Tag: Storm

Best of Marvel: Week of September 18th, 2019

Best of this Week: House of X #5 – Jonathan Hickman, Pepe Larraz, Marte Gracia and Clayton Cowles

The X-Men have conquered their greatest enemy: Death.

After the events of the last issue, it was a wonder just how Hickman would write the X-Men out of the predicament that has stopped them so many times before. In the standard Hickman way, he made retcons that enhanced the usefulness of lesser characters and provided a way out that not only makes sense, but can be used for just about anything in regards to all of our favorite dead mutants.

In House of X #1, one of the first things we see is Charles Xavier meeting the reborn forms of Scott Summers and Jean Grey as full adults after they emerge from egg sacs of some kind. Initially, I thought that this was just some sort of strange symbolic rebirth thing and while it still is, it has become far more literal and intriguing because of five mutants – Goldballs, Elixir, Hope Summers, Proteus and Tempus.

Goldballs had one of the dumbest powers for the longest time; the ability to propel golden balls from his chest, but in this book we learn that these balls were actually non-viable eggs that, with the help of Proteus, could be made usable. After they’re injected with mutant DNA and given life by Elixir, Tempus ages the eggs to maturity and thanks to Hope’s powers, all of them operate at peak efficiency. This allows the mutants to effectively resurrect their dead friends as husks until Xavier implants mind engrams into the bodies with their past memories.

Everything about this scene was immaculate and well done to a point where I almost want to cry. What coloring there was felt low and hushed, almost as if we were seeing something miraculous, the gift of light. Camera angles were mostly downwards, to capture the harmony of the group before they began their work. They stood silent and acted on instinct, indicating they’d done this before, showing us that they were absolutely sure of their process. 

Xavier leaning down, cradling his children and asking them to not die again as it kills a part of him every time that they do is heart wrenching, but joyous when he gives them their memories back. There’s no hesitation, only love, only care. 

The gravity of the event as it happens and seeing someone like Goldballs become one of the most integral mutants in the revival of the mutant race brought me to an unknown level of joy. There was so much weight to their actions with the excellent narration by Magneto as to what exactly they were doing while talking to Polaris, making the point that when they are apart, they are still strong mutants, but together they are even more powerful than previously imagined. 

This message also acts as a bit of foreshadowing for the end of the book and as the theme for this issue as a whole; the idea of togetherness, something that the human race has denied mutants for all of their existence. 

I’m almost certain they used the exact same pages from House of X #1 as we watch the resurrection of the dead team, but this time we have a whole new perspective of how we got there. In an absolutely beautiful celebration of life, we see the mutants of Krakoa praise the Five for bringing their mutant family back to life and a confirmation of those mutants by Storm. Under the purple leaves of a tree of Krakoa with a bit of sunlight shining through. Purple usually symbolizes nobility, passion and authenticity and with the use of dynamic angles and heroic posing, we can be absolutely sure that these are the same mutants.

Angel, Husk, Mystique, Monet, Wolverine, Nightcrawler, Cyclops and Jean Grey all died to ensure that the Mother Mold didn’t come online and destroy the mutant race. In two nine panel grids, Storm greets hew newly reborn friends, questioning how she knows that it’s truly them. After they give their answers from the somber to the cocky to the… Monet, Storm asks what they are and the crowd answers with one word: Mutant. 

The level of solidarity among the mutants is inspiring, the love and pride they have in themselves in infections and makes me want to see them do nothing but succeed. However, I do have something of a concern with the level of reverence they seem to be getting. As they walk naked down the stairs to interact with their fellow mutants, the other mutants reach their hands out at them as the sun shines brightly behind them. They seem as saviors, messiahs, people standing above their fellows and that’s a potentially dangerous path for them to go down, especially since Krakoa is performing so well and don’t need egos to ruin it.

On top of their resurrections, Xavier and Emma Frost are also trying to get the world’s governments to accept Krakoa’s pharmaceuticals and accept the Mutant Utopia as an independent nation. With a few notable exceptions from Russia, Latveria and Wakanda (among a few other countries that also would not accept Mutants or their cure alls) most of the world is very into the prospect of life giving drugs in exchange for giving mutants diplomatic immunity and recognition.

In many ways, this is the progress that they have always strived for. Some people aren’t reticent to their acts of kindness out of ideological differences, but others see the benefit of siding with the new Nation as long as they can see the benefits. They may be alliances of necessity or fear, but the point still stands that their autonomy is being recognized. They’re not being actively hunted, at least since Orchis was stopped from activating the Mother Mold and with their population in the cusp of becoming what it was in the past, they are flourishing and don’t NEED human support, but they find it better that they receive it.

With the world coming together for mutants, there’s only one more group left to truly unite the houses: The Villains. In my opinion, most of House of X has been leading up to this, the day when even mutant villains will come in full support of Xavier’s new mission to save the race and there are some nasty ones here: Mister Sinister, Lady Mastermind, Mesmero, Selene, Sebastian Shaw, Emplate, Exodus, Gorgon, Black Tom Cassidy and Azazel.

But these villains pale in comparison to the final arrival in Apocalypse. In more than one way, Apocalypse’s dream has finally come to fruition as well. Mutants have risen above and finally become the dominant species that he always believed they could be. They have evolved past their petty and weak natures and embraced their strength in both numbers and power. With Krakoa welcoming him with some lovely birds, Apocalypse speaks on behalf of all of the evil mutants when he says that they will obey the laws of Krakoa as they are written and cements this new alliance with a handshake with Charles Xavier.

This blew my mind. Apocalypse’s whole deal was that he would absolutely destroy the weakness in the mutant gene pool and was only able to do so with Charles Xavier dead in the Age of Apocalypse timeline. He tore the world asunder, but as we learned from one of Moira MacTaggert’s past lives, even this would not have lasted. If Moira’s been in contact with Apocalypse, then he too knows that following Xavier right now is the only true path to mutant evolution and supremacy.

