce had always gone to Jim Gordon for advice on what route he should take, but without him, Bruce is missing one of his moral compasses. Barbara is the next best person because she has always been smarter than her father and Bruce has a ton of guilt to get off of his chest and Barbara handles everything like the mature adult that she is. She doesn’t blame Bruce for what happened, even though she said horrid things in anger, but can anyone blame her? She cries at the mention of her father and embraces Bruce, encouraging whatever his decision may be.

Of course, with this being the penultimate issue in this particular storyline, it only makes sense that we see a grand revelation come out of it. Murphy and Hollingsworth set the stage with Hollingsworth coloring the afternoon skies of Gotham with an orange-red kind of hue. We see various shots of different places in Gotham from public libraries to the streets themselves as Batman appears on the giant monitor of Gotham Square. Everything feels hot and sort of uncomfortable.

Bruce gives his appreciation and thanks to the people of Gotham for allowing him to serve as their protector and we continue to get these various shots of people. There’s auto mechanics watching the broadcast in their shop, people in a bar and kids watching on a cell phone with their dog. Murphy uses this to illustrate that Gotham is far larger than we think it is and that there are many people that Batman has saved from every corner of his beloved city, but he hasn’t done enough yet. So what’s the final step?

Batman reveals himself to be Bruce Wayne and dismantles WayneCorp.

Bruce finally becomes the knight that Gotham needs by giving back to the people. By destroying his company, he gives back to the people of Gotham by giving all of his money to nonprofits, schools, homeless shelters etc. It’s everything that Batman detractors have been saying Bruce should have done for ages. In doing so, he offers Gotham a better future than he could have as Batman, but he only asks them to stay off the streets of Gotham for one night while he takes care of the Azrael business. Murphy shows Bruce holding his cowl one last time, standing tall by his heroic decision.

Back at the GCPD, he gets lambasted by Commissioner Montoya for going off and doing his own thing again, but counters by saying that he trusts in the people of Gotham and they all formulate their battle plans. It’ll be his last time taking the reigns before he turns himself in as well, so he might as well make sure that everything goes according to plan.

As Montoya tells Batman that Azrael destroyed most of the other Batmobiles in his assault on bruce in Book Four (I think), she reveals that one survived and I see that Sean Murphy is a Batfan after my own heart. The Batmobile that survives is the badass one from the Animated Series, what this book is supposed to be the “sequel” to. It’s sleek and well designed thanks to Murphy’s own love of cars. From the presentation, readers can tell that this is one of the pages he took serious time with as the Batmobile is given so much respect.

After a short conversation with Dick about what Bruce is going to do when he catches Azrael, Batman drives away, leaving his sidekicks concerned about his state of mind and we get one last splash page of Batman standing in the middle of Gotham Square without his cowl and the sky is a blood red. The Batmobile looks sexy in the background and this was all just so amazing.

Sean Murphy is a comic book treasure. His art and his writing truly made this an experience and a Batman story worth standing the test of time. It had the action, the drama, the stylish sequences and several twists and turns that make a story great. He’s made Batman his own in a grungy style much like how Scott Snyder and Greg Capullo have in a heavy metal manner. Murphy’s Gotham is a masterpiece in crustpunk with social problems that Batman’s always had in the periphery of his character and every issue has been better than the last.

Matt Hollingsworth brings it to life with his perfect colors; Whether they’re making use of the blues of Gotham’s clear skies or the light purples of the night sky, Hollingworth makes Gotham look distinct no matter the time of day. Scenes are given hues to match the tone of the pages whether they’re full of intense anger or incredible sadness, Matt Hollingsworth sets the mood no matter what.

I really enjoyed this series, but I can’t wait for the next and final issue of it just to see that confrontation between Batman and Azrael. It’s been a long time coming and the fallout from Bruce’s decision as well… it’ll be too much, but yeah High recommend!

Best of DC: Week of February 12th, 2020

Best of this Week: Pennyworth R.I.P. One-Shot – James Tynion IV and Various Artists and Colorists

Some people think Dick Grayson is the glue that holds the Batfamily together, some say that it’s really Tim Drake, but we all know that it has always been Alfred.

