Best of Marvel: Week of March 18th, 2020

Best of this Week: Outlawed #1 – Eve L. Ewing, Kim Jacinto, Espen Grundetjern and Clayton Cowles

It all starts with one incident.

The original Civil War kicked off when the New Warriors team, trying to get footage for their terrible reality TV show, started a battle with some supervillains in hiding, one of which was Nitro. Nitro self destructed and wound up killing over 750 people in Stamford, Connecticut. This resulted in heroes choosing sides in the debate of whether or not to register their identities and receive training under SHIELD, effectively being handed a leash, or choosing to fight against the tyranny of having their lives exposed and powers exploited.

It’s been a little over 13 years since that story and a new crop of heroes has emerged in its wake. Outlawed #1 takes the basic concept of Civil War and lowers sheer tragedy while maintaining the stakes of hero groups like The Champions who are caught in the immediate crossfire of its inciting incident, most specifically, their leader: Kamala Khan.

Eve L. Ewing starts the book in medias res with a Legislative hearing on a bill that would ban underage superheroism. Not only are the teens present, but we also get appearances from Avengers like Captain America, Captain Marvel and Vision, all of whom have big stakes in the fight. Captain America understands why they’re having the hearing, but counters that he was doing what the Champions were when he was their age, fighting for Freedom and he’s not wrong, but times have changed and there weren’t as many active superheroes as there are now.

Captain Marvel is a damning case as she’s managed to avoid any repercussions for her actions during Civil War II for the last few years, but one of the senators brings up the fact that two heroes under her charge became supervillains, those being Kamala’s former friends; Discord and Lockdown. She stammers as she can’t counter that and Vision is initially silent, indicating that something happened to Viv Vision in whatever incident occurred.

When Spider-Man, Riri Williams, Nadia Pym and Sam Alexander (Nova) are questioned, they are treated as though they are kids who needed adult support and supervision, almost like fragile things and not like heroes who have helped save the universe. Kim Jacinto and Espen Grundetjern characterize each hero through facial expressions and backgrounds that color their moods. Miles looks furious under his mask with a red background, Riri is nonplussed as she always is under a cool purple glow and Nadia is forlorn with hazy pink color.

Sam then goes on a tirade about how these same people don’t care about the problems that the Champions were created to solve like poverty, drug abuse and hunger and only make a stand when the kids try to protect their own and he makes a good point. When they were founded, the adult heroes were just fighting one another again and again, month after month and not caring about the citizens… but his concerns are simply pushed to the side by a well dressed man with a Supercuts hairstyle and fake concern.

We then cut to the “Coles Academic High School” where Kamala, Miles and others are attending some sort of teen summit to watch over the plot device, Ailana Kabua, as she’s been receiving death threats for her speeches on environmentalism. She’s a very obvious nod to Malala Yousafzai, a young Pakistani advocate for female education, and Greta Thunberg, the young Swedish environmental activist that’s also begun to speak to the world. Both of these young women have courted controversy for speaking about what they believe in and have garnered undue hatred for it.

The other Champions, consisting of Power Man (Victor Alvarez), Nadia Pym (The Wasp), Riri, Viv, Nova, Bombshell and Pinpoint, wait in the wings for anyone trying to assassinate or attack her. All things considered, this is a pretty stacked team. Ewing also does an amazing job of writing each character with their individual voices, much like she’s been able to make Riri Williams feel natural in her own solo series. They banter with each other like the teenagers/young adults that they are while Jacinto gives their stakeout a light hearted feel.

Things initially seem to be going well up until a DRAGON shows up out of nowhere to attack the summit. Jacinto, Grundetjern and Cowles give us an excellent splash page of the Dragon looking down at the Champions while breathing a small bit of fire. Jacinto frames the dragon as being far larger than the Champions, towering over the buildings around them with its wings taking up the sides of the page. Grundetjern colors the dragon with varying oranges, sometimes glowing and sometimes shadowed on its skin and Cowles accentuates it with a scratchy “GRAAAAAHHH” sound effect for its yell.

