Best of Marvel: Week of June 19th, 2019

Best of this Week: Guardians of the Galaxy #6 (Legacy #156) – Donny Cates, Geoff Shaw, David Curiel and Cory Petit

Talk about an explosive end to the first arc, huh?

Battered and bruised from their fight with Hela and the Black Order, Quill and the rest of the Guardians are pissed off and ready for round two. With Lockjaw’s help, they teleport to Knowhere, taking the fight directly to villains.

Geoff Shaw takes this story to its absolute peak with his amazing art. Propelled by a psychic dragon construct created by Moondragon, Beta Ray Bill sends his Stormbreaker hammer into Hela, taking her out of the fight. The sight is awesome, but unfortunately the only teamwork really seen here. The dragon looks ferocious and rightfully takes Hela out, or else the fight would have been very one sided again.

Shots are far and mostly wide, showcasing the various means of attack as the Guardians tear through Thanos’ alien creatures, mostly with Gladiator shooting everything in sight with his laser eyes. Shaw makes things look grand in scale, even when things are focused on one character such as Phyla-Vell after taking Proxima Midnight out of the fight with rays from her hands.

Things get even more tense as Peter confronts Cosmic Ghost Rider, who betrayed the Guardians in the last issue because of Hela’s control of the dead. He falls apart as Hela’s control over him fades and it’s actually pretty sad, mostly thanks to Petit’s lettering making The Riders apology even more melancholic.

Quill catches up to Gamora, who went to stop Thanos from being resurrected, and tries to convince her against killing her Uncle Eros, aka Starfox. Starfox had been the main antagonist of this Guardians book, thinking that Thanos would use Gamora’s body to house his consciousness when it turned out to be his Brother, the only other Titan left. Gamora rationalizes that if it had indeed been her that Thanos took over and she were in Peter’s shoes, she would have killed the possessed body in an instant, stabbing Eros through the heart and preventing Thanos from being resurrected.

That one panel was absolutely beautiful, if a bit marred by the lettering covering the exit wound. Eros snaps out of his trance and looks like he’s gasping in pain. Gamora is resolute in her decision, much like she was when she killed Thanos in the beginning of Infinity Wars (2018). She apologizes to her Uncle who muses that the plot was miserably predictable. It’s heart wrenching, especially knowing how light hearted and heroic Eros was before all of this started, seeing him fall as low as he did, almost killing Gamora before the gambit was discovered.

Suddenly, Thanos’ body erupts awake, though his mind not fully intact due to the transfer not being completed. Hela returns and in her anger, fires a black hole missile at Gamora, but it gets deflected back at the Incomplete Thanos, causing him to become the center of the black hole. The Guardians escape as Hela and presumably everyone else gets sucked into the black hole.

Setting up the Death of Rocket arc at the end, I really enjoyed this issue. Not only was it action packed, it also subverted my expectations about its outcome. I absolutely thought that Thanos would come back in full force in the final pages of the story and while he may in the future, it was great to see that it won’t be a YEAR after he was killed in the first place. I had some initial bad feelings about this team of Guardians, but they meld together very well. The power of Beta Ray Bill, Phyla-Vell and Moondragon combined with the skill of Star Lord, Groot and Gamora makes for an absolutely interesting and banterful team. Also because I’m a huge Phyla-Dragon fan and I can’t wait to see more of them. High recommend!

Best of DC: Week of June 12th, 2019

Runner Up: Superman #12 – Brian Michael Bendis, Ivan Reis, Joe Prado, Oclair Albert, Alex Sinclair and Josh Reed

Reunited and it feels so good.

The House of El has been separated for a long time. Jon went on adventure with his Grandfather and came back as a seventeen year old, though it’s only been three weeks on Earth. Kara went off into space to find out who destroyed Krypton and why and hasn’t been on Earth almost as long as Jon. That just left Superman while Rogol Zaar rotted in the Phantom Zone.

After Jon’s return, the father-son duo go on to rescue Jor-El, who’s in the middle of a war of his own design. Suddenly, Kara and Krypto join the fight, on the way back to Earth after discovering who killed Krypton. The family reunites just as Rogol Zaar, Jax-Ur and General Zod escape the Phantom Zone and go after the House of El.