Alfred has been by Bruce’s side since the day that Thomas and Martha Wayne were killed in Crime Alley. Alfred raised the boy from a young age and watched as he became a hero that Gotham City could truly be proud of. Alfred even got to see Bruce raise many kids of his own over the years and sas there to pick up the slack when Bruce was too injured, angry or didn’t know how to talk to them. Alfred was patient. Alfred was loving. Alfred was amazing and will be sorely missed.

Alfred met his tragic end during the recent City of Bane arc and even after that wrapped up, it still took time for the rest of the family to get together and mourn his passing. Bruce has been trying to cope with it all by throwing himself into his Gotham Renovation Project and various superheroics. Barbara’s been dealing with her own issues in the form of a rogue Oracle. Damian has the Titans, Jason is on the outs with the family and Dick (Ric) doesn’t even really remember Alfred.

In the end, Bane managed to do what he set out to accomplish in the first place: He Broke the Bat.

Not only did he break Batman, he broke the entire family as a whole as shown from the very first shot of this book. Eddy Barrows presents us with a pulled out shot, showing a statue of Alfred in the middle of the new Alfred J. Pennyworth Children’s Hospital – a momentous honor meant to save kids just like Bruce. However, this scene also symbolizes the distance between all of the family. Tynion IV does a great job of scripting their inner thoughts as told by an unseen narrator.

Damian, being the one who was there, feels the weight of his disobedience and sees things as his fault. Tim hearkens back to the time after Jason died and fears for Bruce, knowing the darkness inside of him. Jason was told to NOT come, but Alfred had always treated him right and Barbara feels like she knows how to fix things, but who’s to say that she’s in the right mind to do so either? And Ric… well, Ric doesn’t know why he’s there, but he feels obligated.

Barrows does an amazing job of showing the pain through their forlorn expressions and lowered heads. I assume that Adriano Lucas was the one who colored these scenes because they make excellent use of cold blues to emphasize the sadness of the Family. Barrows also does something that a few artists struggle with in distinguishing each of the boys from each other. They each have distinct hairstyles and facial structures and it’s a nice touch for such a tragic event. Soon after, Tim finds a little dive bar for them to meet in and they each bicker a bit before Bruce arrives for toasts and memories.

This book also does an excellent job of showcasing personal moments that we never see between the kids and Alfred. Beginning with Damian, Chris Burnham draws a flashback to one of the first times that Alfred bails Damian out after he disobeys Batman about going out on patrols. Tynion IV and Burnham capture Damian’s early petulance through his childish pouting superiority complex. We see that Damian loved Alfred because he was willing to be patient with the young boy and Bruce was just getting used to having a trained assassin as a son.

Damian is still widely considered the worst Robin, but that idea has long passed its expiration date as the young lad has grown significantly over the years. In the beginning he could have killed anyone and not felt a lick of remorse for it, but over time, thanks to the softening of Bruce and Alfred, the boy has learned to care and take responsibility for things that weren’t even his fault. He tears up thinking that the rest of the family blamed him for Alfred’s death and regrets that he didn’t do more to stop Bane before leaving the bar.

Tim speaks next and Marcio Takara takes over art for Tim’s flashback. The third Robin is still arguably the smartest, but during a hectic fight with Firefly, he leaves some of his gear and Alfred bails him out by sneaking into the GCPD to retrieve the items. It’s very action packed and does well to show that sometimes Tim loses his cool too, but after the recollection, Tim says that he would step in for Alfred if Batman ASKS him to do so. When Bruce refuses, Tim makes a point that this is exactly like how Bruce was after Jason, but this time he has to pull himself through like an adult before he too leaves.

Tim is usually the Robin that’s touted as being the one who saved Batman during his most destructive period. He’s always been the level headed one, but in recent years he’s been put through the ringer. From being kidnapped by an unseen entity and thought dead for almost a year (Detective Comics, 2017), to fighting an alt-future, villainous version of himself (Detective Comics, 2018) and finally reuniting with his Young Justice friends and dealing with the chaos of that (Young Justice, 2019). Tim is tired and even more so of the darkness that shrouds Bruce and the Family.