While some of them are dealing with that, Bombshell encounters the Roxxon Strike Team while Kamala and Ailana make their daring escape through the tunnels of the school. Jacinto and Grundetjern give us a double page spread of the absolute chaos with several Champions fighting off the dragon or the mercenaries. Admittedly, this scene is utterly chaotic but it does have something of a line to follow from the dragon flying through the air and its wing leading to Bombshell blasting a guy and Nadia with Power Man taking down another merc.

Grundetjern throws just about every color that they can in this scene, giving us vibrant greens for Pinpoint’s portals, nice and bright oranges for the dragon’s fire and Bombshell’s blasts as well as a more grayish black for Mile’s costume as he pretty much stomps a guy into mush

As much as the Champions maintain a sense of cordiality with each other, they’re still teenagers that struggle with working together from time to time and Ewing stresses that when Power Man forms a plan to use one of Pinpoint’s portals to punch the dragon with all of his built up Chi. Riri then comes up with her own plan to fly Power Man up to the dragon and then release him. They ask Ms. Marvel which option is better, but as she’s maintaining her cover with Ailana, she tells them to make the call.

In the middle of this indecisiveness, Viv swoops in and decides to air her frustration at not being able to defeat the dragon and decides that she’s going to phase through it. Jacinto draws a look of palpable anger on Viv’s face as she rushes past Riri with Grundetjern’s bright wave of green energy trails behind her as well as Cowles “SWOOOOSH” sound effect to capture the velocity of her flight.At the same time, Power Man, unaware of Viv’s rush of anger, goes through with his plan and punches through a portal.

This is where it all goes wrong.

Jacinto, Grundetjern and Cowles give readers a perfect sequence of panels with Power Man punching, Viv “ZOOMing” up to the dragon as Riri tells her to hold on and then the moment before it all goes bad. Pinpoint’s portal opens just behind Viv and she is overcharged with Power Man’s Chi in a blast of orange, green and yellow as her face is stretched in agony and her limbs contort before she overwhelms the dragon in two separate splash pages.

Both of these pages are intense as the first one sees Viv yelling pain before “taking control” and engulfing the dragon with a “FWOOOOSSHH” mirroring its firebreath. This page is filled with what appears to be green flame and a silhouette of Viv in the middle of it. The next splash page shows Viv alone in the pyro, looking like a horrific combination of the Phoenix Force and Dormammu. She has lost all control of herself and this is where Ewing, Jacinto and Grundetjern raise the stakes of the battle.

Viv’s newfound power spirals out of control and begins to collapse the school and the surrounding buildings and we cut to Kamala doing everything she can to protect Ailana from the collapsing ceiling around them before going back to the Champions scrambling to stop Viv. Ewing continues to show how well she can write Riri as she cries while making a plan with Nadia that possibly kills Viv and stops the dragon altogether.

The city is in shambles and this is one of the Champions lowest moments ever.

Cutting back to the present day, we see that the “Superhuman Welfare Act” passes and a new governmental watchdog group called CRADLE is sent to round up all of the teen superheroes and metahumans around America. The bill also seems to garner support from former teen heroes and New Warriors members Justice and Speedball. Justice had joined the pro-registration side during Civil War because he blamed himself for not being a guiding hand for the New Warriors that died at Stamford and Speedball had already suffered the consequences of surviving that same incident.

However, the one who may suffer the most is the girl who the act is nicknamed after, Kamala Khan as we see her in a hospital bed suffering from injuries while trying to save Ailana.

This first issue was explosive and gripping throughout. Initially I was worried that it wouldn’t be able to live up to its concept or just be a less cool Civil War, but the one thing that this book maintained because of Ewing, Jacinto, Grundetjern and Cowles was heart.

The Champions are heroes, but they’re also all teenagers that don’t have the experience that the adult heroes do and in typical American fashion, no one learns from the mistakes of the past. Victor already butted heads with Riri for his recklessness in the past, but now he’s given consequences for his actions. America remembers Stamford, but doesn’t seem to remember how the Civil War nearly tore the country apart and installed a tyrant in a high government position in the aftermath.