Ivan Reis plays up this reunion like it’s been years in the making with Superman immediately intercepting Zaar with Kara, Jon and Zod in the background, all fighting in this amazingly drawn battle. Their blues and reds stand out as colors of hope as they fight against the Khunds, Thanagarians, Trilium Collective and the Enemies of El.

Superman fights with intensity, knowing the destruction that Zaar is capable of. When Zaar breaks away to take his ax/staff from Kara, she rocks him with a HARD punch. The impact almost shakes the page. The same things play out in her book, also released this week, but she knows that she has to keep the item away from Zaar, lest his power increases exponentially.

While the battle is going on, Krypto and Jon play around a little bit and this wholesome moment puts a smile on Clark’s face before Zod ambushes him. The two clash and briefly enter super speed before he and the rest of his family make a dash to Jor-El’s ship following Zaar’s retreat and the end of the battle.

The family, excluding Jor-El who looks salty as hell in the next panel, embrace. They go their separate ways soon after as Kara wishes to confront the leader of the Trilium Collective as they’ve been the main roadblock in her book. She takes Jon, leaving Superman and his father time to reconcile as Jor-El leads Superman to the remains of Krypton for a cool cliffhanger.

This book was great. Ivan Reis continues to be a fantastic artist for Superman, drawing on his and the others sheer amount of strength to make things look impactful and cool. His sense of scale makes things seem so much bigger, especially with all of the action going on in the background. With Sinclair’s help, colors are vibrant and give the book all of the life that makes it good, especially on the non-gloss paper.

One thing that I hold in high regard for this story is how it seems to be working towards making General Zod less of a tyrannical villain and more of a tyrannical anti-hero, at least for the moment. In most other cases, seeing Superman would be fight-on-sight because of his hatred for the House of El, but his Kryptonian pride won’t let him compromise the chance to take revenge on Zaar and anyone else responsible for Krypton’s destruction.

This allows him to form something of an alliance with Superman. Coupled with the two or so dream sequences we’ve seen that allude to peace between the two, there’s real hope for a mutual understanding between them. So long as Zod never learns of Jor-El’s involvement in Krypton’s destruction.

Best of DC: Week of June 12th, 2019

Best of this Week: The Batman Who Laughs #6 – Scott Snyder, Jock, David Baron and Mike Cipriano

Gotham City is Laughing.

The Batman Who Laughs mini-series continues to be absolutely terrifying in every aspect of its creation. From the horror styled art, to even the idea that Batman has to become his greatest enemy to defeat them, this book has it all in spades while at the same time continuing to make TBMWL one of the more scary of Batman’s villains.

Wearing the Mask of TBMWL, Bruce activates his Last Laugh Protocol, sending out drones to spread an anti-Joker serum in the case that the Grim Knight and TBMWL succeed in their plans. He also sends Jim Gordon and his son James to gear up for the coming fight.

As Batman taunts his foe by teleporting another Bruce Wayne away before TBMWL can kill him, the Evil One notes that he knows that Batman can see the thousands of Bruce Wayne’s in the various universes. Bruce Waynes that have married, had kids or been able to grow old because they found true happiness, but our Batman says that the one common thread they have is good hair, joking in the face of danger.

Bruce tells the evil Batman to meet him at Wayne Manor for their final confrontation and it is amazing. Jock and Snyder do their best to portray this fight from two perspectives; the normal one and Batman’s as he sees TBMWL as a distorted and disturbing monster. Meanwhile Gordon and James don two prototype Beyond Suits and confront the Grim Knight.

The Batmen fight is an absolute treat to read. Smaller panels with normal points of view show the fight as it is, with TBMWL in his leather suit wielding a chain with a Batblade at the end. The larger panels, however show what Batman sees; TBMWL twisted, teeth jagged, spikes intense, awash in David Baron’s bright reds. He’s dangerous.

Bruce gives his all in the fight, punching and kicking with desperation and using his ace in the hole, a young Bruce Wayne, as bait for the Evil One to go after. At the same time, The Gordons are getting their asses kicked by The Grim Knight who uses mind games to get James to betray his father.