Jaybird raises his glass to Alfred next and offers a counter to Tim. He says that maybe Batman would have worked out his issues after Jason’s death if a new kid didn’t swing in and just try to relieve him of the pain. Jason has always been the most extreme of the family, but he’s never been above asking Alfred for help. As a street urchin, Jason doesn’t trust most people, but despite this Alfred always thought to check up on Bruce’s second son and tried to bring him back to the side of the angels. Jason never bit, but he appreciated the effort.

He tells Barbara that he won’t chastise Bruce for how he feels because they’re all in that same spot right now, but he does want Bruce to work towards fixing it. Jason knows better than the rest of them what it feels like to have lost (Heroes in Crisis, 2018), but he also knows what it’s like to be there on the fringes with no one there to help.

Batgirl is often lost in the conversations that usually revolve around the boys, but she shouldn’t be. Barbara’s intellect exceeds that of Tim by a wide margin, but that intelligence also comes with an intuitiveness given to her by her father, James Gordon, as they live in the heart of Gotham. Barbara makes the most logical statement about the general fear swelling in Gotham after Bane’s rise and defeat and the lack of trust in Bat themed heroes given everything that The Batman Who Laughs has done. Bruce’s reconstruction project isn’t helping either as it’s just another shiny coat of paint over a city whose problems run down to its roots.

Babs may not have grown up in the mansion like the boys, but Alfred cared for her just the same, effectively being Batman’s first daughter…niece maybe the better description? David Lafuente does the art for her flashback and it’s a more cutesy style with thick defining lines and lots of faraway shots as we see Alfred and Barbara hiking up a mountain just outside of Gotham City. The actions of Killing Joke absolutely still happened and to celebrate the anniversary of Barbara leaving spine rehab, Alfred wanted to celebrate with a hike and a cupcake.Barbara says that they need Bruce to come back and be the person that they all need him to be before she leaves as well.

Finally, we hear from Ric Grayson. The former Dick Grayson was another victim of Bane’s vendetta, getting shot in the head by the KGBeast in an attempt to further hurt Batman. Aside from his Flying Grayson memories and a few scant ones with Alfred and Bruce, he doesn’t remember his life as Nightwing, with the Titans or the rest of the Batfamily and that probably makes this book harder to swallow. Dick has always been the elder brother to each of them and truly is Batman’s voice of reason after Alfred, but Dick is gone.

So Ric, knowing he needs to step up and say something to get Bruce to help himself, asks him to tell whatever story Dick Grayson might have if he were still around. Bruce then speaks up about a time where Dick found out that Alfred had been leaving flowers at the sight of the Waynes murder to celebrate the anniversary of their marriage where Bruce had been leaving flowers on the anniversary of their deaths. Dick tells Bruce that Alfred always wanted to tell him that their deaths had saved countless lives and even the world at times.

It’s grim and kinda dark, but in the grand scheme of things, Ric is right. Batman has given everything he can to the world under his mission of Justice and that never would have happened if the Waynes survived, just look at Batman: The Gift (Batman #45 – #47, 2018). In that timeline, the Waynes did survive and it was a nightmare world where crime was rampant, Dick was crazed Batman like Flashpoint Thomas Wayne and everything was just wrong. Ric may not have known all of tht, but he did know that Alfred was right and that Bruce needed to be strong for him.

Before Ric leaves, he hangs a picture on the bar wall while Tynion IV and Barrows convey the emotional impact of Ric’s act through four panels without dialogue. Bruce looks at the picture and not only can readers feel the tears swelling up in the corners of their eyes, but we almost feel as if Bruce is as well as he stars upon a picture of the core Batfamily with Alfred as the focus between them.

I’m not gonna lie, I don’t know if I’m emotionally ready to deal with a Batman future without Alfred. He’s always been such a faithful companion and foil to our dour hero and his passing has only made Batman that much darker. The cynic in me knows that DC Won’t keep him dead forever, especially with an incoming Crisis that may undo everything from the last four years of storytelling, but at the same time it might not. I think the idea to kill Alfred was a good one to create awesome moments like it did in this book, but who will take his place?

Could this really be Tim’s time to step away from the masks and go behind the scenes like Oracle did? Could Alfred’s daughter, Julia, see a return since she hasn’t been seen since I think All Star Batman in 2016? Will Lucius Fox actually stay in the position as he’s there now in Detective Comics? Who knows?

All that matters is the life of Alfred and the mark he left on our favorite characters.