If anything, the Champions aren’t going to leave this incident the same people that they were before.

Best of DC: Week of March 11th, 2020

Best of the Week: Batman and the Outsiders #11 – Bryan E. Hill, Dexter Soy, Veronica Gandini and Clayton Cowles

It’s the Outsiders vs The Assassins in a knock-down, drag out fight for their lives!

After Lady Shiva meets up with Jefferson Pierce, aka. Black Lightning, in order to convince him to join her scheme to kill Ra’s al Ghul, she and the electricity powered hero are ambushed by Ra’s al Ghul’s trusted warriors in Ishmael, the turncoat Kaliber and Karma, a villain from Hill’s run on Detective Comics. Luckily for Jefferson and Shiva, Katana arrives in the nick of time with Duke Thomas, The Signal, and Cassandra Cain, Orphan (even though her mother, Shiva, is next to her).

Dexter Soy and Veronica Gandini begin the book with an epic single splash title page, showcasing the two sides as the Outsiders pick their respective opponents. It’s an absolutely beautiful scene with the moon shining in the sky with a bright white while clouds crest over it. The moon reflects on the surface of the water that both sides are standing in, giving the epic stand off a more dynamic feel as the water crashes around them. There’s an unintentionally funny bit where Shiva is standing tall with the Outsiders, but in the background without anyone to look at because the three combatants are closer to the foreground.

Wonky page aside, Hill does a good job of catching readers up with a few of our characters’ reasons for wanting to fight each other while Soy gives us several nice, up close shots of each character in eight panels. Lightning seeks revenge against Ishmael for killing one of the teacher at his school, Duke and Cass want a rematch against Karma for targeting them and injuring Duke back in Detective Comics and Katana faces off against Kaliber for betraying the Outsiders.

Each of their respective fights take place over the course of single pages for most of the issue and while there’s not much in the way of a deep story, the fights do help to expand on who some characters are, give others some catharsis and allows for one to just showcase how cool they are.

Lightning and Shiva’s fight with Ishmael is absolutely one of ideology. Blak Lightning has always been a hero, someone who was willing to save lives and give his own if he thought the cause was worth it. Lady Shiva is one of the deadliest assassins in the DC Universe and only seeks to weed the world of the weak. She sought Jefferson out because she knows that among Batman’s team, Lightning is absolutely one of the most powerful and susceptible to her way of thinking, if the right pressure were to be applied. At the same time, she sees how Ra’s al Ghul’s plot to destroy the planet would be counter to her goals.

Soy portrays Lightning with probably the most intense anger that we’ve seen from him in this story so far. His brow is furrowed and Soy inks a close up shot of Jefferson’s face to accentuate the bright blue and white that Gandini uses for his eyes. His lightning is intense, even as Shiva tells him that she knows he’s holding back, he doesn’t care as he’s acting as the distraction. We then get another page of Shiva enacting his plan.

Soy showcases Shiva’s speed and agility through various panels as she attacks Ishmael. Soy uses speed lines and blurring to convey how quick she can move as Ishmael’s defense is whittled away before she gives him one good kick across the face. Clayton Cowles utilizes excellent lettering with an intense “KRAK” as the foot connects and a powerful “ZZZATTT” as Lightning hits him with a blast of energy. Cowles also has fantastic bubble placement as Shiva counts down on every panel before unleashing Jefferson.

As that fight ends, we get a calm scene between the two as Ishmael lies unconscious in the water, his face just so that he doesn’t drown. Shiva tells Jefferson just how easy it would be to let him drown, but Jefferson points out that that would be murder. Because… of course it would be. Jefferson is a hero and is unwilling to take a life, not because he’s on a team with Batman, but because it’s his decision.

Karma was a Markovian soldier who had something of a past with Batman. This saw him don a mask that allowed him to read the thoughts and actions of his enemies as he targets those who he felt made Batman weak – Duke and Cass. He put them through hell over the course of many issues and this is what initially caused Batman to seek out Jefferson to help train them. This series would have spun out of that arc, but for whatever reason, delays kept it off until very recently.