Earlier in the issue, Jim and James had a heart to heart where James tried to ask his father to complete the treatment that would stop him from becoming a psychopath again, but Jim says that he doesn’t trust James anymore after all he’s done. He notes that his human face has always been a mask and that someday he might trust his son again, but now is too soon. He may have been right as The Grim Knight starts choking him as James watches.

TBMWL, however, does not take the bait and chooses to continue his assault. He slashes and slices at Batman before throwing a Batarang in his eye. He says that the happiest Batman, calling back to his previous statements, is the one he’s about to stab in the heart with the last bit of his own Joker serum and he gives Bruce a final coup de gras.

This penultimate issue absolutely justifies Snyder’s decision to bring the count up to seven issues because of how much story there’s left to tell. This issue brings the pain, the intensity and darkness that the best Batman stories are made out of.

Watching Batman spiral down the path to becoming a Joker is heart wrenching, especially as Alfred has to watch it happen. Watching Gordon fail to reconcile with his son is heartbreaking. Watching the Batman Who Laughs continue to win is terrifying.

Jock is a master of his craft and teamed with David Baron, the line art and coloring is a master work of horror and anguish. Even the lettering includes a hidden message capable of inducing dread throughout the run of the book if eagle eyed readers take notice.

Suffice to say, this is a high recommend and the final issue is hotly anticipated.

Best of Marvel: Week of June 12th, 2019

Runner Up: The Immortal Hulk #19 – Al Ewing, Joe Bennett, Ruy Jose, Paul Mounts, Rachelle Rosenberg and Cory Petit

I think I’m going to be sick. Sick with disgust, fear and absolute love for this amazing series and the levels it goes to push the envelope of horror storytelling in a superhero universe.

Beginning with an impressive analogy, foreshadowing the events of the book, a young Captain Fortean is trying to impress a young Betty Ross with the importance of spiders to the ecosystem as they watch a butterfly trapped in its web. He tells her that spiders keep the rest of the insect population in hand so that the world isn’t in chaos. As they drive away, the butterfly escapes from the web.

Continuing the events from the last issue, Hulk is in the middle of battle with RickBomination, who displays an ability to dissolve Hulk’s body parts with his acid. Truly it’s a gruesome display from the fluid splashing off of Hulk’s arms, to the acid dripping from both of Rick’s mouths, to the slop of flesh falling off of Hulk’s hand as it fails to regrow.

Elsewhere, a kill team utilized by Shadow Base is taking care of witnesses and kills one of the hotel staff. This act is witnessed by Jackie McGee, the reporter that’s been following the Hulk and his exploits for the entirety of the series and her new friend: a newly resurrected and terrifying Harpy, Betty Ross-Banner.

Betty’s new form is a thing of nightmares. In her original Harpy form, Betty was a green skinned beast, resembling a centaur/manticore like monster consisting of wings and feathered legs. She was also the Red She-Hulk, pretty much exactly what it sounds like. This new Red Harpy is…something else. With a jaw that seems very snake-ish, the talons of her hands and feet are razor sharp, capable of grappling, ripping and slicing through anything. Her display of violence against the kill team is brutal and horrific.

She rips off heads, tears bodies in half and just strikes fear into the hearts of the men. The expressions on their faces are not unlike any previously seen in the series, but they still carry with them the sheer terror of what they’re facing. Jackie tries her best to stop Betty’s rampage, but her voice is mousy, unheard as Betty goes absolutely mad.

Throughout the book, Betty narrates that everything about her is her own. Her rage, pain and violence is all hers. Her new Harpy form is hers and after years and years being defined by her relationship to Bruce, she has something all on her own again. She is not endlessly loving, she is not forgiving, she is no one’s friend or soulmate and that if she is seen as a monster, then this is the perfect world for her. The truly horrific bit is saved for the end and it is disgusting.

This issue had a big focus and did a great job of reintroducing Betty Ross-Banner in a meaningful way after her “death” at the hands of Bushwacker a few issues earlier. It also teases a release from her role as just Bruce Banner’s love interest and more into her own kind of beast, more ferocious than her Red She-Hulk past. I’m excited for what the future has in store for her and the rest of the Gamma Monsters.

Best of Marvel: Week of June 12th, 2019

Best of this Week: Silver Surfer: Black #1 – Donny Cates, Tradd Moore, Dave Stewart and Clayton Cowles

After a series of starts and stops with a random annual and appearances in a short Defenders mini-series, The Silver Surfer may have finally found his stride.