I have never been so elated, surprised and anticipating of a comic in so long. 

Pepe Larraz and Marte Gracia are a match made in heaven and this book has a cinematic quality through and through. Larraz allows the characters to appear overjoyed, happy and proud with beautiful facial expressions. With faraway shots and ever changing angles in the panels, there’s such a grandeur in the story being told. The sun is always shining in this particular issue, much like it was in House of X #1, signaling a brand new day and bright future for mutantkind.

Gracia’s colors are bright and vibrant, emanating with a hopeful glow. Their lighting effects are on JJ Abrams levels of shiny and somehow The Five characters stand out apart from the clothes that they used to wear. Tempus’ blue pops out perfectly against Goldballs gold and black. The purple of the tree leaves in the Confirmation is absolutely beautiful and awe-inspiring and the darkness during Apocalypse’s arrival set against the shining God rays is the perfect contrast.

I have never been more proud to be a fan of the X-Men. Knowing their history of death and rebirth, it’s relieving to see that they now have the means to finally conquer their mortal enemy. There’s so many that can be brought back to life (provided their deaths haven’t already been retconned). John Proudstar, the original Thunderbird, Jamie Madrox, Negasonic Teenage Warhead, Sean Cassidy, Blindfold and many others that either died so long ago or died at the hands of Matthew Rosenberg’s Uncanny X-Men.

House of X has gone above and beyond and rejuvenated a portion of the Marvel Universe that has been a chaotic mess for the better part of almost 20 years by this point. There’s finally unity amongst all of the mutants in the Universe, from 90s villains to even recent ones from Brian Michael Bendis’ run. 

Jonathan Hickman is proving that almost anything he touches turns to gold as he’s crafted an amazing tale in only nine issues, counting Powers of X as well. I find myself, for the first time in a long time, not just going through the motions. I feel as though I’m witnessing a revolution occurring, an actual brand new era for some of my favorite super people. 

The series is set to conclude in about three weeks for X-Men #1 and I am already so very excited. Highest of recommends.

What are we? Mutants.

Best of Marvel: Week of July 31st, 2019

Best of this Week: Black Panther #14 (Legacy #186) – Ta-Nehisi Coates, Daniel Acuna and Joe Sabino

Since the beginning of this new series, we’ve been left wondering if this escaped slave, turned warrior, turned legend was the real King T’Challa. We’ve been introduced to an M’Baku, though M’Baku has been dead for years and a Nakia that isn’t an emaciated mess of a supervillain. There’s also a living N’Jadaka even though Killmonger too has been dead for a long time. We’ve gotten hints that maybe things aren’t as they seem, especially when Manifold shows up as a mind controlled slave. The last few issues had finally cleared things up and it’s official; the King i back.

The book begins with Manifold helping to evacuate the Teku-Maza, a group of alien warriors that have agreed to help the Rebel Maroons fight against the “King” N’Jadaka. In the middle of the evacuation, N’Jadaka’s forces appear from hyperspace and engage the Teku-Maza and the Maroon forces in battle. 

T’Challa, now with all of his memories back has finally contacted Wakanda Prime. Shuri, Storm and his mother all answer the call and tell T’Challa how the country has flourished despite his absence and that his request for aid in space might risk this newfound peace. Shuri even asks why should Wakanda Prime even be concerned with all of this and Nakia snaps back with the fact that N’Jadaka won’t just stop at the few galaxies that he has. Honestly, this should be a grave concern for them.

The Space Empire has managed to go unnoticed by the Black Panther and others for thousands of years. With the technology that N’Jadaka wields, it wouldn’t be a stretch to say that he could give Earth’s heroes a run for their money. Shuri’s dismissal of such things comes off as naive at best, but outright dangerous at worse. T’Challa is one of the smartest and most capable of Earth’s heroes and he too fell to the Empire.

The call is unfortunately cut short as the Teku-Maza’s planet of Agwe is under attack and only T’Challa and the rest of the Maroon Elite can stop the Empire. Under M’Baku’s command, T’Challa, Nakia and the Goddess Bast take the fight to the Empire.

I’ve been waiting for Acuna to come back for large scale battles such as this. His art style is absolutely perfect to capture the sense of scale, speed and harrowing nature of this kind of space fight. He also has the perfect Afro-Futurist feel to each scene with ship designs that feel, maybe West African in nature, as well as the M’Baku’s body modification and the design on his sash. The colors are heavy with striking reds, intense greens and screaming hot yellows. Some pages also have a bit of a holographic/3D effect in some panels that adds a little bit of a trippy factor, especially as Bast uses her powers.

The battle is harrowing with each side taking casualties. The Teku-Maza leader tells his men that no matter what happens, N’Jadaka must not escape and he has them arm a weapon called the “Core-Killer,” a weapon capable of destroying the planet it’s armed on as well as almost everything within close enough range. N’Jadaka tells his people to fire on the population centers of Agwe and the Teku-Maza leader tells the Maroons to retreat as the core killer has been activated. Bast chastises M’Baku as he resigns himself to ask his forces to retreat and the Maroons get away just as Agwe goes up in flames.

This war has cost so many lives and having to give up an entire planet of people is absolutely devastating. On the possible upside, a tyrant may have finally been destroyed, leaving his people able to find freedom much like the Maroons have. I think what I like best about this is the position it puts T’Challa in. He’s lost his people many times over, so either his heart is completely hardened to it, or he values absolutely every life lost that he himself was unable to save. I don’t know how he’s going to handle this stunning climax to the war, but I can’t wait to see. High Recommend.