The fight starts off pretty poorly as Karma reads Cassandra’s thoughts, making fun of her Orphan codename, much like I did earlier, and kicks her away. Karma is a quite capable fighter, but he hasn’t faced Duke in quite some time and doesn’t know about the hero’s new found power. Duke had initially had some PTSD when thinking about Karma, likely because of a bomb that the villain had strapped to a Batfan and exploded when Duke arrived to save him.

Duke’s powers over the light had been corrupted by Ishmael earlier in the series and this left him with a new ability to enshroud himself and others in a black shadow. He and Cass use this to their advantage to distract Karma, allowing Soy and Gandini pay off all of their months of pain and anger. Cassandra swings across Karmas face with both of her feet, knocking him back as the glowing red star of his mask leaves a small trail. The fight is honestly pretty one sided from there as Cass just beats the man.

The final fight between Katana and Kaliber is pretty much just an excuse for Soy, Gandini and Cowles to draw cool stuff. Kaliber fires a shot from one of his energy guns with a bombastic, transparent BOOM to accentuate its power and bright orange and yellow colors. Katana gets into an excellent pose and uses her Soul Sword to deflect and spread the blast with a “SHNNNNG” lettering that curves around part of the shot and her sword. Katana has no time to play any games with him, at all.

She also makes short work of him while revealing that she had never liked him. Cowles utilizes similar minimal panels to convey Hill’s script as she tears down his lack of discipline and honor before making fun of his hair while still being threatening. Soy makes Katana look like an absolute badass as she takes Kaliber’s gun arm in one fell swoop before kicking him in the gut. Kaliber may be something of a good eye and a trigger, but Katana, like Shiva, is one of the most dangerous women in the DC Universe with a sword and not someone that should be faced in a one-on-one close quarters fight.

With all of their enemies defeated, Katana holds her sword to Kaliber’s throat as he tries to convince the Outsiders that Ra’s only wants to “save the world.” In some respects, that could be true. He sees humanity as a disease and would rather the planet Earth and his chosen few thrive without the chaff. He’s built a cult of personality around himself and that’s how he’s maintained a following for centuries. Not that it was difficult to convert someone like Kaliber, a stock mercenary. But the merc soon reveals that this fight was meant to serve as a distraction as explosions ring out across a Cambodian town.

It’s another beautiful scene with the calm blues of the moons afterglow and the night sky itself is contrasted by the bright and fiery oranges of the explosions. My only criticism is that while the scene does feel weighty, there’s still a lot of empty space where more explosions and destruction could be. They sort of feel minor by comparison to the rest of the shot and maybe pulling in closer would help, but either way, it’s a nice scene.

Ra’s goons escape and Katana rallies the Outsiders to go and help the people. Despite not approving of Cassandra choosing to join Batman’s crusade, Shiva affirms her pride and love of her daughter and joins her in heroism, even if it’s only for a short time. Meanwhile, in the background of this story, Sofia, the metahuman who Ra’s initially tried to recruit away from Batman affirms that she wants to do good in the world and Batman leads her to choose her own identity.

Bryan Hill’s excellent Outsiders series continues to be one of the more underrated DC titles out right now as this issue was absolutely action packed thanks to Dexter Soy, Veronica Gandini and Clayton Cowles. It definitely built on these excellent characters that deserve more acclaim and a book separated from having Batman in the title because he is still barely present.

That’s also another point I will keep harping on, Batman is still a non-entity in this book and I think that’s something that this story does well. It allows for Black Lightning and Katana to grow as characters to take on the teacher role like Batman did in the original Outsiders comic. Duke and Cassandra have so much to learn, but so few Batman writers want to put a focus on them while Bryan Hill is giving them center stage alongside two big heroes. They absolutely deserve it and I want to see them in so many more things going forward.

I want this series to go well past fifty issues because it has, consistently, been one of the best paced, best drawn and best told series that DC has had going for it in a long while. This gets another high recommend from me.

Best of Marvel: Week of November 20th, 2019

Best of this Week: Captain Marvel #12 (Legacy #146) – Kelly Thompson, Lee Garbett, Tamra Bonvillain and Clayton Cowles

Captain Marvel is supposed to be Earth’s Mightiest Hero.