The Silver Surfer Annual of 2018 saw the Surfer facing an existential crisis about his role in the destruction of planets after being newly to his position as Herald of Galactus following the events of Infinity Countdown. There was a bit of hope as to what their relationship would be like after the Surfer gets angry about his lot in life and Galactus wipes his memory. Unfortunately, this doesn’t seem to stick as he appears to fully remember everything when helping out his former Defenders allies. He hasn’t really been seen since until Guardians of the Galaxy where he was thrust into a black hole by the Black Order.

Silver Surfer: Black opens with the Surfer reflecting on the distress that comes with being the harbinger of death for the Eater of Worlds, how he never forgets the cries of those that are sacrificed to sate Galactus’ hunger. It then cuts to the Surfer doing what he can to save a few of his allies, using Beta Ray Bill’s Stormbreaker to catapult the warrior and several others out of the vortex. He then uses his Power Cosmic to find the weak spots in the tear to free the rest in a glorious display of power.

These two scenes are absolute trips to read. Tradd Moore’s art style is perfect for capturing the effects of a black hole ripping bodies apart and stretching limbs as characters appear very long and wobbly. Backgrounds are wavy and can actually appear to be very disorienting and that’s actually good for how immersive this part of the story is, especially after the Surfer expends his energy to save everyone and slowly drifts into darkness.

The exhaustion on his face is very palpable and I have to take a yawn as he curls into a ball and begins to shrink into a small silver ball of nothing. His atoms tremble as he heals his body after falling for what he believes to be years and he spots a bit of light. He summons his board and seeks help only to be met by three guardians of some sort of gate who attack him soon after.

Even weakened, The Surfer is no slouch and holds his own against these powerful foes. The shots of this fight are very floaty, in that, while hits have some impact, it’s negated by how much the art just flows. Everything is pulled back to show the grand scale that the fight happens in as the Surfer appears tiny in relation to these enemies. After a brutal fight that nearly sees the Surfer defeated, he unleashes a surge of energy, creating a sun above the planet and turning his left hand black. The gate opens and the Surfer is set upon by a VERY UNEXPECTED, but very interesting enemy.

This book was amazing from start to finish. Cates scripts an excellent opening that’s taken to another level with Moore’s beautiful art. I forgot to mention Dave Stewart’s coloring which absolutely crushes everything. It’s amazingly smooth and gives the book the kind of shine that’s appropriate for the Surfer and a trippy vibe to set the tone for what’s in store for the book. Even in it’s later pages where things are awash in brown, the Surfer stands out with his Silver visage and looks very cool. I’m excited for the future of this book and definitely give this one a high recommend as a return to form for a cool character that’s in desperate need of revitalization.

Best of DC: Week of June 5th, 2019

Best of this Week: Justice League #25 – Scott Snyder, James Tynion IV, Jorge Jimenez, Alejandro Sanchez and Tom Napolitano

The Year of the Villain is upon us.

The book begins with Clark in his youth, impatient and wanting to solve all of his problems by using his power, but being told to be patient by Pa Kent. Cutting to the future where he and Jon can’t light a lamp in Pa Kent’s honor, he’s drenched in rain under the cover of night. In the present an emaciated Superman floats through the Sixth Dimension in total darkness, left there by the glistening White Superman of the Utopia created by the World Forger.

Elsewhere, the League fights their future selves in an amazing action sequence by Jimenez and Sanchez. The clashing of ideals is in full force as these perfect beings from different eras fight each other for the future. Our Justice League fights with the fury of youth, uncompromising in their belief that a future where the lives of billions are lost in order to achieve justice is no future at all. The Future League, however, with their vast experience and tainted souls fight with certainty, knowing that their world has no pain or injustice.

Their battle is captured excellently through sheer scale and intensity as the book rumbles on. Wonder Woman knows what she’s capable of taking and throws down on her older self with punches and kicks befitting a warrior with the heavy impacts to match. Lantern Stewart has an architectural mind, but his older self has obviously come across bigger, but doesn’t count on the flash decking him right in the mouth. The Flash himself doesn’t see it coming when he catches a flurry from himself and who I believe to be Wally and Bart as they phase in and out of existence.

Martian Manhunter uses his shapeshifting abilities to become something out of any Kaiju movie as he tears through the city and himself. Batman… dear God Batman and his beautiful Bat-Mech. The machine is over designed with sharp edges, a bright white color scheme with a gold Bat logo and big dumb Bat wings, but it is AMAZING to look at. Appearing to be on the side of the World Forger, he tells the team to see the Light, telling them to listen to his words and imagine light as they get beat down by their future selves.

Back in the Sixth Dimension, Batman thinks back to the light ceremony and how the League was there to help him and Jon and suddenly lights begin to appear, not just any lights… suns. In what may be one of the greatest sequence of pages in the last few issues of Justice League, (and there have been some great ones) Superman is re-energized. He dives through one sun and then another and another, regaining the hope and strength that he is so known for and rushes towards his friends.

The World Forger readies his hammer to strike this future reality into existence until he feels the vibration. He tells Future Lois Lane to shoot it down, but she sees the “S” and begins to cry. Flash sees him, Diana, J’onn and especially Bruce as Superman RAGES INTO THE BATTLE AND WITH A SINGLE, WORLD EXPLODING, PUNCH puts and end to the World Forger’s machinations.

Instead of destroying the World Forger in that instant, he extends his hand, telling him that there is another way to save the Multiverse if he joins the Justice League. Batman had his suspicions of the future the whole time and upon learning of Superman’s fate, decided to give him a chance to find his way back to his friends and if he didn’t then the Utopia was meant to be, but he always knew that Clark would find a way. Clark focused on hope and the happy memories. He knew that there was always another way and that the World Forger’s ideas that there was only one path or a few that involved him fighting against the Justice League were misguided and that there was one he hadn’t considered; joining them.

Before jumping into the latter 1/3rd of the book, I have to praise this book for having such a satisfying conclusion to this arc. I love that the League didn’t just have to vanquish another threat, but gained a new ally in their fight against the coming Doom. The art was amazingly frenetic and bright with the colors popping in ways that made everything all the more epic and badass. Shading and detailing made everything seem so much more inspiring and dire at times, which is exactly what this needed with special praise going to the single splash page of Superman roaring his arm back for a Real Superman Punch.

Things finally coalesce with the second story of this issue written by James Tynion IV and drawn by new series regular artist, Javier Fernandez. Paying off the events of the Year of the Villain One-Shot, Lex Luthor has made his plea to the people of Earth. After the Legion of Doom saves the world from a raging Mxypytlk, Lex tells them what a mess of things the Justice League made of the Source Wall. He encourages the citizens of the world to shun the League and become Villains just like him as it’s the only way to save themselves since the heroes obviously can’t.

The people are listening and have already started rioting in the streets. Unlike in The Last Knight on Earth, the League has hope. The World Forger hopes to gain the aid of his brothers, the Monitor and the Anti-Monitor. Starman hopes to gain the aid of other heroes from the Multiverse. Wonder Woman wishes to stay on Earth and utilize the Largest League that there has ever been and J’onn says that they have to do it all. At the same time, after his supposed Death, Lex brings himself back to life in a strange body, saying that Doom is just beginning.

I have never been more excited for Justice League than I am now, especially given how widespread this story will be. There are hints of the same kind of scale as Jonathan Hickman’s run on Avengers, with every small thing in every tangential book affecting some part of the larger narrative and that’s the kind of storytelling that I adore. Offers are going to be going out to every villain in the DC Universe and things are only going to be more intense from here on out and I am here for it.

Best of Marvel: Week of June 5th, 2019

Best of this Week: Meet the Skrulls #5 – Robbie Thompson, Niko Henrichon, Laurent Grossat and Travis Lanham

Earth has a way of changing everyone.

Of all of the races in the Marvel Universe, the Skrulls absolutely blend in the best. They act like us, laugh like us and even have families like us, but what happens when that family becomes more important than the mission? That’s what Meet the Skrulls asks us as we reach the end of the harrowing series.

Mirroring the happy beginnings of their mission, the rest of the Warner family, mother, Gloria, and her daughters, Alice, Madison and a presumed dead Ivy return to their family home. All is not good as it is engulfed in flame, leading to Gloria driving the family to a safe house just outside their city limits. Alice turns into a butterfly to complete her part of the mission while Gloria and Madison are reunited with their father, Carl, who tells them that their handler, Moloth, has betrayed them.