She recently just fought off Star, a new”hero” siphoning off her power, while dealing with the world calling her a traitor when her Kree DNA came to light to the world. Because of only one little girl protecting her, she was able to defeat Star and regained the love of humanity. After the battle, she breathes a sigh of relief that they saw her in a good light again, but wondered about their fickle nature and if they’d eventually turn on her again. So it begs the question, what happened to her?

This issue begins with Carol barreling towards the Earth, her inner monologue talking about never knowing what’s waiting and how preparing for things is pointless. We see Thor picking the mounds of snow off of Avengers Mountain when suddenly someone comes crashing into him; that someone being Captain Marvel, clad in all black with a mask now adorned with a bright red Kree Star on it. She knocks Thor into another mountain and depressingly muses that she always thought that she’d be the hero in the end.

Thor soon calls Mjolnir and cracks the helmet off of her face with an amazing shot by Garbett and Bonvillain. The lightning cracks so smoothly with all of the impact of a thundercrack as Carol is sent flying back, revealing her face to the God of Thunder. It’s an amazing visual made even more powerful when Thor towers above her, ready to strike again, but finally sees that it is in fact his teammate. His face turns from anger to concern and she apologizes before blasting him in the chest.

The next few pages see Carol and Thor fighting their way through just about everywhere. They make arenas of Greenland, Manitoba, Kansas, California and Mexico all the while a gorgeous splash page acts as their background. Carol and Thor are locked in a battle of wills, thunder crackles from Mjolnir and bother of them look at each other with rage on their faces. Thor looks far more imposing, but Carol is able to hold her own against him. It’s the fight I’ve always known I’ve wanted to see! Though of course the tables get turned when Thor overpowers her and calls the lightning down.

Thor continues to plead with her, asking her to stand down, knowing that she cannot defeat him while he wields Mjolnir and she even acknowledges this to be true before blasting the hammer away. Thor believes this to be a trivial act before Mjolnir is sent across the cosmos and doesn’t return, allowing Carol to take advantage, giving Thor everything she’s got. I can’t even describe the page and give it the credit it deserves.

Bonvillain’s colors are amazingly well done and help to make Captain Marvel look like an evil firebird, almost like her Binary form, but more controlled. Bonvillain’s excellent use of yellows and oranges gives these scenes some powerful heat, especially as Garbett makes Captain Marvel look like a force to be reckoned with. She’s absolutely terrifying with all of her power and the black face paint around her eyes. Her new costume design was amazing as well, cause I’m a basic guy and love red and black color schemes. I love the torn sash, the red line down her arms and the Kree star aligned to the left side of her costume.

In a shocking twist, after Thor’s defeat, we see Carol delivering his head to Vox Supreme, possibly the new leader of The Kree people following Donny Cates’ Death of the Inhumans storyline as the Vox were introduced there. However, I honestly do not think that Thor, nor any of the impending deaths in this arc will stick or will be real in the first place. Though, I do have to say that this story has me very intrigued. I want to know what’s going on with Carol, why has she aligned herself with Vox and what does all of this have to do with the Kree?

Throughout the book, Carol notes that she doesn’t want to do this. In her mind, it’s something she has to do and asks Thor and presumably the other Avengers to forgive her for all of the things that she’s going to. I like the seeds of mystery that Kelly Thompson is sowing here as we are given almost no answers as to what happened between issues eleven and twelve to get us here. I also like that she chose to have Carol fight Thor, the “Strongest” Avenger, first. This showcases Carol’s strength and gives us the impression that maybe the other Avengers will be easier pickings…save for She-Hulk.

After the roller coaster that the last arc was, I can only hope that this one will live up to that and show just how fearsome Captain Marvel could be if she turned evil. She’s got the strength, but does she have the mean streak to go through with it through her Avengers team?

Best of DC: Week of October 2nd, 2019

Runner Up: Batman #80 – Tom King, John Romita Jr., Klaus Janson, Tomeu Morey, Clayton Cowles

Batman is Broken no more.