Meanwhile, Alice infiltrates the home of one of her high school “friends” and tells her of her mission and that once she completes it, she will never show her face again. It’s distressing that things have gone so terribly that she’s willing to throw away her secret in a last ditch effort to salvage her mission, but that’s how the Skrulls are. They are focused on serving their home world and anything less than that is unacceptable in their eyes, especially for Alice who had been trying to become part of humanity for the entirety of the series.

At the same time, Carl begins to systematically incapacitate the rest of the family with stun guns, however Gloria catches on when he asks for a spot of tea from her that this is not her husband. She poisons the tea, but he detects it and they confront each other. Elsewhere, Iron Man arrives at a Stark Enterprises facility and questions how none of his staff knew that there was another floor/room that someone was using and how did a Skrull get in. Alice, posing as her friend’s mother, finds the body of her father, having been shot in the chest in the last issue. An unfortunate sacrifice to save his daughter, Ivy.

At the safehouse, Gloria and Moloth fight fiercely. Henrichon’s art reaches a new level of dynamic as limbs expand, twist and contort because of the Skrull’s shapeshifting abilities. Attacks and bodies look gross and everything is impactful because of the closed nature of the space they occupy. Not only that, but faces are expressive of the fury and betrayal that they all feel.

Moloth is disappointed in Skrull High Command and believe them to be weak and incompetent, choosing to betray them to another unknown benefactor and making the Warner’s take the fall for his actions. The Warners, Gloria and a recovered Madison are pissed and hurt that Moloth killed their father. Gloria rages and as she punches and kicks Moloth, it’s so very satisfying.

Moloth, however, gets the better of them and manages to hold them down with his limbs sort of taking the form of tree trunks, almost. He is dispatched when Alice returns, driving a car through the house and crushing him. He tells the family that the Skrull Homeworld will think that they’ve betrayed their home, that they can’t run, but Gloria tells him that that’s exactly what Moloth’s trained them for, turning her arm into a blade and killing him.The family then puts Carl’s body on a pyre and now have to live a life on the run while being pursued by Tony Stark and the Moloth’s unknown bosses.

I’ve been a fan of Meet the Skrulls since the first issue and I wish I had given it more love when it came to showing the books off because they are amazing. Robbie Thompson writes these characters in such a subtle way. The underlying love for each other is there, but it’s clouded by a cover of duty and a little bit of resentment in the first few issues due to the unexplained loss of Ivy sometime prior. Once it’s revealed that Ivy is alive and you think that the family may have happy ending, that feeling is immediately ripped away and replaced with grief.

These characters are soldiers in a never ending war, but they somehow managed to form a bond beyond the war. It’s even harder because they are an actual family, but adjusting to life on Earth and some semblance of freedom making them supposedly weaker humanizes them in a way that we haven’t seen from the Skrulls before.

Not to mention how beautiful Henrichon’s art is. Henrichon has done amazing art for Doctor Strange and New Mutants with lots of spectacle and style, but the way that he draws small moments… little moments of intimacy and smiles, sometimes panels with no dialogue whatsoever is spectacular. His faces are awesome and the feeling is palpable in each of them. The sorrow from Alice as her “friend” questions who she is, the shock as Madison and Gloria see “Carl” and the rage as previously mentioned.

Meet the Skrulls definitely deserves some acclaim. It’s a spy thriller, a family drama and an alien invasion story wrapped into one nice and neat package. The art is phenomenal and while it may not continue past this story, it’s definitely one worth reading. The characters are engaging, from the overbearing and mission focused Carl, to his loving wife who’s grown disillusioned to the mission, to the dutiful Madison and the wistful Alice who just wants to be as normal as the humans. It’s an emotional journey and the ending is as impactful as its beginning. High recommend.

Best of DC: Week of May 15th, 2019

Runner Up: Superman #11 – Brian Michael Bendis, Ivan Reis, Joe Prado, Oclair Albert, Alex Sinclair and Josh Reed

The lives of those in the House of El are unreasonably hectic.