For 79 issues, Bane has been orchestrating a convoluted plot in an effort to prove himself Batman’s most superior foe, the man who broke the Bat twice. He’s pulled Bruce’s father, Thomas Wayne, from another universe, caused Catwoman to leave Batman at the altar and has completely taken over Gotham City after Thomas defeated Bruce at Ra’s al Ghul most powerful Lazarus Pit.

Everything has been in an effort to leave Bruce broken, without help, unable to stop Bane. It would have worked too, if not for Catwoman. The last two issues have been mostly filler issues for Batman and Catwoman to rebuild their relationship by fighting crime together again. They’ve recontextualized their relationship with Bruce realizing that he can be happy and still be Batman and Catwoman realizes that she’s not taking anything away from Bruce by being with him.

They make each other better with Bruce taming her more criminal aspects and Selina taking away some of the more brutal rage that got him in trouble for beating the crap out of Mister Freeze several issues ago.

Tom King does very well with writing relationships like this even if sometimes it seems heavy handed on the part of it being a woman’s duty to fix her man. Catwoman and Batman ounce off of each other in the most adorable and loving ways, but when it’s time for business, no one can hold a candle to them. Batman #80 succeeds on the merits of their skills and the skills of the entire creative tem of this book.

Right off the bat, the book begins with a noir Batman feel as Bruce, in his beach disguise (or rather his Matches Malone guise) walks through the streets of Gotham on a rainy night before being stopped by Officers Pyg and Dent. The two criminals attempt to accost him, not knowing he’s Batman and they get the crap kicked out of them. Batman doesn’t even break a sweat before he’s punched them both in the throat and gives Harvey another to the face for good measure. Harvey shoots him in the chest twice, but Bruce slowly opens his shirt to reveal a Bat emblem before tossing the bullets away like a boss.

John Romita Jr. knows his way around a fight scene and conveys Batman’s strength and the terror of his presence in general by how Harvey reacts upon realizing it’s him. Tomeu Morey sets the scene with his amazing coloring by tinting these pages in yellow, DC’s general color for fear before it transitions into darker colors when Batman reveals himself. Klaus Janson’s inks set the tone for how unknown this mysterious stranger is before the ultimate reveal and in only a few pages, this book has me sold.

Opposite Batman who likes to be seen and feared, Catwoman strikes from the shadows. Mad Hatter is just patrolling Gotham when he spies a cat, musing about laws over strays and pulling the longest pistol ever recorded in comics out of his hat. I’m not kidding, this gun was comically large. While Batman’s scene was tinted in yellow, these pages are split between the cool blue of a street light and the seductive purple of the night sky in another, non-rainy, part of Gotham. It plays well into Selina’s finesse as she quickly and quietly takes down Mad Hatter, saving the cat.

Batman pretty much makes the rounds, letting his villains know that he’s returned to Gotham, Kite-Man gets an amazing scene as Batman drops him from a building while saying “Hell yeah” in response to Kite-Man asking if it’s actually him and later has a standoff with Officer Hush. The stand off has no reason to happen other than it’s badass visual as these perfect opposites just trade philosophic barbs as Batman disables Hush with a batarang. In all of it’s rainy, sepia toned glory, it’s a nice double page spread, made even better by Janson’s inks giving everything the perfect black shadows.

Throughout the issue is a thread for Thomas Wayne as well. Because he’s a father that lost his child, he treats Gotham Girl as if she’s his own, giving her a new costume and consoling her however he can. He’s gotten very close to her and as such when she’s in distress over not having any more of the serum that can keep her alive as she uses her powers, Thomas is there for her. He tells her that she doesn’t need powers and that she’s skilled enough without them. He tells her to just rest as Albert Wesker walks in to tell him that Bruce has arrived.

Bane gave a standing order that if any of the Batfamily were to reenter Gotham City, then someone close to them would die. Damian did it and got Alfred killed which left the child as the only prisoner. Batman had to know this as well as he monologues after defeating Hush that his father has to make a decision: will he kill his own Grandson?