Maybe an hour or so after Jon returns and tells his parents about his time with his Grandfather, he and Superman are thrust into a giant war instigated by the returning Jor-El. Somehow, he’s managed to piss off the Thanagarians, the Khund, the normally peaceful Trilium Collective and they’re all gunning for him.

Ivan Reis absolutely makes this issue with his stunning visuals! The space combat is intense and Superman only makes it even better as he glides through ships with his red after image and beautiful explosions. The ships themselves are amazingly unique and specific to the races they come from. Heck, there’s a lot to be said for the many facial expressions that Superman makes as he “politely” asks each of them to stand down.

While the art was amazing, the story was good too. Finally, coming back to General Zod after about five issues, Rogol Zaar offers him a truce. Zaar promises to tell Zod why he destroyed Krypton if Zod can help him get out of the Phantom Zone. Somehow, because of Jor-El, the monstrous brute escapes. Zod appears as well, looking like he’s about to offer Jon Kent the ASS WHOOPING OF A LIFETIME, but he simply calms the boy as Zaar faces Superman and an unexpected ally appears.

This issue was a lot of fun and definitely helps to begin the pay off of Zod returning from the Phantom Zone and Zaar confronting the House of El in three generations. Superman was hilarious as he merely has to look at people, mildly annoyed, to get most of them to stop. Zaar, however, continues to be a bland brute as we only get teased about his motivations without any real development. I am excited about Zod’s future, however. I really REALLY want him to come out of this almost year long arc as a reluctant ally of Superman and for that, this is a high recommend!

Best of DC: Week of May 15th, 2019

Best of this Week: Teen Titans #30 – The Terminus Agenda: Epilogue – Adam Glass, Bernard Chang, Marcelo Maiolo, Hi-Fi and Rob Leigh

It’s official. Damian is the WORST leader that the Teen Titans has ever had.

Everything comes to a head in the aftermath of Terminus Agenda as Red Arrow, Kid Flash and Damian are confronted by Crush, Djinn and Roundhouse after all that transpired. They’re angry, but at least for a moment are willing to work with the others on a solution to things. Damian rationalizes that his secret prison for supervillains is needed to put a stop to the villainous criminal organization, The Other.

Kid Flash initially relents and wants to put a stop to the prison, knowing he should have as soon as he found out about it. Red Arrow, sees differently and threatens to shoot him with an arrow if he attempts it. What makes this even worse is that it is these kinds of squabbles that led to Damian putting this team together in the first place, but because of his lies and cruelty it’s tearing apart at the seams.

Djinn, upon hearing his reasoning, remarks that thoughts like that are what led to her brother imprisoning her and making her commit atrocious acts in her past. Damian tries to take her arm and make her see his side, but Crush tosses him into the sign above their building in a rage.

Everything breaks down from here and Bernard Chang struts his dynamic art skills in one long string of action scenes.

The disorientation and weight from Kid Flash smashing Crush through the ceiling is heavy and Roundhouse plowing into the Speedster is even worse. Red Arrow manages to take Djinn down and Damian rocks Crush with a brutal kick to the face and it is magnificent. Everyone regains their composure and Damian gives something of an apology and says that THIS is why it was supposed to be kept secret, “to keep the burden on him.” The moment is ruined, however, with the sudden and violent arrival of a certain someone’s father.

While I generally love when a team comes together, I like it even better when their internal issues flair up, resulting in things like this. Damian didn’t want to be like his father, but became worse, Kid Flash hid things from his friends and tried to play innocent just like Barry does and Red Arrow regressed back to her murderous nature to kill Deathstroke. The new kids aren’t any better. Crush routinely lets her anger get the better of her and pushes people’s buttons, Djinn practices a level of self-righteousness that can be seen as naive and Roundhouse is just an awkward kid playing hero.

This team was a recipe for disaster.

I don’t really know how they can recover from this. Djinn’s trust in Robin, especially after she gave him control of the ring that controlled her, is broken and Crush hates him. I could see Roundhouse possibly staying with the team, but given his close nature with Kid Flash now kinda being severed… I don’t know. Red Arrow and Robin aren’t too far removed from the same motivations so they could stay together, but Kid Flash is likely done with the both of them. I did like this team, but aside from the upcoming issues focusing on one character, I don’t know how much further they can go together.