Batman is getting very intense as Tom King is reaching the end of his run with this book. With only five issues left, I’m actually shaking in my boots with excitement.

In reflection, I’m also mostly glad with the entirety of this almost three year story and the leaps and bounds it’s made to cement Bane in a firm place at the top of Batman’s Rogues Gallery. Bane had always been one of Batman’s most deadly enemies, but this manipulation, the guile and deception, the audacity that he had to hatch such an amazing(ly insane and convoluted) plan just to ruin the life of his most hated enemy is insane.

Joker may always be Batman’s most popular villain… but Bane will always be his greatest.

Best of Marvel: Week of September 25th, 2019

Runner Up: Christos N. Gage, Mike Hawthorne, Wade von Grawbadger, Jordie Bellaire and Clayton Cowles

Norman Osborn is the bane of Spiders everywhere.

After the explosive end to the last issue, Otto has found himself at the end of his rope with Osborn going after everyone that Otto has begun to care about since his turn toward the side of good. Friends, colleagues and even young children that he’s helped after their parents died. At every single turn Osborn has outsmarted him and made him look like a simpleton by comparison.

When Otto goes off to rescue James Martin, the kid he saved back in issue #4, Osborn is already there on James’ heels. Otto does his best to help James escape, but Orborn and his six arms mollywhop Otto and punch him in the ribs 65 times. Absolutely defeated, Otto begs Norman to let the boy go and Norman does agree… on the condition that Otto murders three innocent civilians in full view of broadcasting cameras. Not criminals, not terminally ill people, but three innocents that very well still have a future ahead of them. Osborn then flies off, holding little James by the throat.

Mike Hawthorn continues to really sell this story with his amazing art and Jordie Bellaire’s even more amazing coloring. It’s very easy to tell that Otto is tired, he’s frantic. Even seeing one eye partially under his mask is more then enough to convey his worry alongside his body language. He doesn’t make the coordinated moves that he used to when he had everything planned out, but fights like a cornered animal.

Bellaire captures this best NYC giving most of the pages in this issue a red tint offset by Grawbadger’s dark inks to give things an even more sinister feel. It also shows just how dire the situation is, how intense Otto’s emotions are after suffering such traumatic losses in a single instant. I don’t know if this is meant to foreshadow the rest of the issue, but it absolutely paints a picture of who exactly may be the blame for all of Otto’s hardship, even adjacently.

After passing out from his fight with Osborn, Otto wakes up to the company of Anna-Maria in his lab. He has a fit of anger over his losses and is brought to tears over losing James. Anna Maria asks him if he’s really considering killing innocents for Osborn and Otto says that he won’t, knowing Osborn would betray him anyway. Seeing no other options, Otto summons the second Bane of all Spiders: Mephisto.

Otto asks Mephisto if he’ll change him back into his previous, devious and smarter self for just one day in Hope’s that a ruthless Otto Octavius can outsmart one Norman Osborn. Mephisto taunts him and says that that’s not a deal he’s willing to take, but will change him back into Otto Octavius completely, free of any ailments he supposedly had. Since then beginning of this series, Otto has said that all of his villainy and evil was caused by his addled mind and Mephisto is giving him a chance to prove just that.

I won’t spoil what his ultimate answer is, but I can guarantee you that everything has been leading up to this moment. We’ve seen Otto become an actual symbol for good. A hero that walks the same path as his former enemy Spider-Man. He’s found love, actual friends and intellectual equals that he’s not bent on destroying because of his ego. He’s grown and is still growing to become the man that he’s always believed he could be.

Superior Spider-Man isn’t just a name that Otto chose to show how much better he is than Spider-Man (even though that’s the exact thought process), but a symbol of what a genius he is and how his methods differ from that of the regular Spider-Man. He’s more calculated, more willing to take down crime and not let emotions get in the way…until they ultimately do.

Gage, Hawthorne, Grawbadger, Bellaire and Cowles have done their best job with an amazing character and an even better story of redemption for one of Spider-Man’s greatest foes. With this issue likely being the penultimate, who know just where this story will go. High recommend!